[16th] December: Yves Malone – Yellow Sweater & Junos

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One of our favorite synthwave acts as of late, Yves Malone, have chosen to grace us with an appearance for Ljudkalendern. For those who don’t know, he’s been featured in three reviews and premieres on Repartiseraren, back when Field Hymns compiled three of his earlier released albums into a box-set of cassettes. Since then he’s also released a separate album called “Ebony Sunrise“, on Orange Milk Records. What’s unique about him is how he manages to transfer soundtrack-music out of the box and into proper synthesized music, instead of it sounding exactly like a soundtrack is to sound – if you’ve ever had that feeling of how you can distinguish between the two. Which we’ve had plenty of times. That kind of transcendental move is hard to make when you’re not able to think outside of the box, which Yves is certainly very capable of at least musically. There’s always a thin line between. He crosses them all and it resonates throughout the atmospheres of his songs. Even though a box like the one on Field Hymns have a certain purpose, that had been cemented way before it was re-released, we like his craftsmanship and ambition when it comes to layering synthesizers over one another, creating a heavenly output for both dismay and happiness. Both rhythm, overlapping textures of synthesizers and melodies are important building blocks for his music. We don’t know how he so carelessly pulls all of this off.

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For Ljudkalendern it was originally intended to be an already produced song he had stashed away, from somewhere. As we haven’t had the time to write freely as we’ve wished, we therefore asked Mr. Yves for a concoction that would be linear in theme, but irregular when it comes to the music. Well, maybe not that structured. We proposed that he should produce a completely new track and out came two. Two different tracks both in general atmosphere, but also because one of them, “Yellow Sweater” is more beat and rhythm-oriented, whilst “Junos” take an upper-hand when it comes to perfectly laid melodies that make the whole thing a lot funkier. In a way we’re reminded of a synthwave Group Rhoda, if there ever would be one. A tropical rhythm with playing synthesizers that act as triggers for the rhythm in some cases, but when the melodies come together and shape a grandiose melody everything starts to roll down the hill and become even more exciting. First it fades out, feels like it is rebooting and slowly builds up a baseline that holds up the melodic construction. We give you these two newly procued tracks to stream exclusively for Ljudkalendern and the 16th December – on Repartiseraren!

Exclusive Premiere: Yves Malone – Across The Great Divide / Burned Chrome And Broken Glass!

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The busiest of them all seem to be the label Field Hymns from America, whom have been keen on releasing a booklet with a very special artist. This artist is Yves Malone – the creator of music for himself and to soundtracks for 1980′s independent movies – like Abysscoteque, The ECHO People and Zenith City. A common theme is the 1980′s but also the fact that every movie that he’s created his own music for, perpetuating a soundtrack of his own, are horror movies from this time period. Those kind of horror flicks that you wouldn’t know anything about unless you stumbled upon his creations, or if you were in any way involved in doing them in the 1980′s in America. Well, that might be stepping over the line a little bit, connoisseurs might have their thing and know it – but I sure as hell didn’t until I listened through his albums. These three releases are all a part of the booklet that Field Hymns are organizing to be put out for release, in honor of the already released albums which he put out himself in December of 2012. I’m here exclusively premiering two tracks from each album, but first you’ll get a description of what I think about them. Here you get FH044, FH045 and FH046. Now it’s time for FH045, which is “The ECHO People“!

FH045The ECHO People. It feels like a more angular experience, with melodies in-fighting together in a perfect shape of suspense-ridden attacks to the left and the right. With an even more freaky touch which reminds you of the horror flicks that we’re subjected to, through a synthwave assault. Layers upon layers of freaked out synthesizers that bloom out into the flowers in the sound-scape in which they’re planted. Setting off an armada of different sounds that would make you believe that you’re in space. The current is strong with the analog warmth that is pulsating throughout the landscape of sound. It takes a few minutes to realize that you’ve suddenly moved on to another track and that’s perfectly fine, because Yves Malone knows how to lay down the transitions between his more suspense-ridden atmosphere and the more angelic sounds. There’s a certain carelessness with the creation he’s pushing out to you, because it feels like it is improvised to a certain degree, but at the same time it feels like he’s careful where he places his fingers. Just so he can get the right melody in tune with the fast hits and stabs, so the droned out sound becomes even more of an experience. Even though a lot is happening, there’s a certain sense of fulfillment that you get when you’ve listened through it. You’re totally submerged into the unknown territory which he explores for you, you’re just a passenger on your way from place A to place B – even though it sounds sterile – the place you’re moving through is like something sent from above. It is especially noticeable in the longer tracks where he gets more space to make grandiose creations, rather than fast pulses of synthesizer’s delight. There is no dull moment when you’re blown away by the magnificence that is his sound. The difference that can be noted for “The ECHO People” might be minimal, but there is surely payed more attention to the complexities that he’s been working with in “Abysscoteque“. Even though it might be some kind of deja vu, I’m perfectly sure that I could’ve heard this somewhere else. It’s also hard to distinguish a trilogy from the essential make-up of it. You can’t simply take away one of the albums and say that it constitutes something new, because he’s drawn a red line that he follows through with. Similarities can be heard but also the difference in between. I’m haunted (in a good way) by the astonishing malevolence of his sound, but also by the fact that he can create such a wondrous thematic. There is nothing that would surprise you when you listen to Yves Malone, because if you’ve heard just a little bit of what he’s been making, you know its his signature sound. “The ECHO People” will be included in the booklet being released by Field Hymns in June on cassette, make sure you have your eyes open so you can buy it from them when the time’s here.

