The best releases of the year 2012! (Part I)

It’s been a very interesting year when it comes to music. There have been a great amount of releases that have been up there with the greatest of yesteryear. Since everybody seems to be doing these lists, I will join in on the fun and recommend you the best releases of this year. Some of those releases might’ve been what I’ve reviewed on this blog and some others might be releases that I haven’t reviewed yet. I think it’s fun to do these lists nevertheless and hope that you will be with me next year too, as I will be continuing with my quest to shine a light on good and unintentionally obscure gems that seem to be passing by in the speed of light, only getting picked up by the smaller blogs like mine and other blogs. I will also be doing other lists that will be turning up in the days ahead of us and I might actually do something “big” for a change, just to celebrate this year’s passing. Welcome to Part I which in an unorthodox manner, displays the four best releases of this year.

dalet-cover4. Various Artists – A Somatic Response

A compilation from the wonderful label Beläten. It’s been with me since many months back and was probably the first compilation that I ever reviewed. There is something interesting in the way the artists were compiled on this compilation, it seems like it took a long time for Thomas to sort them out and place them in the right spot. Rightfully so, it also made it a whole lot better and it felt like it had been worked on for quite some time. Even though the music at times might not have been what I expected, I could hear that it reeked of quality. There was basically nothing wrong with it and it was a suitable piece of art which hopefully will get what it deserves in the future. I think its one of the greatest compilations of this year and therefore its included in the first batch of the best releases. If you haven’t already heard it, I suggest you do. I would also like to quote a little bit from the review I did on it:

With a synthesizer brain, you can’t go insane.

solblot-fc3b6r-mig-finns-ingen-vc3a4rld3. Solblot – För Mig Finns Ingen Väg Från Hemmets Dörr

An adaptation of the wonderful poems that Verner Von Heidenstam wrote in the end of the 19th century. If anything, this album should be and is a part of Swedish cultural heritage. It also broadens the horizon of neofolk, since they’ve managed to put their own approach to the music and the genre as a whole. They’ve outdone themselves when it boils down to it, since they made a lot of variation in between the different song and it is noticeable that they have what it takes to put Sweden on that scene. I don’t think any other band in that particular genre (at least from Sweden) have managed to stay that original and still make it. The album is a milestone of their discography but also as a whole, it really enlightens the aspects that might be forgotten nowadays and heighten them to the max. Hopefully they’ll move on to create yet another album that can withstand the toll of time, as I certainly hope that this album will, because its a positive outreach and insight into both cultural and musical aspects of Sweden. I would like to quote a bit from my review of their album (unfortunately only in Swedish):

Jag hoppas att de tänker ta någon av de andra klassiska svenska dikterna och göra något av det, själv tror jag i mitt stilla sinne att Heidenstam hade varit väldigt stolt över detta om han hade levt bland oss idag. Ett riktigt bra album och förmodligen något man kommer att se tillbaka på, när Solblot cementerat sig själva ytterligare, och kunna kalla den för “en klassiker“.

2721236100-12. TSTI – Evaluations

One of the most original albums to be released this year. The throwback to the wonderful 80’s music that I love so much have also made a mark on TSTI. His latest album evaluations is a good reminder of how much greater some of the synth-pop and darkwave could be. It took me a while to find it and I even conducted an interview with him about his music. I also reviewed his album, which was a listening experience that actually could describe this year very well in every sense. He managed to pinpoint the exact things about this year, musically, that made it suck so hard. But there was always some sense of relief, even though there wasn’t much of it to begin with. His music takes out the best in me and riddles in nostalgia, which helps me remind myself of how things were before. Surely a milestone album when it comes to that genre and a very interesting addition to a pretty suffering style of genres. The analog dimension of it makes it even more worthwhile to listen to and I sincerely recommend it. I should also quote something from my review of it:

I love how the synths start sounding like dolphins communicating below surface, even though its almost a few seconds. I believe that is the essence of S. Smith, he can both be very complex at hand but when you think about it – he’s also managed to keep a basic edge to what he’s doing.

