[10th|11th] December: Kord & German Army

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Odd coincidences arise when you’ve got so little time to assemble a non-commercial collection like Ljudkalendern. Picking two opposites that in no way resemble the other, then you know that it’s something fate intended. It was by no means planned in complete detail ahead of time. Because I had no time I missed the opportunity to showcase to you a track for the 11th December, I’ve had to combine yesterday’s—with today’s exclusive premiere. You got to stream the first song ahead of time, before an article was to be published. So you already know that Kord (Johan Sturesson) got his time in the limelight prior to this article being written, contributing with a humorous yet ambitious piece of synth-pop venture—leaving no time at all, to impress the author, as well as the listeners.

Since we’re running out of time, before the 12th December is about to be set, we introduce to you: Germany Army—post-Tassili Plateau—stronger and odder than before. Welcomed out of the swamps where they’ve resided for revitalization, before launching a miniature drone, transmitting sound bytes to enthrall, or disperse your mind once again. Still nobody knows if they are for real or just a product of your own self-delusion. Their donation to Ljudkalendern is titled; “Life, Debt” which is a gloomy marshland of sound; where humans go to escape civilization. It’s back to how it once were—in tune with mother nature, in a rather decayed, manner. When interpreted by us, the title of the song becomes a metaphor for how you’re owing German Army your life, and your indebtedness to them. We on the other hand feel like we owe them a proper showcase since their masterful album “Last Language“—one of their best efforts.

Poem(s):

Who’s at your side,
to for you provide
It’s Johnny!
Who’s Johnny?

/

For the army,
do everything
For the army,
don’t be smarmy

This is a special and fated release, due to lack of time. 10th and 11th December in one article. Feel how you move from a spaced out adventurous story, to a draining hazy experience in the midst of a huge prairie pothole—bordering Canada, America’s own North and South Dakota, as well as Minnesota and Iowa—you’re screwed. Take the aforementioned text as a hint, German Army, I might’ve given you a concept for a follow-up to Tassili Plateau.

Mix: Celldöd – We will not allow any dancing…

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Medan han letade i arkiven så stötte han på en större mängd musik som skulle passa. För de som är lyckligt lottade svängde han ihop allt från chicago house, detroit techno, acid house, industrial, electro, och alla övriga kombinationer som man själv inte ens visste fanns – förrän man satt sig ner och lyssnat igenom allt. Celldöd slevade ihop det bästa han kunde hitta från 1980 till 2014, däribland några klassiker och en del nya grejer som man inte hört tidigare. Bland dessa finns FISHERMEN och en ny låt av Johan Sturesson. Det finns egentligen inga pretentioner i denna mixen, det är helt enkelt en timme och lite till av det som Anders Karlsson (Celldöd) tycker om. Måhända är det så att urvalet är begränsat för hans alterego, men det är ändå en eklektisk blandning som på många sätt saknas på andra ställen.

Nog för att det finns många fler som gör mixar och spenderar tid på att förfina eller förfula dessa, men det känns som om man fått någonting personligt. Inte i den bemärkelsen att det är så in i märgen personligt, utan snarare att det finns en del av tanken bakom Celldöd planterad i själva mixen, men också tidigare projekt som Anders har stått bakom. Innan ni skruvar igång denna mix så ska ni veta att det mestadels är elektronisk musik som ni kommer att höra, men det finns en eller annan avvikare under lagren av bombastisk, minimalistisk, aggressiv electronica. Repartiseraren kan stolt presentera “We will not allow any dancing…” (1980-2014), en mix gjord för detta blogg-zine och som jag säkert tror att ni kommer att uppskatta. Lyssna nu.

Exclusive Mixtape: Kord – In Exile Here

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Three weeks have gone since my exclusive premiere of the songs “Control” – taken from the newly released “We Live In This” 12¨, which featured Annie Gyllin on vocals. Johan Sturesson, whose alter-ego is Kord, recently got that release put out on Gooiland Elektro – the sub-label of Enfant Terrible. Since that release was out, I have been increasingly fascinated by that project and his involvement in and with Frak. Not to mention his affiliation with the label Börft Records, whose bizarre journey was covered by the state-run radio-programme Elektroniskt i P2, hosted by Andreas Tilliander. But this is not about that, because this is totally different. I noticed that Johan had been making some mixes on his own, or at least that he was interested in that. Therefore, I asked him to shape a mixtape for Repartiseraren just because I had taken great interest in his musical endeavours, not only limited to Kord, but also the likes of Monster Apparat which he’s involved in together with Daniel Svraka (Adolf Filter). Compiling tracks is something that I can do by myself, but I only get so far by selecting the songs that are my own favorites. So it can get boring very fast if I’m the only one supplying you with something to listen to.

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So I now decided to ask Johan Sturesson to do a mix and/or mixtape for Repartiseraren. There is where the story begins. Said and done, Johan began making a mixtape for me and he was done very quickly. The result was very interesting and I learned about some new artists and groups thanks to him. Well, what did I see when I first looked at the tracklist, if not Poeme Electronique, Adolf Filter and Ortrotasce at a first glance. Then, I also saw a lot of different stuff that I did not immediately recognize. What on earth is Dada Pogrom, Mängelexemplar and Alien Skull Paint. They sound experimental as hell. Well, they weren’t actually, but they’re all electronic. The apt title for this mixtape is “In Exile Here“, because yes, you’re in exile on Repartiseraren. My lonley island only gets visited once in a while, but certainly not by celebrated artists like Kord. I feel very lucky to introduce to you, one of the nicest mixes that I have received for a long time. Or it might be so because I feel like I’m starstruck. You can listen to the mixtape exclusively on Repartiseraren and you can view the tracklist down below. Feel exiled, it’s good for your heart and soul.

