Upcoming release on Repartiseraren: Listerlandet

Grand Mal x side-project Listerlandet will receive its first proper release, in exclusive form, from Repartiseraren in late October 2018. The release is planned to be in a limited edition of chromes cassettes with full on-body printing as per usual, obi-strips, metallic printing for logos and tracklists plus the title of the release. There will also be a limited edition luxury hardback digipak CD with an outer linen cover.

Each of these physical releases will come with a different track and with different covers, only available via Repartiseraren. SkandinavianSpeed will have exclusive access to the digital release itself.

A music-video has been created by Karl Ture Rydby himself, you get a firsthand look and feel for one of the tracks featured on the release, “Nätet läggs i skymningen“. Down below is a short presentation of the release itself:

Listerlandet is located in the outskirts. Classic, okkult dubby tekno with ambience and esoteric folklore for higher spheres and inner search. This Autumn on cassette, CD with linen cover (Repartiseraren) and digital (SkandinavianSpeed, coming label).

Watch: Britt Rion – Chaos & Beauty

We get many submissions, some we care more for – in this case Britt Rion and her charming music-video, alongside an even more hypnotizing song: “Chaos & Beauty“. Some of the best music undoubtedly comes from down under, in this case New Zealand, as we’ve seen and heard with Fishrider Records way back in the past of this webzine.

At the first glance you might write it off as your regular pop-oriented blasphemy, but the further in you get – she sets a mood that diverts the attention from pop, into a marvelous metamorphosis of that, singer-songwriter and indie-pop. The catchiness is the only thing lent from regular pop, but the lyrics and intonation in her music is more subliminally beautiful – so she doesn’t have to resort to making a visual interpretation that reflects the vanity of regular pop music – it is a simple video that is Grime-esque in a sense – if you’ve seen one of her videos from “Genesis“.

Her voice is stunningly beautiful as well. We have to struggle not to move out of our own bleak hearts, it is as if a dystopian scenery quickly changes into a beautiful field and a forest full of local creatures singing in the day, when the sunlight hits your eyes and you’re with someone you love.

 

Watch: Celephais – Damp Stone Spiral Stairway

This surrealistic, brooding and strange sound emanating from Celephais is hypnotizing. Alongside the music-video for the song “Damp Stone Spiral Stairway“, featured on their first album release ever on Ordo Viatorum, is a piece of craftsmanship we’d thought we wouldn’t like at first glance. When combined with the music, the video brings together cinematography and an almost 3D-esque glimpse into something not as futuristic anymore, it feels almost as if we’re viewing this from the perspective of someone three decades ago at least.

Once you’re sucked in, the music never lets go of you, it pulls you further in and holds you up – as if you’ve seen the light for the first time – a metaphoric out of the body experience, as told by weird shapes and forms traversing time. The full album is titled “Grey Dawn, Quaint Gardens” and will be reviewed, track-by-track, tomorrow on Repartiseraren. Nothing more needs to be said about this, we’ll let the video describe it perfectly well on its own – because a great music-video can convey something we ordinary humans can’t do in text, you really need the full audio-visual experience.

Previews of the full album can be listened to on the Ordo Viatorum Soundcloud, we’ve linked that below this text so you can get into both the video and the music at the same time, though only in the shape of previews so far – you will have to purchase the vinyl – it is beautiful to say the least, in a very subliminal way.

Video Premiere: Man, Woman, Friend, Computer – Exordium/Outgrown

Man, Woman, Friend, Computer released their debut-album self-titled album last year and now Yuliya Tsukerman (of Mana Contemporary) have created a music-video titled: “Exordium/Outgrown“. The music is electroacoustic pop music, with experimental tendencies. It is exciting to see such craftsmanship when it comes to music-videos.

The methods Yuliya have used are one-hundred percent analog. With the help of centuries old Czech marionette-techniques, the dolls are paired with modern materials and objects, creating a story that is moving. It is the story of a spaceman coming to terms with his own isolation and loss as he cares for an injured alien. A narrative is created – analogue versus digital – a re-imaginative trip from old to new – pairing them both, but  telling them apart as well.

