Video Premiere: Målgrupp – B3

In collaboration with Stockholm/Manchester-based label Maternal Voice, we bring to you the video for Målgrupp‘s (Julian Murray) release from 2017, “Musik från Gallerian“, with music taken from the B-side of the release. This is dystopia, harrowing pieces of field recordings that would not be understandable at all without a context. The utter creepiness of modern urban planning and popular music disseminated to what it really is – a piece of garbage now meant for human consumption.

If everyone put on headphones in the vein of the sunglasses in the movie “They Live“, this is what they would hear throughout the repetitive music that perforates everyone’s mind, you cannot escape it and it will force its way upon you. I don’t really know what to make of the “music” itself more then that it is a form of anti-music that is very much needed in times where you only need to produce a simple track around 3 minutes that has no inherent meaning anyway.

In a way, this anti-music corrodes the fabric of what popular music actually is when not heard through the ears of the “normal” person – it is what music listeners hear when it is stripped of all the glamor, melodies and hype that surrounds it. A shitfest reserved for those with no taste, ironically a totally different track started playing automatically after this video – it was exactly what we portray in words here.

View the video up above and listen to the album down below, buy the cassette.

Video Premiere: Man, Woman, Friend, Computer – Exordium/Outgrown

Man, Woman, Friend, Computer released their debut-album self-titled album last year and now Yuliya Tsukerman (of Mana Contemporary) have created a music-video titled: “Exordium/Outgrown“. The music is electroacoustic pop music, with experimental tendencies. It is exciting to see such craftsmanship when it comes to music-videos.

The methods Yuliya have used are one-hundred percent analog. With the help of centuries old Czech marionette-techniques, the dolls are paired with modern materials and objects, creating a story that is moving. It is the story of a spaceman coming to terms with his own isolation and loss as he cares for an injured alien. A narrative is created – analogue versus digital – a re-imaginative trip from old to new – pairing them both, but  telling them apart as well.

Listen to the album down below and view the video up above.

 

Video Premiere: FOQL – Cyril

For the beginning of summer, Niebezpieczne Zwi¹zki (Hazardous Compounds?), will put out their first release – in conjunction with their older project Kolektyw Ebola (The Ebola Collective) which was an underground collective of artists, based out of Poland. Out of the collective idea grows NZLD as a label, but right now runned by two people – RNA2 and FOQL.

As a label and artistic strategy they are focusing on the notion of disinformation. Staying true for a codex based upon different collective projects, gathering under different names – but under all the same name – in a rather morbid celebration of everything in media. Not a celebratory gesture by honoring anything, but as a spreading plague through: “…music, gigs, actions, distractions, words, system breaking, instrument breaking” and “A survival in Lo-Fi. Digitals and analogues. Dangerous Liasons. We deal with machines and humans.“, according to themselves.

Before NZLD as a label they were probably most known for their two releases on the Polish label Oficyna Biedota, namely the split-release with Arkona titled “Computape Split“, or their first release “Nag³y Spacer“ and split tape with Berlin based graphic designer Aga Wilk.  You can view it yourself on their homepage (nzld.pl).

For us whom are intrigued by mystery, it is a pleasant surprise to see them working on their own.  But a surprise it was, when we found out that NZLD is the new shape of what Niebezpieczne Zwi¹zki once was. A birth of something new, a breath of fresh air, which is only the home of two people and not an entire collective anymore. The first release is titled “Hypatia” EP” and it features a member from their collective whose name is FOQL.  She’s been active for three years, putting out songs on labels like Oficyna Biedota, Gooiland Elektro and Weyrd Son Records – with her different egos.

1661835_678601358865011_2424072089302320333_n

This first release is a collaboration with the graphic designer and tattoo artist Izabela Dawid Wolf of Skin Yard Zin. She’s created the artwork for this release. It also marks the baby-steps of NZLD as a label, staying true to their notion of a collective – rather making everything their own – than inviting anyone. They’re currently preparing a limited edition cassette for release, but they put out a music-video created by Izabela D. Wolf before release. I managed to get a hold of that music-video and I’m now broadcasting it on my newly created Vimeo-channel. The sound of the track “Cyril” is bizarre with its overlaying power electronics atmosphere and the underlying synth-pop blended with noise. A product of an industrialized nation gone berserk. Even though a lot of what I say is true, a certain sense of beauty can be found between the layers. Which is adequately expressed together with the music-video itself, enhancing that symbolism which was earlier just found in the music. So I give to you the premiere of the music-video to the song “Cyril“, taken directly from the “Hypatia” EP” – to be released very soon. Watch as you please, in HD or SD. You can listen to the song from that release down below, too.

Exclusive Video: Alone In The Hollow Garden – Field of ∞ Dissolution

The main project of Dan Serbanescu nowadays seems to be Alone In The Hollow Garden, rather than Tanz Ohne Musik. Both him and his partner; whose main mission is to create visuals for the project, venture into a whole world of their own. Color Nurse is his visual aid in a rather dull world, taking care of the visual elements for both Alone In The Hollow Garden but also Tanz Ohne Musik. She’s in other words involved in what he’s doing, also with his own label Red Cavity Records. Creating professional music-videos, photographing different covers for releases, being in charge in general of the video department. Her visuals to the music that is made through Dan Serbanescus aliases, move forth in such a wonderful synchronization. Especially in regards to one of their latest music-videos, for the track “Field of ∞ Dissolution“, taken from the latest release by Alone In The Hollow Garden, titled “L . V . X .“. It’s the first track from that release and the video is as dark as it is mystic. Suggestive patterns move in and out in total disharmony with the paranoid music that has taken its form and refuge within power electronics. Clipped in images relieve one another in a totally erroneous fashion. Unorthodoxy is the main concept, between the shady lyrics that are put out vocally by Dan, and the fast-hitting but brooding electronics that hit as hard but inconvenient as possible. Repartiseraren got the opportunity to exclusively premiere this music-video for the readership. So check the music-video out and stream the whole album “L . V . X .” down below, plus the full song that I got a hold of for the blog-zine.