Chondritic Spotlight: Klinikal Skum and Fejhed! [Part II]

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These are the earlier releases from Chondritic Sound. Since these releases, including Sissy Spacek and Jason Lescalleet’s VHS-release, there’s a lot more coming. But since I haven’t written about Klinikal Skum and Fejhed, I am about to do that right now. What’s interesting about these two releases and specifically one of them – is that both of them are dribbling in experimental territory – whilst one is wrought upon the grounds that Puce Mary stands on, with a part of Hoax (the crusty and dark punk band). You’re right, Frederikke Hoffmaier of Puce Mary fame have teamed up with Jesse Sanes of Hoax. They’re creating a regurgitated landscape of sound which can be found within the confinements of “Persona” – the latest release on the Danish label Posh Isolation, by Frederikke. But what is equally as interesting is how these confinements are diluted with this duo. There isn’t really any borders for how horrid and claustrophobic a noise-act can be. When it comes to Klinikal Skum, his sound-scapes are long and dampen from the suggestiveness of his exploration into the human psyche. From the delusional nature of humanity and what kind of psychosis lay hidden beneath the shallow appearance of so-called “sane” human beings. These are the two bands that I will delve into in this edition of the Chondritic Spotlight, which might actually be the last one.

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Ryan Oppermann. Klinikal Skum. Two different names that coincide with one another, one his real name and the other his pseudonym or alter-ego (if you prefer). Released his first album in 2005 on the label Ghost King, then aptly titled “Pulsating” – a word that can be pinned to his music now as well. Besides having started this project back then, he’s indulged into aliases as: Fabbrico Incubo, Neuntöter Der Plage, Post-Mortem Junkie, Redrot, Xombie and groups by the name of; All Bells Grounded, Aram Chaos, Black Lace Drag, Narcoleptic Ward, Rust Owl, S.P., Some Larval Dream About Smothering, Unveiling Asylums and maybe even more that I am not aware of. The similarity between these groups are his fascination of genres like power electronics, noise, industrial, ambient and whatnot. Add experimental in front of these labels and you might pinpoint where he’s been heading to. Besides that, he’s also kept busy with his own label Skeletone which have almost only released material with his different aliases as authors of it.

Now I’m here to describe his latest release under the name of Klinikal Skum. This particular release; “Negativ Psykotelepathi Surveillanz” was put out by Chondritic Sound back in May of this year and is actually some of the more disturbing blend of experimental industrial and power electronics that I have heard. It is sickening and almost unbearable to listen to and feels clinical in the way you wouldn’t want it to be. I feel like I’m visiting a morgue as a dead body and experiencing the wide-range of tools that Ryan Oppermann is going to use to dissect me. That is one of the more insane thoughts that have entered into my mind after listening through this album. What is more horrid than being exposed to this ecstatic wasteland of normal human dignity is to hear the complexity of the music he delivers – as it is actually well-thought out and that is probably the most scary part about it.  It could serve as a blueprint for how you’re supposed to enter a state of mind which we rarely, if ever, encounter in the real world. This is the kind of music that bring it upon us. I can actually offer a free download of the track “Dizeaze Blotter“, which is the track I find to be the best on this album.

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Frederikke Hoffmeier + Jesse Sanes = Fejhed. In Danish, the word “fejhed” translates into “cowardice” in English. It actually translates well into the name of some of the titles, like “Sorry“, “Silence” and “Drinking Spit“, for example. But when it comes to what they conjure together, it feels like might is right and that you’re stuck in a situation with someone whose might is above what you can say or do, a situation which you try to pathetically cower out of. Everything from the freaky atmosphere that lumbers on whereas Jesse and Frederikke take turns to shower you in pure filth. Feel your own disintegration as you fade away from this horrid reality that you have been forced into. This album of theirs is self-titled and is actually the first release under this duo’s name. I’m more than eager to just turn it off before it gives me a headache or any thoughts in my head that shouldn’t really be there. When it comes to the genres they mix in together it could be some kind of minimal wave nonsense blended into the harshness of “normal” noise, but it also feels experimental in the fact that they utilize the unorthodoxy of beats, rhythms and the general sense of an atmosphere, as you travel through a horror-show. I’m not sure if I could describe it any other than just that so you will have to check it out for yourself. All I can bring to the table is a free download of the track “Sorry“, which is the one I felt had the best overall feeling to it and that I really like. You can stream it down below, and this is the end of the spotlight.

