Listen: PAAR – Hone

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Every so often something of interest turns up in my mailbox, this is one of those rare occurrences. PAAR have self-released a couple of releases before “Hone“, three double-singles and now an EP on vinyl via Grzegorzki Records, as well as a self-issued cassette and CD.

What I like about PAAR is that they don’t succumb to the same clichéd things that make modern post-punk bad, they do not focus so heavily on “being” post-punk – they drawn influences from shoegaze and focus mainly on a heavy atmosphere where the main attraction is the singer herself. Sometimes her voice fit in well, like in “SYN”, other times it is does not go well with the sound – but as they are just honing their sound with their first “proper” release, it all makes sense.

There’s also an influence taken from popular music which can not be understated. It is good that they do not shy away from influences just because they want to be a gimmick, this is the real deal – there is a sincerity in both the structure of the songs themselves and there are some gems within the lyrics as well.

I suggest you purchase something from them, support their music so they can make more and hopefully they will develop the sound into something otherworldly. I can highly recommend this release.

 

Exclusive Premiere: Bakunin Commando – Void Desire

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Post-electronic body music that has morphed into a monstrous repetitive being, a permanent assault on your eardrums that is as uncompromising as the outlay in Bakunin Commando, Signore Baudazzi’s brainchild takes as much as it gives the listener in return – an anarchic point of view transmitted directly and forcefully into your mind.

The split-release is coupled with more industrial hemorrhage, as Veleno Viola takes the lead roll, the main alter-ego of this man’s twisted world. No matter what you think about the music itself, the release is aesthetically pleasing in different ways, even though much of it could be enhanced – the small tidbits that you get to enjoy are enough.

In collaboration with Kess Kill we exclusively premiere this track, as this is written it may already have been released, the eight release in Kess Kill’s discography (KESS08), paving the way for even more ambitious music in the future. You can get the vinyl here, listen to the track exclusively down below.

Exclusive Premiere: David Bremer – Hotel Solitude

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An homage to the solitary lifestyle of the “global” musician or DJ? An ode to all the nights spent thinking about what could’ve been done better, where one should’ve been otherwise? The titles of the tracks suggests so.

David Bremer is surprisingly vivid musically for a first time listener and experienced field recordings listener, there’s a coating of overwhelming ambient music that drives the point home musically in tracks that are unusually short for these kinds of genres – in “Paradise Refuted” – his first “proper” release in years, on Fang Bomb.

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The music itself is unsettling and doesn’t paint the picture of globalism in a positive light, it is like modern architecture – something that should be in the scrapyard of the past. A brutalistic take musically as if derived directly from the style of architecture itself, depressive, nihilistic, hollow – three words we find describe it the best. Don’t forget to strap in, as there’s a hint of hope beneath the layers upon layers of destructiveness – a glimmer of light that seeps through the cracks.

We’re just waiting to be at that end station where everything suddenly shines, or when the rain finally pours down a warm summer night – like the nights we’ve had before, at least here in Sweden, not too long ago. The sudden realization that everything can be over in a snap, the realization that months of agony have finally come to a halt. There are many emotions that overwhelm you when listening to “Paradise Refuted“.

Some people would just consider it to be background noise, but there’s a lot going on that you have to have a keen ear to be susceptible to, it is like your inner mind getting rid of every noisy encounter you’ve had throughout the day – every meaningless thought that have gone, a relocation of your soul into the music and the soul restored in yourself.

You can listen to the track “Solitude Hotel” exclusively here on Repartiseraren, purchase the cassette whose official release-date was today on the 29th of August.

 

Exclusive Premiere: Fléau – IV

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Anywave are back in action with a new Fléau release, it was a long time since they released their first self-titled album, three years have already passed like it was nothing. Together with their partner in crime, Atelier Ciseaux Records, a five-track album titled “II” will be released on a limited edition run of vinyls, a collector’s edition of 50 hand-numbered transparent vinyls and a book by Raphaël Lugassy called “Organs“, and a regular edition of 200 black vinyls. The artwork for the release is stunning as usual, the work of Myriam Barchechat, photographies by Raphaël Lugassy.

It is very true that Mathieu Mégemont‘s (Fléau) new direction strays away from his original sound, but it introduces a whole other complexity found otherwise within more alternative electronic genres – creeping in between the ambiguous nature of the sweeping, soothing landscapes of sound that hook you in. Even though some aspects of his new release stays true to what he created on his debut-album, this newly developed and intriguing metamorphosis suggests he’s expanded – instead of becoming cliché.

We’re honored to be exclusively premiering “IV“, a song taken from the forthcoming album, due to be co-released by Anywave and Atelier Ciseaux on vinyl, on the 29th of March. You can pre-order it already by following this link, listen to it exclusively via Repartiseraren down below.

Exclusive: Repartiseraren announces; Celldöd added to Kalabalik på Tyrolen 2018 line-up!

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We’re glad to be collaborating with Kalabalik på Tyrolen before the festival starts this year, and announce that Celldöd will be performing live on this year’s edition of Kalabalik på Tyrolen 2018 – which takes place in the idyllic setting of Tyrolen between the 24th and 25th of August this year – in a classic ‘folk park’ with a charming 1960’s aesthetic – as it have been for as long as it has been arranged.

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Celldöd is the newest project of Anders Karlsson (Severe Illusion, The Pain Machinery, Vargdöd, et cetera), and he’s come a long way musically since having one of his tracks released on the first Ljudkalendern compilation on Repartiseraren back in 2015, and the second one in 2016. With releases on his own label Brutal Disciplin, Smashing Tapes Records, Femur, Medical Records LLC, and the latest one being “KESS07” on Kess Kill.

