Exclusive Premiere: Lapse Of Reason – Go Away

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Khemia Records
are putting out yet another intriguing release, this time their first compilation, titled “Tertium Organum” – a reference and name taken from P.D. Ouspensky’s philosophical synthesis from 1922. The release is what one could expect from Khemia, a sound that is applicable to the masses but works inwards to a whole different set of sub-genres.

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Somehow they’ve managed to curate a compilation that will appeal to more people then their regular crowd, a feat not easily captured from the underground. We’re excited to be working with them again, providing to you what we think is one of the best tracks on this compilation – “Go Away” by Lapse Of Reason.

The compilation will be released on the 7th of December and you can already pre-order.

 

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Exclusive Premiere: Eidulon – The Hierarchy Of The Inner Planes (feat. Naxal Protocol And Nordvargr)

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This is one of the most interesting releases coming up on Malignant Records this year, Italy’s Eidulon unleashes a brutal combination of dark ambient and apocalyptical orchestral music – a combination that is rare to hear – within the forthcoming release “Combustioni“. It has been a long time since we last supported Malignant Records, but that’s only because there have been no room for more then a year to get a hold of something from their releases – we blame ourselves for that, rightfully so.

Now we’re bringing you one of the most fearsome collaborations this year, Eidulon utilizes the help of Naxal Protocol for a noise-oriented, crackling atmosphere – layered beneath the might of Nordvargr’s vocals that crush through everything. In collaboration with Malignant Records we’re pleased to bring you “The Hierarchy Of The Inner Planes (feat. Naxal Protocol And Nordvargr)“, taken from the forthcoming CD-release on the 25th of March.

If you haven’t already pre-ordered this release, make sure you do and fetch the CD as well when it is available. You can stream the song exclusively via Repartiseraren’s soundcloud weeks before the release is out, down below.

 

Exclusive Premiere: Knifesex – Living Flame

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Finally, Vanessa Irena of Knifesex – as she calls her solo-project – is getting a proper debut-release via 3t3rnal Records on the 17th of November. Repartiseraren have gotten the exclusive opportunity to premiere a full track from her album “Babalon“. According to herself the inspiration for this release have come through an appreciation of the occult, a dedication to the apocalyptic. The ritualistic nature of her music is expanded upon in this release, for those of you who’ve heard “Blood From Stone” from the first compilation on Repartiseraren will not be disappointed – it is more of the same and even furthers the experimental, but ambitious electronic sound.

There is no secret either that she draws these inspirations together within a feminist approach. The album consists of seven songs and we’re going to give you “Living Flame” to listen to, a week before the release-date. You will be able to purchase the album digitally through 3t3rnal Records on the 17th of November. Listen to the exclusive song down below.

Spotlight: Kazeria, A.D. Mana, Strucktura, TRAITRS

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In this spotlight we’ve chosen four artists/groups that are different – yet alike in many ways. There will be a lot of darkwave, coldwave and industrial music in this spotlight. Mostly because those are the genres where we find ourselves at home, because there’s immense talent to be found there. We start off with noisy industrial music and end with gloomy post-punk extravaganza.

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Kazeria was unknown to me when I found his music via Gradual Hate Records. It was his latest release, “Nihilist Militant“, that caught my eye. The aesthetics were impressive when it comes to the artwork for this release, but more was to be discovered when pressing play. He’s created very intimate and atmospheric industrial music, coupled with dark ambient overtones. Keep in mind that these songs are totally unedited versions, created between 2003 and 2007 – which is a representation of how it sounded back then.

There’s a great assertiveness in his music, it almost borders to the bombasticism of martial industrial. As stated by the label, this is a “very personal” release, which really shows in the emotions he conveys with his music. It is both harsh and atmospheric, with destructiveness at its core. One is very impressed by the percussive rhythms he produces, which can be heard the clearest in “Evrazia Regnat” – a very disciplined and ambitious track in regards to melodies as well. Even the very short ballad-like song “Irminsul” has a certain grace.