Listen to the album down below and view the video up above.

 

[13th] December: Acapulco City Hunters – Chaser

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Acapulco. A Mexican municipality but mainly a city, with as many as 234 communities—the most populous being Acapulco itself—with 673 479 inhabitants as of 2010, 85,25% of the people reside in the city. When counting the most populous cities except the main one, which are: Xaltianguis, Kilómetro 30, Tres Palos, San Pedro las Playas, Amatillo—the population combined account for 3,25% of the whole municipality, making it 25857 inhabitants in total, one starts to wonder where the rest of the 11,5% have gone. Where are the other cities? Are there smaller towns, considering there are so many communities? Questions remained unanswered. Here are when Acapulco City Hunters come in – it seems like they’re looking for an answer to that question. Maybe they’re straying away, in metaphors and synonyms, but they’re probably concerned.

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Or maybe, just maybe – we’ve been tricked by these con-artists. Making us think of Mexico as the main inspiration for their name, specifically related to the aforementioned questions, but it can also mean “Goin’ to Acapulco“—a track from “Dylan Basement Tapes” (1976), and I paraphrase from an outtake from Sid Griffin’s book “Million Dollar Bash” – from the source Shelton, Robert (1986)—music-journalist Clinton Heylin commented on its sexual innuendo: …featuring the usual debauched narrator, rambunctious harmonies, and euphemistic ribaldry according to Wikipedia. We can see how both sexual innuendos are fitted in a musical environment, influenced or not by either Sid Griffin’s book, Basement Tapes, or Mexico’s ‘lost’ cities and/or communities. A lot of the topics seem to suggest a strong influence of either everything – or simply one of the things listed above.

It’s interesting to note how Acapulco City Hunters is in plural, though other things like ‘his’ patchwork blog “Cosmic Beam“—suggests otherwise. Maybe since the Facebook-page is categorized as a “Community“, rather than an Artist-page, could reveal certain other possible theories. Pluralis it is because it suits the influences for ‘his’ project. If you get the reference we’re trying to make here, you’ve got a good sense of detail. The music-making dates back two years, from when he released “Haunted Bombai“—later to have a remix of the song by “DYSWIL“—filmed by Thomas Skrobek. Apparently a collective (now defunct?) named: “Negative Beat“. One of the actors’ names (Juliette Mellard) suggest that it really is a project born and based in France—collecting individual influences elsewhere.

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He’s also done a good rendition of; Marianne Faithfull‘s “Broken English“, originally released on LP in the UK 1979, via Island Records—now a sub-division to Universal Music Group. Though we’re not enthusiasts of Marianne’s intonation – we respect and understand such an immense contribution to England’s—and the world’s—music-life that she, and her discography have revealed throughout the years. With added minimalist synthesizers and a stripped-down not as extravagant atmosphere, Acapulco City Hunters make me like “Broken English“, and take the song for what it is – albeit in a completely new way. We must say that nothing beats an original, not even an original you’re not so delighted to hear in the first place, but they do a perfectly okay effort. We’re sorry to say that the bleep-synthesizer sound is too loud, which takes away part of the experience of listening.

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Now I won’t go any further into his discography, more than note that I have written about the split he did with Luminance, titled “The Cold Rush“. Sure, most of it sounds alike when listening through once in a while, but there are certain characteristics that Acapulco City Hunters had developed—that I heard when I had listened to it for a while. We prefer when he doesn’t overcharge on his ethnic vibes. When he keeps it nice and tidy, melodically ambitious and switches between different modes of electronica – is when he’s at his peak. This was exactly what he did with that release. Ironically enough he sings about evolution in “Magdalena” and evolved he has—at least musically. Recently, he also was featured in a track he did together with Luminance—on the “The Broken Window Theory“—a newly released compilation on Wool-E Records.

For Ljudkalendern he gives us, on the 13th December, unfortunately with a delayed article, a song titled “Chaser” – which might actually be the musical hunt for Acapulco. It seems to be something defining him, at the same time cranking up the tempo to maximum—making way for a spastic and erratic synthesizer-driven track. It’s a newly produced song for the purpose of this non-commercial collection – not compilation. We hope that you’ll take a bit of his musical concept with you in your thoughts after you’ve heard it—as delicate as it is forceful.