Chondritic Spotlight: Jason Lescalleet and Sissy Spacek! [Part I]

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There have been a resurgence in releases lately. Chondritic Sound just put out a whole batch of new releases, featuring Jason Lescalleet, Sissy Spacek, Klinikal Skum and Fejhed. A video-tape and a batch of cassettes is what’s coming and a lot of people might’ve been waiting for the next life-sign of Chondritic. Even though the video-tape was announced some weeks ago, it’s readily available in a VHS-format, once more to be displayed by a proud label-owner. I think many people share his pride and find it positive with such an enthusiasm that he’s got going for his own label, as his supporters are not really few and far in between – but many. Sissy Spacek has a long line of releases that have been put out on this label, the first one being “DDT” in 2008, to “Grisp” and “Vacuum” 2010/2011, to “Billions And Billions” together with “ET Corpse/JFK” – both put out in 2013.  Klinikal Skum on the other hand, gets his first release on Chondritic Sound, ever. A rather joyous moment for aficionados in power electronics. Not to mention Fejhed, a new project birthed through collaborative effort between two known artists, one of them being at the forefront of what is produced on this cassette. Now we’ll get to writing about these releases, so hold your horses. You get Jason Lescalleet and Sissy Spacek in the first part.

lescalleet_vhs_dvdJason Lescalleet. The name might be familiar to those within the US, but also to those outside of it, if we expand his repertoire a bit. He’s been running the label Glistening Examples since 2006 – especially notable for the release “The Pilgrim” – a one-hour release with tracks made by himself, dedicated as a memorial to his late father. Or you might know him from his collaborations with Joachim Nordwall (iDEAL Recordings) with the group Enough!!!, his solo efforts and splits with Nmpering, Joe Colley, John Hudak, Aaron Dilloway – and countless other collaborative efforts signed this multifaceted man. Not only does he make music, but he’s also been directing lately. Since he released his DVD-collection he made as a creator and director, with thirteen different artists – put into thirteen different videos – he’s more than busy. This collection is called “Trophy Tape” and is based on the first CD of “Songs About Nothing“, which was released in 2012 on Erstwhile Records.

Since he with his own label decided to release it on DVD, Chondritic Sound made the effort to release it on VHS, as well. A rather interesting addition to his songs. It’s especially exciting that he’s let these video artists be film directors. The first track “The Beauty Of Independent Music” was done by Aaron Dilloway, the second “Old Theme” by Ellen Frances”, third “Tarnished Copper (Copper Will Never Be Gold)” by Annie Feldmeier Adams, fourth “The Loop” by Justin Meyers, fifth “Euphoric Sting” by Anthony Milton, sixth “Beauty Is A Bowtie (HTDW)” by C. Spencer Yeh, seventh “The Power Of Pussy” by Olivia Block, eight “Escargot” by Adel Soto, ninth “In The Morning, In The Winter Shade, On The First Of March, On The Holiday” by Neil Young Cloaca, tenth “Friday Night In A Catholic Home” by Todd Deal, eleventh “10 Amp Waves” by Jubal Brown, twelve “I Killed Another Day” by Heidi Alasuvanto, thirteenth “In Through The Out Door And Another Whore” by Robert Beatty. Outtakes from VHS/DVD can be seen from his own account, made for the Anthology Film Archives, up above. You can buy it from Chondritic Sound if you want the VHS, for twenty dollars. The DVD version can be bought from Glistening Examples.

a0609453241_10Sissy Spacek. The brainchild of… whomever it was back then, have certainly evolved from their grindcore past, to their noisecore future. Currently the home to Charlie Mumma and John Wiese, so the group has been chopped up and turned into a duo instead. It seems like it happened pretty late, after the split-release with Smegma in 2013 titled “Lipscomb b/w Absentia“, with the first release in 2014 titled “Incomprehensible Dehumanization“. Their first proper album release since back in 2012 with “Wastrel Projection” and “Contretemps” – the aforementioned one being more of a compilation of tracks – or rather a huge number of them. Before getting to the point I must say that I have no idea if Sissy Spacek is in somehow related (symbolically) to the American actress Sissy Spacek, because that’s what turns up when you search for it, other than these two guys. Anyhow, their newly released album (or compilation) is titled “Window Hammer“, featuring one of their old group-members Corydon Ronnau on vocals, since it was recorded in between the 7th May of 2013, whilst the last track on the release was “assembled” on the 9th of June. So that makes sense. The release itself is in a 7¨-format and DVDr – which contains them performing the material on the release – live from their West Coast tour. Twenty minutes of Sissy Spacek, which I’m afraid I haven’t heard of until now, is being launched at you in record speed – mind you, the tracks are really short. A proper blast in the face with a harsh but fast sound. Punk as fuck with an attitude you’d get with just that. The rather spastic vocals of Corydon Ronnau together with the brutal drums make up the atmosphere to be a lot more than it could’ve been, together with the grind kind of noise that the guitar makes. Fast drumming as hell and you won’t settle for anything less after you’ve just been blasted away in fifteen seconds or a little bit more, or less. Can be bought via Chondritic Sound. Stream the release down below, or buy the physical release to get the track “Seven Dwarfs“.