This release is a great way to get into his music and if you pre-order the last copy in the special package – you get a gas mask as well. Can’t get more industrial then that. Listen to the release down below, buy it if it is of interest to you.

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A.D. Mana is a relatively new artist from Berlin. The re-release of his first and only, self-titled EP, on cassette – had me at the first song “Take Hold” – a stern coldwave rendition that catches multiple influences, like synth-pop and darkwave, molding it into a sinister blend together with his voice. The synthesizer stabs are clear but at the same time dark and brooding, a strange combination which at first doesn’t seem to work but as the song progresses it is obvious that it does. “Down The Wire“, another song on the release, almost funnels the post-punk vibes into some odd kind of grungy synth-pop-‘n’-roll.

My favorite song on the release, except the first one, is “Honour“. It adds gracefulness to the messy environment of the songs in general. Even though you’re caught slightly off-guard by his voice – not in a good way – it fits in place after a few moments into the song. There are some great rhythms as well, aptly executed. The melodies are unorthodox, which makes me like it even more. You expect more of the same but get tricked into the wondrous atmospheres, the groovy electronic beats – and the charming ballad-like ending within “Soulware“. A perfect instrumental track and appropriate farewell. You should really check it out, and buy the cassette from sentimental, if it suits you.

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I’ve actually heard about this artist, Strucktura, whilst browsing through the bandcamp-feed. But I never paid much attention to the music. There’s some really solid darkwave-inspired music in his “Statues Also Die” release on Oráculo Records. While the synthesizers and beats are on point in the release, there’s some really cheesy lyrics. In a weird way they go along well with the music, so I will leave that alone. The music seems awfully cheerful but at the same time moody and distraught – which is something that adds character to the songs. Especially in “Val D’Aran“. 

There’s a nice futuristic vibe about each song and it comes out differently, even though most of the rhythm and melodies are alike. As dreary as the atmospheres may be at times – they come out as dreamy – and are filled with nicely laden synthesizer sweeps, alongside well constructed rhythms and melodies. It is a release you should check out, if it is something for you – buy the limited edition vinyl via Oráculo Records.

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Torontian band TRAITRS have created some of the most soothing, coherent post-punk music I’ve heard in a while. The oomph of the baseline resounds throughout in the first song “Witch Trials“. It is really weird how each and every song on the release is anthemic on its own – it is mostly reserved to one or a few songs – but this is catchy, ambitious and on fire from the matchsticks up until the light goes ablaze. It is especially noticeable in “Lya“, one of the more minimalistic songs. The singer gets a certain kind of emotional streak in the chorus which makes you want to sing along to the lyrics.

Not to mention how massive “Gallows” is. Here they’ve really gotten through with the originality of their sound. They both have an edge in the music and somewhere to stand firm – nothing is left to chance, everything is constructed meticulously. When one gets as far as their last song “Heretic“, the percussionism is simply mindblowing. Of all the releases recommended in this spotlight, this is the one I will have to choose myself as the best one. You can get it from the Warsawian label Alchera Visions, buy it here and stream it down below.

 

Exclusive Premiere: ARM – The Coldest Room

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How can not a cold room be a metaphor for the state of your heart? It is when ARM extends himself for a jab at creating a debut-album by the name “Enheartened“. He came from nowhere when he got entangled in anger, letting his synthesizer create a graveyard where the bones of skeletons—are metaphorically used to bang loudly—on tribal drums coated in industrial waste. The melodies are gloomy and not so delightful for the ear, but in a way the chorus have a cheerful tone amidst the atmosphere of doom and haze. With his EP “Bloodbeat“, everyone including us seemed to wonder who this might be and we had no idea until Thomas from Beläten revealed in his presentation, press-text, that it in fact were Dan Serbanescu (Alone In The Hollow Garden/Tanz Ohne Musik). It’s a fresh cut from Pure Ground and Believer/Law, stripped down and put together in Serbanescu’s own imaginative ways.