[1st] December: Xiu – Law Of Light

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Winding down, coming home and changing around to accommodate ourselves to the reality we left for another — is not an easy task. We’ve just headed for a vacation and here we are, strong-armed by the world we left a couple of days ago. Time flies by so quickly, so we’ve just calmed down before there was a storm heading for us — a metaphorical one. Now when everything is moving back to what it was before we left it, we have something exciting to announce for everyone reading this blog-zine. You will not believe your eyes, nor’ your ears.

We’ve been working on a project in secrecy. Today is the day when we reveal what’s to come and what you’ll never want to hear, anyway. This project started some months ago and they were only going baby-steps, if anywhere, forward. It all began when I asked Xiu if she wanted to participate and lend an exclusive track for this purpose. She did so and asked if we could not include more people who would be featured in the project to come – so we said: “sure, why not?“. This resulted in the project being even larger then we could have ever anticipated. It grew from one to a number I won’t reveal right now, that will be revealed once the project is over. One of the corner-stones is that it is a non-commercial collection – not really a compilation to be released — but rather a “project” collecting fragments of what Repartiseraren is, and what is preferred around here. I put an emphasis on “non-commercial” and “collection“, just so there will not be any confusion with what it really is and what it is meant to represent.

It was really easy for the artists and groups that are featured on this non-commercial collection — to realize what they should and should not contribute with. Either an exclusive unreleased and newly composed song — or an already composed (but unreleased) track — for the sole purpose of being collected. What can be said, other then “we’re really overwhelmed by the response“? Nothing other than that. We would like to thank everyone that were and still is involved, because without you — this would not even have been possible to begin with. You’ve put your sweat and craftsmanship into it and you can tell by the way it sounds, no matter what genre you’ve set yourself up for.

So let’s get to the point. Since Oksana Rodinova (Xiu) was kind enough to give us ideas which helped the project further, she’s the one who starts this project off with a bang. We’ve gotten our hands on the track “Law Of Light” which is exclusive for this project. We think it displays how she’s evolved and how she can stop in evolution just to give another side of what Xiu is about, another insight — if you will. A suggestive and dark, but transparent song which deals with a certain topic in so many ways possible, within the realms of minimal synth and cold-wave — combined. Before you go ahead and listen to it, we’re also able to present a music-video for your viewing and listening pleasure. You can watch it above. So do that first and then read the first poem when you’ve opened the first window in this calendar:

Take me into the light,
let me be your plight
Lead me to your law,
so that I can withdraw

This is 1st of December and now the story begins. Tomorrow a new track will be released and the story will be continued. But until then, enjoy the exclusive song “Law Of Light” and the music-video for it, on Repartiseraren.

Watch: Roladex – Glass Statuette

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Bright colors intertwined with VHS-quality and other psychedelic enjoyment. Together with the technology of yesteryear, Roladex have done good in their homage to where their influences come from. With their 80’s-infused synth-pop sound and their carefully executed visual FX create a hypnotic atmosphere which is almost exclusive to music-videos from that decade and before the 2000’s. You will find no polished turds á la big business labels and their PR-menagerie here. Not to mention their song “Glass Statuette” on their newly released split with ((PRESSURES)), which is saturated with the mesmerizing duo’s eloquent vocals whose delivery hypnotize you, as the spastic arpeggio rhythm continually rolls in the foreground – an aquatic melody seduces you. You can’t help but start humming the lyrics in a repetitive fashion. I also think the video captures a bizarre vein that Roladex don’t capture as well with their music, which seems to me when I listen to it to be in all seriousness, but the video itself adds that tongue-in-cheek vibe that music-videos used to give. Either because they were abhorrent in their silliness, or simply delivering a positive nerve in the musical delivery – which in Roladex’s case is true – as you also can’t help but smile.