PRO002811. The Deadfly Ensemble – An Instructional Guide For Aspiring Arsonists

It’s not hard to realize why I chose this album. Since I’ve listened through it, I picked it up once again and started listening. Every time I listen to it, it blows my mind and it’s probably one of the most original albums I’ve heard in a very long time. I must also say that it was hard to review such a masterpiece, because you didn’t know where you should go and you didn’t know what to say. But I must say that I completely loved the theme of the album and I tried my hardest to describe it in a way that would be suitable. Nothing can really touch this, not even the release that is on second place in this review. The amount of quirkiness, the sincerity and the sheer complexity of the music at hand left me indecisive about including it into the list, just because it blows every other record out of the water. I would even go so far as to include an excerpt from my review of their album, which leaves nothing else to be said:

They’ve managed to fit in so many emotions into this and they’ve managed to actually keep the music alive, the lyrical content excellent and everything else top notch. Everyone involved with this have outdone themselves and I’d like to say that his is one of the best albums I’ve heard this year. It absolutely smacks many other albums away from the first place and crowns itself.

Which, concludes this years (Part I) list of the best releases. I wish you a Merry Christmas!

Interview with Marzia Rangel!

If you’re even remotely interested in underground music per se, you should know who Marzia Rangel is. She’s a multi-talented artist, but is mainly a bass-player and a cello-player. Since she started out, she’s worked and is working with the likes of Monica Richards, Faith & The Muse, Christ vs. Warhol, Scarlet’s Remains and the Deadfly Ensemble. One thing that I didn’t know before, was that she’s also performed on the SAW II Original Soundtrack. In other words, she’s an interesting person and have a lot of experience within the sphere she is currently occupied with. In the last couple of years, she’s been more active with her newest band Christ vs. Warhol and the Deadfly Ensemble, releasing an one album from each one of those bands. I thought of interviewing her since she wasn’t included in my interview with the Deadfly Ensemble, which I thought was a shame, so I decided to contact her and write her some questions. This is one of the first interviews I’ve actually conducted that has more to do with the person. I therefore hope that you’ll enjoy this interview as much as the other ones that I’ve conducted. So enjoy this interview as much as you can or would do with any other Invisible Guy-styled interview.

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Interview with the Deadfly Ensemble!

the Deadfly Ensemble is quite an eccentric collection of individuals. Existing since 2006, with more or less members actively pursuing perfection. The current setting includes Lucas Lanthier, James Powell, Marzia Rangel, Dizhan Blu and Steven James. They play different instruments, that make up for a varied sound. I found out about them through the picture above, seeing it on the internet some years back. Somehow I never got into it, but in the year 2012 I sent myself on a quest of acquiring the mail to these people. There I sat, with sweaty hands, writing to them and hoping they’d respond. After a while I actually got a response, which prompted me to think of some questions worth asking. Then I did that and sent them away and this is the result. I also did an extensive review of their latest album, over here. Check this piece of art out and hopefully you’ll like this interview.

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The Deadfly Ensemble – An Instructional Guide For Aspiring Arsonists (2012)

The Front Cover?

I would have to count the days for the last time I saw a really original CD-cover. This one is explicitly original and it takes you back to a whole other era. Which makes it enjoyable, the autograph depicting the name “the Deadfly Ensemble” almost make it feel as if it were written by an older gentleman from another century, carefully constructed with an ink-pen. Making it feel genuine when first spotted in the middle of the letter-like CD-cover. Sometimes I feel like I want to open it, but it’s a carefully disguised illusion. There’s also some kind of arson with some kind of cloud or something above the lettering. Accompanied by the cryptic letters of: “bring the HEAT“. Making it even more mysterious in a way. It’s also a mixed match between the classic autograph and standard fonts. Even though there’s not much going on, it makes me wonder what’s in the letter that could be hidden within it.  The colors do also make a nice match with the rest of the cover and I enjoy myself with the illusion more than anything else.

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