Premiär: Æmɨt teaser, spelning på Under Bron den 9/3

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Under hemlighetsfullhetens fana, nåja, åtminstone i ljudväg – har Æmɨt skapats – sprungen ur eller åtminstone inspirerade av uråldrig Egyptisk mytologi (läs: Ammit), och med fanbärarna Jonas Fredriksson (ALVAR), Erik Söderberg (Kinder aus Asbest) och Jimmy Svensson (Yabibo Hazurfa/Slusk), så blir deras gemensamma insats monumental på enbart tre minuter. Det de levererar är motståndskraftig industriell techno med fokus på en trollbindande slags atmosfärisk industriell musik, där mystiska syntslingor drabbar samman med rungande bastrummor – som blir en hetlevrad men återhållsam kombination. Det måste påpekas att det förmodligen är såhär det skulle låta när dessa män låter sina alter ego formas till ett – på pricken.

Musiken har en trollbindande rytm och en säregen karaktär. Ljudlandskapet har en röd tråd man kan hänga med i och den är väldigt dansvänlig. Estetiken är mörk som den borde vara, vilket ger en sammanhängande känsla i sig då det även påminner en om att detta gemensamma projekt drar i flera trådar samtidigt – eftersom att man lyckas vara både musikaliskt och estetiskt tilltalande – detta hade varit något som hade kunnat släppas på Beläten om den etiketten fortfarande hade varit i bruk. Rent produktionsmässigt är det ingenting som fallerar heller, alla små nyanser som bidrar till musikens helhet kan skönjas. Från minsta underliggande slaginstrument till knastret och bruset som understödjer det atmosfäriska och brutalt undersköna.

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På torsdag i nästa vecka intar de scenen på Under Bron i Stockholm (Skanstull, gratis entré) (ALVAR presenterar) med sin första livespelning någonsin, tillsammans med en utvald skara av artister och DJ’s. Mellan 17:00 och 03:00 så kan man även se Celldöd och Dissociō Modus Trāns live – medan de som DJ:ar kommer att vara Mattias Anger (Complete Control Productions, Kollaps Records) och Daniel Jonasson (Covenant, S.A.W.).

Man kan hittills bara lyssna till ett smakprov av vad som komma skall, men det som ni kommer att få höra kommer att sätta sig i hjärnbarken omgående – vilket lindrar ens begär för fullständiga låtar, någorlunda. Lyssna här nedanför via Soundcloud.

Exclusive Swedish Premiere: S U R V I V E – RR7349

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You might know them as soundtrack connoseurs “Stranger Things“, the second series – coming in 2017 (spoiler alert), or somewhere else. S U R V I V E is as exquisite, experimental and as concentrated as synth-pop can get. Do not forget that they have other songs (and albums), such as “Relays” which is our favorite here at Repartiseraren. They are well-deserved to be crowned the kings, of making one of the first really exciting soundtracks for a proper horror series, in a very long time.

In conjunction with Relapse Records (EU) – I’m honored to have been received the exclusive premiere of the whole of Sweden, for S U R V I V E, specifically their forthcoming album RR7349 that is due to be released on vinyl and CD. There is also a t-shirt available for you hardcore fans out there, which is gorgeous, to say the least.

What is “RR7349” and how does it hold up to their prior releases?

The hype surrounding Stranger Things season number one and season number two notwithstanding – RR7349 – it’s masterpiece if you’ve heard all their other albums, including the soundtrack for Stranger Things. They know how to use all synthesizers simultaneously, whilst triggering the functions at the exact right point (sequencers, drummachines, etc) – which makes for an atmospheric, almost ritual experience in listening. Great experimental atmospheric (electronic) synth music.

Glad to have heard this album. Sincerely recommend it.

Go and buy when you have the money, to support the artist and label. It is also available on their own Bandcamp-page in vinyl/CD/etc. Listen to it exclusively (Sweden only premiere) down below, courtesy of Relapse Records (EU).



Exclusive Swedish Premiere: The Album Leaf – Between Waves

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Repartiseraren, in collaboration with Relapse Records, is giving you the full stream of the forthcoming sixth album “Between Waves“, a week ahead of the scheduled release date (26th August). This is the Swedish exclusive of this album, which you get to stream in its entirety right here and now. The release itself will be available in a wide-range of formats on release: CD, LP, DLX, 2xLP, and of course digitally. The physical pre-orders can be done via this link, the digital via The Album Leaf’s own bandcamp. The single “New Soul” will become available on 7¨ vinyl via bandcamp as well.

Well, what do we think about it? This is not something that we’d cover regularly, so it’s kind of special to us, in a sense. We haven’t paved our way through The Album Leaf’s discography yet, but when listening to the release itself, there’s a certain sublime atmosphere in the songs – and the ambitiousness of the percussive elements, synthesizers and general feel of it – can be heard through and through.

It’s not your standard run-at-the-mill music and they have not just picked the basic elements of each genre they find themselves in, which is more then we need to have this on here. When we’ve listened through it, everything is up to par and possibly even better then what we anticipated it to be. There’s also a certain allure to their cover and a perfect representation of the aesthetics of the name – on the artwork.