It would’ve been great if this split-release could’ve featured a music-video by ((PRESSURES)), too. Because then it would’ve been more than two songs that you keep on the repeat. But with that said, I think the track “The Voices” complements “Glass Statuette” very well. I think ((PRESSURES)) are the ones whom deliver the futuristic touch to this release, as the B-Side coincides with Roladex’s passionate nostalgic reflections both in track and video. “The Voices” almost touch cold-wave territory, but instead of going into the coldness and reflections of that – there’s a clear disco-vibe to the whole she-bang. With vocals that soothe your soul, together with a steadfast drum-machine rhythm and cosmic synthesizers – I would say that the A-Side gives more hope for us in the future. Though a lot of melancholy can be heard in both tracks, the bleaker side is when Roladex comes on, but I’m not sure anymore after having seen their music-video. All of this might be my hypnotized me talking, but they’ve charmed me with their other side of the coin. Both tracks are complementary as I’ve said, but one wouldn’t stand with the other and they display different characteristics. I just wish they would’ve included the music-video with the release and also made a music-video for ((PRESSURES)) track. That way, their likeness and difference could’ve been visually represented as well as musically.

Since this is a joint release by Medical Records and Disko Obscura, you can either choose to order the limited edition 7¨ in thick transparent yellow, or transparent urochrome vinyl. It’s your choice whether you’d like to go with Medical Records or Disko Obscura, but they both have their unique take on it and if you’re a collector then you should go for them both. You can order the transparent yellow version here, and the transparent urochrome here. Stream both tracks digitally down below and watch the music-video above.

Video Premiere: Heroin In Tahiti – Alo

We can present to you the wonderful music-video of the track “Alo“, that Heroin In Tahiti had put up a month ago, as a celebratory gesture for their coming vinyl 7¨ on Yerevan Tapes. “Peplum” is the name of their two-sided release, featuring the title-track “Peplum” on the A-Side, a kind of post-apocalyptic hurrah for an imaginary Ennio Morricone soundtrack, blended with the fururistic gaze of Lee Van Cleef’s rather ghastly face. As we look into matters on our own, the B-Side contains the track “Alo“, which you can listen to in the aforementioned video, as you get to follow them on a trip through rainy landscapes, on their highway to heroin. When it was written, it was originally featured in the exhibition by Phil Collins, called: “In Every Dream Home A Heartache“. In comparison, “Alo” is a more gloomy track which drones into the horrific but steadily engaging sound-scape that would make you awe-inspired even if you’d hear only a bit of it. Lurking in the shadows is the face of them, their clownish demeanor and their samba-like percussion on ecstasy. We suggest you look into the visuals for the first track, whilst you mellow out with the clandestine approach of the first track, as “Peplum” ceases to exist and flows magically into the B-Side. Hear the dreamy sound change into chugging guitars with a horror-themed drowsiness to it.

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The release itself will be put out by Yerevan Tapes on a vinyl 7¨ on the 2nd of May. So whilst you wait for this promising release, have a bit of coffee and relax to the music-video which Repartiseraren could harbour to his own channel. It is by no means exclusive, other than for my channel at this time, but it can also be viewed from theirs. As I said in the beginning, this is more of a celebratory gesture for the growth of an organic Nordic themed Repartiseraren, together with the internationalist vibes of Heroin In Tahiti. Join us on our joint-adventure and await total misery, a slight transfusion with drowsiness – and the exceptionally great and original sound they produce.

Premiere: The Pale Faces – Heavy Mental

A psychotic introduction to what pale faces are. The Pale Faces are a trio from Leicester that symbolize the total decay of the United Kingdom. Having been featured on their first release back in 2013, as a split-release together with the band Subtitles, with their own track “Any Day Now” on Goodtime Recordings. Ten days later, in the midst of the beginning of the year, in January – they released their first full-length debut-album “Gee Baby, I’m Mighty Blue For You” on the same label. Staying faithful until then, it would take a year more for them to finish their latest addition to their hypnotizing brew of psychedelic and insane combination of garage-pop and what they call “hardcore psychedelic pop“. Their latest album “Chaos Beach” was released just about two months ago, in February this year. Which is probably their most psychedelic and crazy release up until now. Clearly a symptom of everything that is wrong about Britain today, the youth set out in balaclavas to disturb and be rowdy. I got a submission from Two Headed Snake Productions, the production company that filmed a video to one of their absolute mental songs on this album, the most insanity one could gather. I didn’t think much about it and let it be for a while, but I unearthed what they actually wanted. They produced a video for the track “Heavy Mental“, a nice spin-off to heavy metal, but also a stroboscopic disaster waiting to happen, nothing for epileptics.

