[22nd|23rd] December: Identity Theft & Michael Idehall

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Diligent musician Michael have ran Katabatik Records for a while now. Being that of a creative soul himself, he’s occupied with a multitude of different projects, in tune with his artistry. There’s a difference between his own project and that of Seacrypt – a group that became a household name, with their smashing mini-album “Seekers” – released on Falco Invernale Records in March of this year. We shouldn’t forget to mention Nommo Ogo, a more experimental act which have been around since the 1990s, which is one of his other groups. This main difference consists of how he portrays his sounds, because under the guise of Identity Theft – he’s developed it further into the obscure, but remains a lot more unique in sound – added to his repertoire via prolonged experimentation.

For his addition to Ljudkalendern he chose a topic, saddening as it is to read about it, for his song titled “Wait For Mask Signal” – which takes up a fragment of the “Leads Mask Case“. That adds a dimension to a song which make it more emotional to say the least. This clouds our own judgement of it and we leave it as a sonic piece; regardless of the influence. Musically, it’s a minimalistic journey with a solid rhythm that furthers an atmospheric consciousness. We feel busily engaged as we normally don’t do in a minimalist’s setting, as we travel into the music instantly. There’s a certain vibe that Michael have managed to create notwithstanding the topic, sonically – which makes us tranquil. Listen to it in whole down below, exclusively for you, in tune with 22nd December of Ljudkalendern.

The master himself returns with an homage, that we interpret ourselves to be, in honor of an ancient Roman tradition. If you don’t know what that is, it’s the ancient roman celebration and festival, which according to the Julian calendar falls in between the 17th and 23rd December. Originally intended to be a celebratory gesture towards the God of sow and seed – Saturnus1. Just as this is written, “Svartkonster” have been launched on Beläten. It was originally a mix that Michael Idehall did for Repartiseraren and has now turned into physical emblems, items and a full release both digitally and otherwise. We thought we would mention it, at least. Because there haven’t been anything else since “Deep Code”, it’s interesting to bring something to those of you mainly interested in the sound – as we are.

For Ljudkalendern and originally intended to be launched on the 23rd December, but due to difficulties to find any time to make an effort for the article – it’s written right here and now, with the help of earlier unfinished scribblings, so bear with us. The song that is shared is titled “Saturnalia” and is a rough mix, both sonically and also because it is an early rendition of what might be something else in the future. Probably one of the rougher pieces he’s created, spanning not so long in time but carrying a weight that smashes through anything – maybe even Mach 1 wouldn’t be a problem if it would’ve been anything even remotely related to aerodynamics. Well, listen for yourselves and see what you feel and hear.


1 – Grout, James. Encyclopaedia Romana; Saturnalia. (http://penelope.uchicago.edu/~grout/encyclopaedia_romana/calendar/saturnalia.html)

[9th] December: Skulsyr – Blodrengr

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TheOld Ways” (read: wicca) are reinterpreted into a occult ritual noise ‘ensemble’ manned by one individual—Samantha, known from T.O.M.B. and Dreadlords. Skulsyr is her solo-project; whose intent seem to mixture Coven ritualism through experimentation with blackened noise and dark ambient. Intriguingly enough, the word “Syr” is a nickname for the Norse goddess Freya’s magical swine—a ‘Hildisvin’ (battle-boar). ‘Syr’ can also mean “sow“. Either “Skul” is referring to World of Warcraft, or something out of the Prose Edda, though a deeper intention of the name might not be thought out. It must be related in one way or another to neo-paganism and Norse mythology to a certain degree—but Wiccan solemnization runs through like a drawn line in red. The year goes around in seasonal festivals—different holidays for different months.

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She’s actualized for Ljudkalendern with an exclusive track newly produced for that purpose for 9th December. The track was recorded during Samhain—a sabbat where you generally celebrate those who’ve passed on. So the ritualistic tone was already set, considering what month it was recorded in: November. Although a solo-project, her track which is called “Blodrengr” (Blood Warrior) was created together with Duncan McLaren (Enneract) on vocals, Samantha can be heard banging a tribal drum and she’s conjured a hazy atmosphere which lets you delve into a maze of brooding, sinister but captivating music. From Duncan’s eerie distant chanting to an ever so present drumming, fading away into otherworldly hymns created on what sounds like thin air—as the gloomy cloud disperses. It might be so poetic that it actually does not need any poem because it’s self-descriptive.

Here a ritual begins and ends in the blink of an eye, though at great length. Tomorrow here will be another track but for the 9th December this place is reserved for Skulsyr and her track “Blodrengr“.

Review: Terence Hannum – Burning Impurities (C60)

553027225-1Being one third of the avant metal drone collective of Locrian, the sole perpetrator Terence Hannum embark on a rough journey between industrialism and meditative unconsciousness. We’re slowly walking down the steps of the first song “Ceremonially Clean“, which jump-starts your inner senses and collectively shroud you in the madness of distortion and the hegemony of experimentalist dark ambient. Static noises that wobble around a processed sound, clutching your attention with the sheer destructive force combined. The somewhat hardline presence of an industrialists joy, turn the coated noise into a spectacular event of figurative representation. The deepening possibilities seem endless, as you gaze towards the monstrosity that forms around you and tries to take over. Walking in between the different spheres, realms and dimensions of sound and represents a tiny fraction of what can be done musically if you have the courage and wit to surpass these notions.

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Invisible Guy recommends: 80s Gothic Rock – 1982 (Part II)

I think it’s time to give you another treat, this time I’ll be recommending my favorite Gothic rock bands from the 80s. I begin with 1980-1981 (Part I) and then gradually move my way up throughout the years: 1982 (Part II), 1983-1984 (Part III), 1985 (Part IV), 1986-1987 (Part V) and 1988-1989 (Part VI). I’ll be continuing the fad of six different episodes and I’ll bid you my welcome into the world I knew and the world I’ve discovered and continually re-discover when I’m surfing the web. I want to give people another opportunity and to find out about bands and artists that they haven’t heard of before. Sometimes I occasionally sneak in a bigger band or two, but that’ll just be if the song is good enough. But by no means is this a top 30 of the best Gothic rock from the 80s, I’ll have to give you a top-10 list in the future of the Gothic bands that I think top my own list. I’ll also have some commentary beneath each clip as I had in the earlier parts that covered post-punk, mostly because it looks more aesthetically pleasuring and say something about the song or the lyrics. Let me take you into this world now.

You’re now entering Part II of the recommendation.

If you wish to continue, click on the Continue reading button.

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