Full tracklist is as follows:

1. False Dawn

2. Glimmering Lights

3. New Soul

4. Back to the Start

5. Wandering Still

6. Never Far

7. Lost in the Fog

8. Between Waves

The Album Leaf (Facebook): https://www.facebook.com/TheAlbumLeaf/

Relapse Records (Facebook): https://www.facebook.com/RelapseRecords/

Repartiseraren (Facebook): https://www.facebook.com/Repartiseraren/

Listen: Fathers – 3 Songs

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Though everything in their graphic outlay doesn’t interest us the least, mostly because of the irritative pink color that drowns out everything else, we’re indeed satisfied not having to look at it close enough for too long. When it comes to their music—it’s is a cunning blend of three different genres—that would be extremely bland if they were to be separated. People can say anything they want about clichés, but the lyrical content is fairly good and is above average when combined with the overlapping electronic music they combine with bombastic, subliminal percussion which upholds the rest of their magnificence – alongside dreamy riffs, indie-pop melancholia and oddly enough – dark-wave.

The rhythms they’ve created entwine with the darker waves that break through, connecting them with the inherent structure of the lyrics and also the rest of the sound-scape. Whereas their name might be a bit odd when you think about it, Fathers can’t be held accountable for delivering yet another repetitious wreck of music. It’s actually inspiring and calming to hear everything come together as if it was meant to be. There’s a red line through and through, interestingly enough they have accomplished the near-impossible of connecting the dots almost perfectly in their first output. It wouldn’t be a surprise if they’re veterans when it comes to making music, but if they aren’t – it doesn’t really matter – because these three songs are masterpieces in and of themselves. One song is a beauty, the others are the beasts, but not nearly as ghastly as anything else you would pass by to find out about this release. Listen down below.

[22nd|23rd] December: Identity Theft & Michael Idehall

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Diligent musician Michael have ran Katabatik Records for a while now. Being that of a creative soul himself, he’s occupied with a multitude of different projects, in tune with his artistry. There’s a difference between his own project and that of Seacrypt – a group that became a household name, with their smashing mini-album “Seekers” – released on Falco Invernale Records in March of this year. We shouldn’t forget to mention Nommo Ogo, a more experimental act which have been around since the 1990s, which is one of his other groups. This main difference consists of how he portrays his sounds, because under the guise of Identity Theft – he’s developed it further into the obscure, but remains a lot more unique in sound – added to his repertoire via prolonged experimentation.

For his addition to Ljudkalendern he chose a topic, saddening as it is to read about it, for his song titled “Wait For Mask Signal” – which takes up a fragment of the “Leads Mask Case“. That adds a dimension to a song which make it more emotional to say the least. This clouds our own judgement of it and we leave it as a sonic piece; regardless of the influence. Musically, it’s a minimalistic journey with a solid rhythm that furthers an atmospheric consciousness. We feel busily engaged as we normally don’t do in a minimalist’s setting, as we travel into the music instantly. There’s a certain vibe that Michael have managed to create notwithstanding the topic, sonically – which makes us tranquil. Listen to it in whole down below, exclusively for you, in tune with 22nd December of Ljudkalendern.

The master himself returns with an homage, that we interpret ourselves to be, in honor of an ancient Roman tradition. If you don’t know what that is, it’s the ancient roman celebration and festival, which according to the Julian calendar falls in between the 17th and 23rd December. Originally intended to be a celebratory gesture towards the God of sow and seed – Saturnus1. Just as this is written, “Svartkonster” have been launched on Beläten. It was originally a mix that Michael Idehall did for Repartiseraren and has now turned into physical emblems, items and a full release both digitally and otherwise. We thought we would mention it, at least. Because there haven’t been anything else since “Deep Code”, it’s interesting to bring something to those of you mainly interested in the sound – as we are.

For Ljudkalendern and originally intended to be launched on the 23rd December, but due to difficulties to find any time to make an effort for the article – it’s written right here and now, with the help of earlier unfinished scribblings, so bear with us. The song that is shared is titled “Saturnalia” and is a rough mix, both sonically and also because it is an early rendition of what might be something else in the future. Probably one of the rougher pieces he’s created, spanning not so long in time but carrying a weight that smashes through anything – maybe even Mach 1 wouldn’t be a problem if it would’ve been anything even remotely related to aerodynamics. Well, listen for yourselves and see what you feel and hear.


1 – Grout, James. Encyclopaedia Romana; Saturnalia. (http://penelope.uchicago.edu/~grout/encyclopaedia_romana/calendar/saturnalia.html)

[20th|21st] December: Lymland & Neugeborene Nachtmusik!

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Two small Islands not too far away from one another—Langeland and Lilleø—might have more in common then you think. Both are geographically not far away from one another. The last-mentioned is closer to a bigger island, the fourth largest island of Denmark, namely: Lolland. If their names were to be transfused and given a totally new one, it would be close to suggest a certain Swedish act that released their debut-album in September of 2012. Since you’re reading this article and have glanced over the headline – you already know what duo we’re writing about.