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Ranging all the way from ambitious electronic body music, to acid techno in a new outfit mixed in with primitive minimal electronics, oozing of industrial vibes in a post-industrial world – a perfect match for total misanthropy and a knuckle in the skull of the unknowing. His live-performances have been praised for his total control over the ‘meager’ instruments he’s brought with him, being able to execute a perfect showmanship despite his instruments malfunctioning – using it to his advantage, to create a whirlwind of soaring destruction.

He’s performed on Kalabalik på Tyrolen a couple of years ago already, but this one will be on a whole other level, we anticipate at least. It is a must-see performance which you’ll be able to enjoy if you snatch a few tickets, invite your friends and whomever you like or dislike to this festival – it is a once-in-a-lifetime experience that we at Repartiseraren want to see next year as well – but it all depends on your support.

You can buy either an early bird ticket or an early bird support ticket – to show your appreciation for Sweden’s undoubtedly best alternative music festival. Here’s a link to where you purchase your ticket. Stream the latest release by Celldöd down below, and purchase the vinyl-release from Kess Kill if you like what you hear.

Listen: DECADES / FAILURES, BURA BURA, Soft Riot

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Though the cover is too macabre for our taste, as the once beautiful woman have been thoroughly manipulated into looking as a piece of modern art – which in itself is very distasteful – DECADES / FAILURES musical aspect trumps everything else. As written in the description for the release, this piece of music was mastered in all haste, only using meager methods of recording – such as a blown speaker – all-in-all it adds more then it takes away from the music.

A bed-ridden and sickly vibe transformed into brazen post-punk, with an atmosphere of chords that are simply otherworldly together with the heavily distorted vocals. There’s a hopelessness that can be found in the lyrics and the general mood of each song, especially “Song 5” – but as a closing song it manages to ooze with hope, a light shining through in our darkest moments. Had this been mastered a bit more, or maybe been recorded in a different setting – it quickly would’ve lost its inner message and tone.

Listen to the release in full down below, buy it digitally to support the artist, so this can hopefully be made into a cassette.

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Uncompromising body-music turned into a mish-mash of new beat industrial greatness, Australian outfit BURA BURA manages to catch a depth which is overlooked within electronic body music, as his heavily transformed vocals bounce against the complex percussion in each song. A lot of the songs would fit better in a cinematic setting, but some of them are outright ridiculously great to listen to in some parts, especially “Flex Like Rex“.

Ironically enough, what he manages to pull off best is the neo-noir vibe of post-punk lewdness and electronic body madness – not so much with the more electro and industrial-influenced tracks – a catastrophic mess of blends and meshes that need to be more thoroughly tested for the forthcoming releases. The passages of swirling ambient that takes you into new heights of your own consciousness is frightening at first, but when the beats whirl around your head and you go further down the tunnel, there’s nothing anyone can do to stop it.

The release is available both digitally, and on cassette via Moontown Records. If you’re into it, you can also purchase one of the totebags specifically made for this release. Just follow the link through bandcamp down below.

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Soft Riot have long been one of our favorite artists, as he dabbles with the most comedic aspects of synth-pop music – but manages to keep a straight face through everything – delivering complex and atmospheric synthesizer music – especially in this new release, “The Outsider In The Mirror“. When it comes to the lyrics of some of these songs, he reveals how much talent it takes to create such imaginative lyrical content – whilst keeping the music in tune with everything he utters. It might not be the prettiest voice in the world, but there’s a sinister tone in his voice, there’s a sincerity being delivered with every word.

Waiting For Something Terrible To Happen” is a spastic ambush, a ticking clock of weirdness and anticipation, delivering catchy arpeggios and creative outbursts of heavy, deep electronic vibes. Even though it might not be some of this best releases of all time, it is a more cheerful and less moody vibe to this, a sense of belonging is shown between the lines of tongue-in-cheek lyrical brazenness. We’re eager to hear more of this, even though he’s heading in a very experimental yet freakishly pop-oriented direction.

The release is available for purchase via Possession Records, digitally, on CD, vinyl and cassette. You can purchase it below by following the bandcamp-link, or simply stream until you make your mind up.

Listen: Grand Mal x – Darkness

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Harrowing, eclectic dance music for those who appreciate the esoteric. Grand Mal x surprise us with another release, in companionship with Michael Idehall whose music can be related in one way or another to this project musically, but they deal with the concepts differently. What is most enjoyable when listening to “Darkness” is the complex synthesizers that pin angelic towards demonic – sin against the good – a constant battle between what is right and what is wrong.

Stjärndamm” is our favorite song on this release, with a purposeful barrage of basedrums that hammer into your consciousness, the dreariness of the atmosphere consumes you as it progresses – or regresses. There are some beautiful chords laden from the synthesizer as well, together with second long samplings that pierce through the malevolence of it all – though the concept of it seems beautiful when you utter the title, but the music itself suggests something different.

A thoroughly complacent album, a deep insight to everything that shaped and formed Grand Mal x from before – concentrated into a roller-coaster of emotions, messages and sublimity. There are facets you don’t recognize once you hear it the first time, as in “Black Book” which was co-written with Mattias Ivarsson, a very different song that detaches from the release as a whole, but knits it finely together with “A Star For Everyone” – a song also featured on our own compilation “Volume 2 – It Will Never Be The Same“.

Buy the CD from the Ant-Zen mailorder, or purchase the digital release below while you’re streaming the release anyway.