Exclusive Premiere: KLOAK – Bëubæëu

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Indignant and
well-versed acid techno, funneled through a beatdown into concrete, Karl Sjölund and Adde Huumonen bring forth an astonishing inward look into modern electronic music. They’re ingrained in the cultural universe that is Stockholm, be it art installations or sound technology echoing throughout the night. Now they’ve created something out of the ordinary – yet familiar.

Maternal Voice is due to release this gem digitally and on cassette, titled “Connectivity“, it will be a very limited edition of 61 copies. So you make sure to get this one, it contains the best of the different electronic genres, sludged in between the muck and the surface above. This one is taken from the a-side and titled “Baby“. Purchase the release digitally here, limited edition cassette coming soon.

 

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Upcoming release on Repartiseraren: Listerlandet

Grand Mal x side-project Listerlandet will receive its first proper release, in exclusive form, from Repartiseraren in late October 2018. The release is planned to be in a limited edition of chromes cassettes with full on-body printing as per usual, obi-strips, metallic printing for logos and tracklists plus the title of the release. There will also be a limited edition luxury hardback digipak CD with an outer linen cover.

Each of these physical releases will come with a different track and with different covers, only available via Repartiseraren. SkandinavianSpeed will have exclusive access to the digital release itself.

A music-video has been created by Karl Ture Rydby himself, you get a firsthand look and feel for one of the tracks featured on the release, “Nätet läggs i skymningen“. Down below is a short presentation of the release itself:

Listerlandet is located in the outskirts. Classic, okkult dubby tekno with ambience and esoteric folklore for higher spheres and inner search. This Autumn on cassette, CD with linen cover (Repartiseraren) and digital (SkandinavianSpeed, coming label).

Exclusive Premiere: TWINS – What Should I Expect

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The littlest of the labels in Enfant Terrible‘s ensemble, Petit Enfant, is mature enough to present the forthcoming release “Make Life Before You“, a 7¨ compromised of two songs that are entangled in different universes within electronic music. The part that has been sliced off from this metaphysical cake and fed to us, in celebration of three releases short of twenty – is “What Should I Expect” – a very minimalistic and gritty electro song.

A release with only two songs can either fail in a big way or enthrall the listener, TWINS manages to captivate with the different tones of both the songs, pitting the first song against the second one, the preferred A-side against the hated B-side – which side do you pick? I for one pick the second one, but the first track definitely has some charm attached to it, a less experimental knife piercing through the soundscape.

This is the first of three exclusive premieres from Enfant Terrible’s wonderful concoction of electronic releases, you can listen to it down below and it will be available for purchase in late October, limited edition of 250 copies.

 

Exclusive Premiere: Duran Duran Duran – Sinking About You

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Not to be confused with Duran Duran, the more experimentally oriented electronic musician Duran Duran Duran (Ed Flis) is now having his latest release put out on Tripalium Corp – as a part of one of their ongoing release-series – Digital Mutant. The title of this release is “Bolo Trax” and sports some very intuitive, beautiful and forceful ambient-styled electronica on the a-side of the release, whilst the b-side is filled with a claustrophobic and abrasive experimental kind of electronic music.

What’s exciting about this release is that it is a very limited edition cassette, only forty copies made, which after it comes out will become a sought after item. Even though some of the music isn’t that appealing when listening through it the first time, like many good releases it starts to grow on you and certain themes can be sought out within the music and yourself as you connect to it on a weird metaphysical level.

We’re proud to be collaborating with Tripalium Corp in getting to exclusively premiere their releases, and this one is no exception. You will be able to stream the song “Sinking About You”, taken from the a-side of the release, exclusively on Repartiseraren nine days before the actual release. Tune in to it down below and don’t forget to pre-order the cassette. It is also available as a digital release.

Exclusive Premiere: Megabreth – In The Mouth Of The Realm

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Stoner-infused and whirly psychedelic rock music is what Megabreth brings us, in this cassette store day release on the label Field Hymns. Their album “Ultra High Noise” is what happens when you experiment in the laboratory of sound, whizzing and spaced out vibes that don’t require you to indulge in a drug-induced epiphany to appreciate. They have a dense ambiguous sound and are not too far flung into the otherworldly.

For cassette-store day this chrome tape, with a 4-panel insert will get you rocking for that utter nonsensical occasion. If there is one day you should be capitalizing on Field Hymns releases, it’s this day. You can ignore the other far-fetched releases that make up this cheap imitation of record store day. Not that anything done for capitalizing on music is necessarily something bad, fortunately for you they managed to get a cassette out.

You get the pleasure to listen to “In The Mouth Of The Realm“, exclusively via Repartiseraren before release on bandcamp. Make sure to support the label by purchasing one of their cassettes; edition of 80. Listen down below. It will be released in full on the 14th of October.

 

 

Spotlight: Kazeria, A.D. Mana, Strucktura, TRAITRS

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In this spotlight we’ve chosen four artists/groups that are different – yet alike in many ways. There will be a lot of darkwave, coldwave and industrial music in this spotlight. Mostly because those are the genres where we find ourselves at home, because there’s immense talent to be found there. We start off with noisy industrial music and end with gloomy post-punk extravaganza.

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Kazeria was unknown to me when I found his music via Gradual Hate Records. It was his latest release, “Nihilist Militant“, that caught my eye. The aesthetics were impressive when it comes to the artwork for this release, but more was to be discovered when pressing play. He’s created very intimate and atmospheric industrial music, coupled with dark ambient overtones. Keep in mind that these songs are totally unedited versions, created between 2003 and 2007 – which is a representation of how it sounded back then.