Exclusive Premiere: Yves Malone – Cheap Thunder / Abyssoteque!

field hymns

The busiest of them all seem to be the label Field Hymns from America, whom have been keen on releasing a booklet with a very special artist. This artist is Yves Malone – the creator of music for himself and to soundtracks for 1980’s independent movies – like Abysscoteque, The ECHO People and Zenith City. A common theme is the 1980’s but also the fact that every movie that he’s created his own music for, perpetuating a soundtrack of his own, are horror movies from this time period. Those kind of horror flicks that you wouldn’t know anything about unless you stumbled upon his creations, or if you were in any way involved in doing them in the 1980’s in America. Well, that might be stepping over the line a little bit, connoisseurs might have their thing and know it – but I sure as hell didn’t until I listened through his albums. These three releases are all a part of the booklet that Field Hymns are organizing to be put out for release, in honor of the already released albums which he put out himself in December of 2012. I’m here exclusively premiering two tracks from each album, but first you’ll get a description of what I think about them. Here you get FH044, FH045 and FH046. Right now, however, you get FH044 – which is “Abysscoteque“.

FH044Abysscoteque. The first release in this series of three releases, all themed after horror flicks. Albeit the fact that Yves Malone has put his sight on the softer but more concentrated side of 1980’s synthwave in this release, it is clear to me when listening to it that his intentions are of creating a soundtrack. Panning into the first few melodies, to hear the static rhythm that pumps up the blood within me, to listen carefully to the basedrum which is stomping its way through the sound-scape in a rather subliminal fashion. The first setting is already here and is placed upon me to decide, as the melodies gradually change from the darker intonations to a more grandiose and melodious; shall I say clearer sound, to which I nod my head to as I get tossed around. I’m waiting with suspense just to hear any form of subtle change in the sound-scape as it moves forward in a lingering fashion, making every synthesizer stab more aggressive, freaked out and non-passive. To then be introduced after the departure of the first, to a rather gloomy entrance of different synthesizers matching the neon colors that glow somewhere in the distance. This does not remind me of a horror flick at all, even though I notice the suspense to be there all the time. A rather doom and gloom sound for synthwave – which always seem to carry an upbeat torch not falling from grace – unlike the sorrowful display of palettes that remind me of awful days. Painting a broader picturesque notion of decay, a city that earlier bloomed has gone astray and you’re alone in the darkness, catching yourself in the monotonous living, the scariness of dark alleyways and people whom you do not recognize. People whose faces are covered. Maybe in masks. The album slowly sinks into the same methodical pattern that make it what it is. Feel what you’d like about it, but it is a masterpiece none the less and the more you get into it, the further you dig – the more melodious, morbid and angelic it gets – yin & yang are present to deliver their verdict. I’m noticing that everything really lies with the overtly grandiose sound-scape, created by layers of differentiating melodies, synthesizers, drums – but mostly synthesizers – far-fetched from any reality that I know of. Abysscoteque is a true soundtrack, no matter if you say its synthwave over and over again, the execution is in the aforementioned style – which is great if you’re interested in cinematography of different sorts. I can drift away into this every day, but it seizes to be music and simply needs a visual element to be paired with. Though I’m not so sure if any of those movies would do for me, since they’re not really my reel of film. Anyhow, it’s a basic introductory to the baby-steps you’re taking when taking in Yves Malone and his music – the sincerity is never lacking. You can buy this release soon, from Field Hymns records. But you will have to wait for a bit before it is fully realized.

Exklusiv Premiär: Daniel Fagerström – Rorschachtest / Kära Emma!