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It’s probably one of the rowdiest tracks I’ve heard for a while. Feeling outnumbered and that someone is out to get me, is one thing. But their complete disregard for the intention of their own music is rather criminal. After listening to it and watching the video, these loonies should be locked away. Though I must admit that something in their music, be it the crazed out psychedelic pop, or the garage-influences – serve as a post-mortem on the good days of what Britain was a long time ago. They’ve accidentally stumbled upon the historic archive and made a mayhem on it. The music-video itself is also ingenious in many ways, but also terrifying. I suggest you take a peek for yourself and you can also stream their whole album “Chaos Beach” down below if you’re in need of a little bit of calm beneath the stormy sea. Because they’re capable of that, too – believe it or not.

 

Premiere: Orchidée Noire – Abscisses et Désordonnées

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Being francophiles and all, there aren’t that much french music being featured here. Not because there isn’t any french music to be put up here, but because we don’t have much contact with french musicians that write lyrical content that is french – staying true to their language. A month or so ago we featured Orchidée Noire, a promising solo-project that Xavier Soquet stands by. Featuring the romantic notion of France in a bouquet of different synthesizer sounds and also a hint of non-electronic music in the shape of sharp riffs that delve into the background of the music. The french language is really the language of romance, but also it sometimes also brings a sorrowful posture, wherein Xavier and the melodic content of his often complex rhythms are laid to support his vocals. This time he’s released a music-video for his latest track “Abcisses et Désordonnées“, a rather energetic synth-pop meets minimal synth kind of track. Laying bricks to build upon his earlier track “Défense de se noyer“, which we also covered. It feels like he’s moving in the right direction with his rather innocent, but at the same time realistic music that gather a little bit of influence from cold wave. A chilling look into the magnificence of minimal synth when combined with other genres.

We’re also going to post the lyrical content of this song, so that you can make sense of it all. I believe that some of it is lost in translation, also figuratively speaking, since a lot of things loose their inherent meaning when you translate them. A rough translation of the name of the track gives us a clue that “désordonnées” means “disordered“, or “disorder“. But that’s also when we loose control of trying to figure out anything else about what the track actually means, in regards to the title. So for those of you that are interested, we’re going to post the lyrical content of this track down below and you’ll have to make up your own mind in regards to how you’re going to translate it. We’re just happy that it means something and that it adds a rather mystic feeling to the track, with us not knowing what it actually means lyrically. You can watch the video up above and you can stream the track down below. Down below you can also read the lyrical content of the track. The track was recorded in March and put out by the 5th of March.

Laisse l’échangeur des voies découper tes formes linéaires,
Admire les pensées en bouquets qui fleurissent le long de ta chair,
Reflets nuit et cervelle étoilée, l’incompressible légèreté flirte avec le rail,
Entre Abscisses et Désordonnées, entre Abscisses et Désordonnées,

Perdons ton ombre,
Perdons ton ombre,
Et trouvons la distance,
Troublons la distance entre l’Abscisse et l’Ordonnée,

Ils te raconteront l’histoire de ceux qui n’ont su partir,
Ecoutant leur récit observe bien leur visage pâlir, leur regard s’enfuir,

Tu y rencontrera l’homme guettant son premier amour,
Sa femme à ses cotés, le cœur battant tel un tambour,
La première impression ressemble à une perte de repère,
Mais tout n’est qu’illusion, questionne donc ton imaginaire,

Quel est ton nom ?
Quel est ton nom ?
Trouvons la distance,
Trouvons la distance entre l’Abscisse et l’Ordonnée,

Perdons ton ombre,
Perdons ton ombre,
Trouvons la distance,
Trouvons la distance entre l’Abscisse et l’Ordonnée.