We must say that his first release was melodic in a way that his forthcoming album isn’t. This one’s more stale and focuses logically on the rhythms, shaking you to the core with his cold-blooded disheartening whispers. A lot more ambition went into conjuring an atmosphere that make you freeze with fear. Reverberated, disgruntled screams and a looming beat – with charred manipulated sounds – wreak havoc as his vocals are present – until distorted away further to ambuscade—waiting for the perfect time to strike. How are you not reminded of The Shining when you hear this? It seems to be a projection of Jack Torrance’s deranged mind. A chilling observation and not something you would like to have in your head. We applaud ARM for masterfully creating such an aversive and frightening sound-scape. Not our cup of tea to be listening to on a daily basis, only to get that first impression of what it actually is.

So in collaboration with Beläten we unleash “The Coldest Room” – a track from ARM‘s forthcoming debut-album “Enheartened“, for your listening displeasure. We find it to be a summary of what horrors you might expect once you’ve put it in your cassette-player to listen to. You could say it’s his anthem for the new guise of how he’s changed his sound, just the slightest bit, to stricken fear and bad feelings into you folks. We say you listen with caution and if you’re interested in industrial music, morphed with synthesizers and a noise-overdrive – this might be the release for you. Stream the song exclusively from Repartiseraren and share this article from our Facebook-page – so you’re able to be one of THREE winners of a download-code for this whole album.

Strömma Exklusivt: Dödsvarg – Glädjedödaren

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Ut från det tomma intet kommer en varg som representerar den karga verkligheten. Med hinkvis av det osande hat mot livets tristess som det mänskliga släktet vant sig vid, tittar de bortgångnas baneman ut från skuggorna. Ett djur mer fasansfullt än det hemskaste din egen fantasi kan uppbringa. Denna best är frammanad av Jon Ekström, eftersom att det är hans soloprojekt, går under namnet: Dödsvarg. Med de basala drifterna tillfredsställda, garderar sig denna helvetes uppkomling genom att dra influenser vitt och brett, utan att för den delen låta det påverka hans uppdrag—att alltid skräda ljudbilden till minsta beståndsdel. För två månader sedan släppte han en trippelsjua, där alla hans EP’s fick plats under samlingsnamnet “Människan är en ruttnande process“—inkluderar “Total System Collapse. Fuck!” (2012), “Om det där med omänskliga relationer” (2013), och “Slaget om alltings jävighet“—plus en helt ny bonuslåt vid namn “Anställd som underställd“.

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Det som intresserar med Jon Ekström och hans musik är att han just nu, åtminstone i Sverige, är ensam om att skapa något som kan sammanfattas som oljudsframkallande “industriell metal“. Ännu intressantare är hur man kan lyckas med detta umbärande när man bara är en person som i stort sett sköter all inspelning, av alla instrument, med få undantag ersatta på vissa låtar där han samarbetat med andra. Men det är oftast på fåtalet låtar och då handlar det om ett instrument eller en strupsångare som ersätter hans karaktäristiska—men plågade—underjordsvrålande. Om man bestämde sig för att förbeställa de fysiska vinylskivorna så fick man ett album på köpet, ett osläppt album som varit färdiginspelat sedan länge men som enstaka personer fick ta del av som tack för mödan; att de skramlat ihop pengar till att betala för sig.

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På detta släpp har Jon Ekström samarbetat vitt och brett, bland annat med två sångare och en rappare, varav en sångare som täcker upp för honom själv i en låt, medan de andra fått ta över med sina sångröster helt och hållet på de låtar som varit designerade för dem. Utöver allt detta så har han tagit hjälp av två trummisar, en som trummar för en sång rakt igenom och en annan som kompletterar Jon Ekströms trummande. Alla dessa personer är namngivna: Jens Ekelin,  Primatho, Samuel Skoog, David Flood och Hector Sjölund Peinado Peña. Visst kan man tycka att det är spännande med samarbeten till en viss grad, men när ett släpp är så fullständigt infekterat av samarbeten så blir man rätt motvillig inför lyssnandet. Särskilt eftersom att Jon sköter det musikaliska så bra annars, men det ska sägas att det går att genomlida med råge, eftersom att de bidragande musikerna faktiskt lägger till ytterligare en dimension till annars jävligt välsvarvad och bra musik.