En Levande Själ LP

Baserad på den självbiografiska romanen “En Levande Själ“, skriven utav den svenske läkaren och författaren P.C. Jersild, så presenteras det en kortfilm på 30 minuter som går under samma namn; “En Levande Själ” – ett science-fiction drama som har premiär på Göteborgs Filmfestival den 25:e Januari. Filmen är gjord av Henry Moore Selder, som har tillhört regissörskollektivet Stylewar. Handlingen som sådan är tagen direkt utifrån premisserna från romanen, då “huvudkaraktären” Ypsilon, som är en hjärna, lever i en burk och hålls i liv på ett artificiellt vis. Då hjärnan är omgiven av ett antal välvilliga assistenter, så utvecklar hjärnan en egen personlighet. Med det som bakgrund så har Invisible Guy fått ta del utav Daniel Fagerströms repertoar. Han är annars känd under namnet Optic Nest, som är hans soloprojekt, men det som han förmodligen är mest känd för är hans medverkan i gruppen The Skull Defekts. Utöver det så har han även arbetat tillsammans med Mattias Gustafsson (Altar Of Flies) i deras relativt nyskapade duo Cryme, som släppte en kassett på den ångande maskinen (och skivbolaget) Beläten, förra året.

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Han fick i uppgift att tonsätta filmen och har därför, i egenskap av soundtrackskapare, skapat musik till “En Levande Själ“. Daniel har använt sig av samma metoder som han annars använder, när han skapar musik i olika konstellationer – nämligen med modular, bandloopar och orgel. Men denna gång så är musiken anpassad för ett helt annat syfte, och man kan inte klandra honom för det. Soundtracket är fullspäckat med intressanta låtar som sannerligen förhöjer stämningen. Det enda som saknas då är att kunna se filmen, vilket ni kommer att kunna göra, dock bara en trailer utav den. Detta kan ni göra här nedanför och se om det är en film som ni skulle vilja titta på. A-sidan utav vinylskivan som kommer att släppas på Moptaco Dics, består utav låtarna “Ypsilon Vaknar“, “Visionären“, “Strålning“, “Rorschachtest“, “Kroppen Är Passé“, “Psykokinesi” och “Minnen“. Sju låtar av varierande karaktär som kan sägas vara en avspegling utav filmarnas intention, men även vad Daniel lägger till med sin egensinniga musik.

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Vinylskivan har även en B-sida med låtarna “Astralsjön“, “Råttor“, “Kära Emma“, “Professorn“, “Korridoren“, “Biochines Marsch“, “Fragment” och “Jehova“. Eftersom att Daniel har gett mig tillfället att premiärspela två låtar från detta släpp, och soundtrack, så valde jag ut låtarna med stor omsorg. En låt från A-sidan och en låt från B-sidan. Ni får alltså tillfället att lyssna på dessa två låtar i förväg, eftersom att filmen kommer att spelas upp på Göteborgs Filmfestival nu i helgen, där jag upprepar att datumet är den 25:e Januari – för den som befinner sig i närheten och har lust att titta på filmen. Så nu kan ni premiärspela de två låtarna “Rorschachtest” och “Kära Emma“, exklusivt hos Invisible Guy. Jag vill även ta tillfället i akt att tacka Daniel eftersom att han frågade om jag kunde göra detta, vilket jag gjorde. Ni kan även titta på en trailer från filmen här, och streama låtarna nedanför. Om ni har lust att titta på trailern direkt, så finns den inbäddad längst upp på sidan. Soundtracket kommer att släppas inom en månads tid, runt den 21:e Februari.

Aktuellt: Testbild! och Zeon Light Kassett ger er ett mixtape!

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Blandbandet är ett faktum. Ni som lyssnar kommer att få återgivna dikter i ljudvågor, som tidigare varit en del i Henrik Möllers kortfilmer. Denna gång i form av ett mixtape, vid namn “20 Poems – Ett Blandband“. Zeon Light Kassett och Testbild! har sammanstrålat och den sistnämnda har jobbat hårt och gett den förstnämnda ett mixtape. Detta är en del i det intressanta imperium som långsamt byggts upp, där slottet svajar i vinden och där artister samt band som Sophie And Peter Johnston, Sudden Sway, Kenny Wheeler, Ludus, Gilgamesh, Ny Akustik och många fler kämpar om utrymmet. Det är måhända inte dikter i sin renaste form, men rent poetiskt så ingår låtarna i ungefär samma definition som om det vore just så. Låtlistan kan ni se nedanför om ni har lust att återgå till ursprungskällan denna förgätna Februaridag.

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