There’s a great assertiveness in his music, it almost borders to the bombasticism of martial industrial. As stated by the label, this is a “very personal” release, which really shows in the emotions he conveys with his music. It is both harsh and atmospheric, with destructiveness at its core. One is very impressed by the percussive rhythms he produces, which can be heard the clearest in “Evrazia Regnat” – a very disciplined and ambitious track in regards to melodies as well. Even the very short ballad-like song “Irminsul” has a certain grace.

This release is a great way to get into his music and if you pre-order the last copy in the special package – you get a gas mask as well. Can’t get more industrial then that. Listen to the release down below, buy it if it is of interest to you.

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A.D. Mana is a relatively new artist from Berlin. The re-release of his first and only, self-titled EP, on cassette – had me at the first song “Take Hold” – a stern coldwave rendition that catches multiple influences, like synth-pop and darkwave, molding it into a sinister blend together with his voice. The synthesizer stabs are clear but at the same time dark and brooding, a strange combination which at first doesn’t seem to work but as the song progresses it is obvious that it does. “Down The Wire“, another song on the release, almost funnels the post-punk vibes into some odd kind of grungy synth-pop-‘n’-roll.

My favorite song on the release, except the first one, is “Honour“. It adds gracefulness to the messy environment of the songs in general. Even though you’re caught slightly off-guard by his voice – not in a good way – it fits in place after a few moments into the song. There are some great rhythms as well, aptly executed. The melodies are unorthodox, which makes me like it even more. You expect more of the same but get tricked into the wondrous atmospheres, the groovy electronic beats – and the charming ballad-like ending within “Soulware“. A perfect instrumental track and appropriate farewell. You should really check it out, and buy the cassette from sentimental, if it suits you.

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I’ve actually heard about this artist, Strucktura, whilst browsing through the bandcamp-feed. But I never paid much attention to the music. There’s some really solid darkwave-inspired music in his “Statues Also Die” release on Oráculo Records. While the synthesizers and beats are on point in the release, there’s some really cheesy lyrics. In a weird way they go along well with the music, so I will leave that alone. The music seems awfully cheerful but at the same time moody and distraught – which is something that adds character to the songs. Especially in “Val D’Aran“. 

There’s a nice futuristic vibe about each song and it comes out differently, even though most of the rhythm and melodies are alike. As dreary as the atmospheres may be at times – they come out as dreamy – and are filled with nicely laden synthesizer sweeps, alongside well constructed rhythms and melodies. It is a release you should check out, if it is something for you – buy the limited edition vinyl via Oráculo Records.

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Torontian band TRAITRS have created some of the most soothing, coherent post-punk music I’ve heard in a while. The oomph of the baseline resounds throughout in the first song “Witch Trials“. It is really weird how each and every song on the release is anthemic on its own – it is mostly reserved to one or a few songs – but this is catchy, ambitious and on fire from the matchsticks up until the light goes ablaze. It is especially noticeable in “Lya“, one of the more minimalistic songs. The singer gets a certain kind of emotional streak in the chorus which makes you want to sing along to the lyrics.

Not to mention how massive “Gallows” is. Here they’ve really gotten through with the originality of their sound. They both have an edge in the music and somewhere to stand firm – nothing is left to chance, everything is constructed meticulously. When one gets as far as their last song “Heretic“, the percussionism is simply mindblowing. Of all the releases recommended in this spotlight, this is the one I will have to choose myself as the best one. You can get it from the Warsawian label Alchera Visions, buy it here and stream it down below.

 

Listen: Coarse Language – Definite Hiatus

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There’s a Canadian indie-label that emerged in 2008, that have just put up a forthcoming release for digital streaming. It’s a label called Artificial Records – and their latest addition to their quick growing discography is an album called: “Definite Hiatus“, produced by Coarse Language—an artist (or group) unknown to us. A suitable description for their music would be “deranged electronica“, since the erratic beats and paranoid whispers conjure a prime setting for weirdness. One could also name it experimental minimal wave, but there are so many different influences at play so an umbrella term is hard to set for this kind of music. Not to mention how their melodies swiftly change, with dark baselines that draw out the worst sides of mankind in a musical setting. Multiple personalities, or alter-egos, which make the arrhythmic noise seem more friendly from one track to another — but be on your guard because they’re predators. Sometimes the melodies take the upper-hand but there’s always a minimalistic reminder of how shrouded, clad in spikes, dressed for destruction their environment is — thrashing melodies, relocating sound into bizarre harshness.

We’re not that interested in the psychological aspects of the sound, but rather how it is audio-visually—a thing Coarse Language seem to know how to do. They’re perfect alarmists with a subliminal message, whether it was originally intended for it to be like that, is not something to take into account. But a lot of the complexity in the sound reveal that another more obvious vein shows—a repetitive message (lyrically) which is contrasted by the sheer amount of invention—they seem to possess. If we’re wrong, they might even be playing with illusions to deceive; with their maniacally tedious passages later on in other tracks on the album. Even though it only contains six tracks, it’s a gem that you might not appreciate right away—rather when you’re able to sculpt your own interpretation of them. Listen to their release down below and buy a limited edition cassette (50 units) from Artificial Records — if you want a physical item.