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Lymland“—an Island full of lemmings? No, it’s not very likely. Rather: an island of wastrels – as “lymmel” is an older Swedish word for “wastrel“. Jerker Kaj and Sonja Perander, currently based in Malmö, released their first album under the name of “Ensamtidsroman” – which sounds terrible if translated directly in English and beautiful – in Swedish. Here’s where the actual thought about their own island came to set root. They created a map to represent their small island. Their reference for the outline of a map perhaps actually was Lilleø—one of the smallest islands in Denmark with an area of meager 0.86 km2. Linguistically the name is constructed of two components: “lille” (little) and “ø” (island), when combined becomes “lilleø” (little island) – with an uppercase “L” transforms into: “Lilleø” (Little Island).

Their artwork for the album outlines the different portions of the island, most of it linguistically interesting, with names on land such as: “Björndalen” (Bearvalley), “Saven” (The Sap), “Molnbyggen” (Cloud-constructions), “Stora Sågen” (Big Saw), “Klingen” (Third Person); from Old High German, etymologically in New Swedish: the blade of a sword. “Notgrund” (Shallow-Note), “Ryggen” (The Back), and “Snårskog” (Brushwood). When it comes to the coast and off the shore, the following names show up: “Gråsjälsgrynnar“, where “grynna” means: underwater shallow. “Silvertoner” – a reference to Sanna Nielsen’s debut in 1996 with the same name? Probably not, but maybe. “Hammar” – their Swedish place of origin? Which could be one of these two places: Hammar, Kungälv or Hammar, Hammarö. The final name, and description of their map is written out as: “Bullerkobban” (Noise-Islet), located in the North-East of their map and island.

Enough with our etymological descriptions and speculations, now it’s time for their actual music. Even though a description they themselves want to put on “Ensamtidsroman” is, and I quote a part of a whole collateral sentence: “Nine tracks that are held together by an honesty and simplicity,” may not be as developed like what we’re about to show you, but with the aesthetics of an island by our own definition, with the exception of their original intent, go well together and bring forth visuals that we ourselves adore. The idyllic setting and the freedom of an eremite, if only for a few moments, are what’s needed when you’d want to take a break and rewind. That’s what their music do on this specific album.

We’ve asked them to contribute for Ljudkalendern, a non-commercial collection where different songs are put up each day to create a nice palette of different kinds of music. For everyone to enjoy now when Christmas is soon upon us. So they worked on a track and got it mastered. Now for the 20th of December which we all missed, it will be our pleasure to bring forth “Fantom Mot Fantom” – a track seemingly inspired by the Finland-Swedish poet Edith Södergran, and specifically her poem: “Stormen (Rosenaltaret)“.

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Exclusive Premiere: D.Å.R.F.D.H.S. – Bockahorn

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Drawing influence from phenomenons and the history of Sweden, for example the Witch Hunting between 1668-1676, for their release on Clan Destine Records, titled “Det Stora Oväsendet“. The cover features a picturesque, in our eyes any way, painting of Swedish countryside during that time – but what lingers in the dark is not known. When you know the topic for this particular release, everything becomes so much more gloomier and frightening, like the etchings of coal on canvas. This is one of their positives which make them unique, in more ways then what sound can offer.

Their collective acronym is D.Å.R.F.D.H.S. – which spells out: Dard Å Ranj Från Det Hebbershålska Samfundet. A play with old Swedish words to create a fictive umbrella term for everything they do. Michel Isorinne and Varg (of Ulwhednar fame) are the sole proprietors of this imaginative collective, though we’d rather say they’re a “duo” – but that doesn’t sound bombastic enough. The topics they engage in seem to be less than fictional, taking most of their influence from obscure or overshadowed occurrences in Swedish history.

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For their forthcoming release “Mjöldryga“, a tattoo seemingly portraying; inked in “D.Å.R.F.D.H.S.” on someones’ arm, one half of a scythe, plus a symbol of some kind, but mainly a flail that’s situated in the middle of the picture – all constitute the artwork for this album. For those of you that don’t know what “Mjöldryga” means, it means the following: (Secale cornutum) is a parasitical organism, a fungus that attacks different kinds of grown plants, including grain of different kinds. This is one part of the main theme of the album – but it goes into different perspectives, probably related to a more or less obscure happening in Swedish history. We’re thankful for them to be around to teach one about topics we as Swedes haven’t learned or didn’t care too much about. Intriguing.

We at Repartiseraren can proudly present to you a track called “Bockahorn“, taken from the B-SIde of the release. It’s a twenty-minute long escapade that hides more beneath the surface than you can imagine. You don’t hear it the first time, but there are nuances in this dark ambient, experimental ambient trip into deep conscience, taking a long time to build with ambitiously created stages in sound. It’s like a playwright completely in sound, related to forgotten bits and pieces of history. Listen to it exclusively down below. It will get released on Beläten in the very near future and hopefully before the next year arrives.