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Eftersom att det är tolv dagar tills Jon Ekström släpper detta tidigare exklusiva och otillgängliga släpp, i sin helhet via sin Bandcamp så fick Repartiseraren en exklusiv förhandsströmning av albumet så att ni kan lyssna till de härliga tonerna av världens undergång; och en näve eller två för mycket nihilism. Plattan består av elva låtar, varav “Slutet“, “I Kolgruvorna” och “Satan” förblir Jon Ekströms egna alster, då alla andra innefattar ett samarbete eller två. Allting har spelats in av Dödsvarg och även mixats av honom, omslaget har även tillfallit honom att skapa. Mastering skötte Audiosiege ypperligt som vanligt. Hoppas att ni tycker om detta album lika mycket som jag gjorde. Om ni inte gör det, så går det alltid att spela albumet en gång till—jag lovar att ni kommer att fastna efter sjätte gången, eller tidigare. Njut av den karga nihilismens stålhätta, vars totala misantropi tar sönder dig inifrån.

[4th] December: Crowhurst – Shallow

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From America with deep-rooted hatred and especially no love for Bono or The Beatles, comes Crowhurst—a solo-project commanded by Jay Gambit—also known under the guise of Girl 27—a continuation of his sound experiments. Before May of this year the project was a collaborative one with a full band set-up. From then he’s gone from noise, power electronics, dark ambient and back again, including numerous attempts at drone and ambient. We must admit that many of his releases remain unheard but his concepts are of interest. Not only because of his collaborative efforts on split-releases with Water Torture, Et Nihil, Sordo, Human Fluid Rot, Tanner Garza, Black Leather Jesus, Breakdancing Ronald Reagan, Trevor Bolin, et cetera — but because of his productiveness, and transgression between electronic and non-electronic music. Power electronics and power-violence seem to have more in common than one could ever imagine. It’s actually not that hard to fit those genres together, the only bump in the road would be where to draw the line, but there have been even weirder constellations co-operating so nothing should be said about that.

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One confusion is whether Crowhurst since Girl 27’s first release “And I Hope Nothing Hurts You More​.​.​.” goes back to being a whole “ensemble“, or if it is intended for his personal experimentation. I hope for the latter. Somewhere along the road if you’re not into the phenomenon, you can easily confuse both his solo-project and his supporting players for one and the same, besides the reality of the harshness that separates the two. So it’s good that he chose to go his own way under a whole new name. This makes the connections even more irrelevant and creates a distinction between his follow-up work and the original setting of Crowhurst. Anyhow, his productiveness, let’s return to that. With his harsh noise endeavor, four original releases have been put out, named: “And I Hope Nothing Hurts You More​.​.​.“, “The End“, “Haldol“. and the self-titled release “Girl 27“. He’s also been able to hook in Dreamcatcher for a split-release. Though I am not too sure about the nihilistic tendencies delivered, conceptually the releases make for vivid interpretations.

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So for the 4th of December, Crowhurst have lent himself for a more beat-oriented and noise-driven intermezzo which starts of painfully harsh, keeps going at it for what feels like more then four minutes and then completely dies out into nothingness. It might be a proper transgression from his old self to the new moniker he operates. The song is titled “Shallow” and separates the thin lines between ambient-like noise and a steady rhythm which shakes you around and spins your world 360 degrees in the wrong direction.

Poem:

You be nice to Santa,
he’ll grant you Americana
If you’re not,
he’ll be utterly distraught

4th of December has not ended yet, but only begun. We’re past the cold and chilly grounds, we’ve entered the desert and you’ve suffered heat exhaustion. Tomorrow a new track will be released and the temperature might flutter. Until then, enjoy the exclusive and newly produced song “Shallow” courtesy of Crowhurst, on Repartiseraren.