Tracklist:

Intro: Kord – I play my flute – Djuring Phonogram
1. The Phone – We are neutrons – Attractive Co-ordinates
2. Poeme Electronique – She´s an image – Attractive Co-ordinates
3. Gertrud Stein – Blümchen – Kernkrach
4. Sleeping desiress – Voice – Flexiwave
5. Marklion – Lets walk & talk – Alpage
6. Dwayne Sodahberk – Yr style – Tigerbeat 6 / iDEAL
7. The Actor – Picture 210 – Enfant Terrible
8. 1 Futurologischer Congress – Nur mit dir – Wagner Tonträger
9. U-Bahn X – Young hearts of Europé – EMI
10. Dada Pogrom – Happy happy happy – Beatkamp Inc.
11. Kord – KGB – Djuring Phonogram
12. Ortrotasce – World unrelated – Flexiwave
13. Alien Skull Paint – Electric – Genetic Music
14. Absolute Body Control – Give me your hands – Minimal / Maximal
15. Mängelexemplar – Urlaub im bett – Kernkrach
16. Adolf Filter – Inner walls – Enfant Terrible
17. Spectral Display – It takes a muscle to fall in love – EMI
Outro: Kord – I play my flute – Djuring Phonogram

Exclusive Premiere: Kord feat Annie – Control

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Playful synth-pop with that odd Börft angle when it comes to rhythm and melody. Börft Records have been the sole proprietor of Johan Sturesson‘s own project Kord at first, but he’s switched to different labels during his years, releasing material on his own label Råsynth I Blekinge, Djuring Phonogram and just before this release, on the Malmö-based Rundgång Rekords in 2013. When he’s not busy with his own solo-project, he’s also one of the brainiacs in Frak, a rather mystic and anonymous group at first – but a national jewel for Sweden’s odd electronica-lovers. He’s also been involved in an off-shoot duo with Daniel Svraka (Adolf Filter), called Monster Apparat, with whom they released the double-single “Moster Dajm / Rymdmotstånd” on the Kernkrach sub-label Hertz-Schrittmacher back in 2009. It would seem like the ironic touch of Börft Records have been appropriated on every project that is related to it. A kind of Swedish humor, with a touch of Blekinge in it. A certain kind of humor that is very funny if you’re tired, but also if you’re working with music for most of the time. In Sweden we call it “torr humor“, which means “dry humor“, but do not let it take you astray from the wonderful music that is being produced. This is only when it comes to some of the song-titles and titles of releases by him. Rather than being an insult, it’s a good thing when they first incorporated this humor into it. In regards to the artists and groups that have had their material released on Börft. So when Kord finally is releasing something new, he’s including Annie Gyllin on vocals, making it an album that features her brass attitude amidst a carnage of weird synth-pop, electronic body mayhem and dance-music.

This release is being put out by the Enfant Terrible sub-label Gooiland Elektro which deals with everything from dark electro to experimental electronica. A four-tracked released titled “We Live In This 12¨ is being put out upon this label, the first release from Kord since a year back when older songs were released as “Midsummer Night Special“, together with a collaborative track featuring Glenn Stenbring and Rebecca Lindell, called “Boy” – which was recorded in 2005 as a school-project of his. Anyway, Repartiseraren have been in a collaborative effort together with Martijn who’s the label-boss of both Enfant Terrible and Gooiland Elektro, where I’ve had the honor to put out exclusive tracks from coming releases. This is also one of these efforts, as we give to you the track “Control” which is featured on the B-side of this release, for you to exclusively stream from Repartiseraren. As I’m re-launching my platform, this comes rather unexpected, but I welcome it and would like to thank Martijn for his continued faith in my blog-zine. Hook your stereo in, put your headphones on, lay back in your chair or what ever you find pleasurable to be resting in – and tune in for this weird mixture of the best of many worlds of electronica. Stream the track down below and pre-order the vinyl from the Enfant Terrible webshop. First edition comes in 100 copies of pink vinyl, second edition in 200 copies in black vinyl. Expected to be released at the end of April.

Spotlight: Rude 66 / Kord!

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Enfant Terrible just released a track by Kord and Rude 66 from their forthcoming releases – on the sub-label Gooiland Elektro. The first one being “Radio Peace and Progress“, a new track by Rude 66, the moniker of Ruud Lekx from Holland. A long-going artist whose contributions to music, and mainly albums, have been made known from Bunker Records in the early to mid nineties, to an off-shoot into Silver Recordings, way into 2008 with Créme Organization. Having released notable singles and E.P.s on a wide-array of record-labels including Acid Planet, Djax-Up-Beats, Speedster Records, Kultbox, Viewlexx, Vynalogica, LoEB, Custom Made Music – and the latest release being “The Kill“, an E.P. released by Bordello A Parigi. He’s hailed as being “the king of the dark electro-wave death race” by promoters, according to Discogs. Having perfected his sound through a multitude of genres, including atmospheric acid, dark industrial, electro-funk and melancholic electronic wave disco – he’s a man of different facets. He originates from the old-school acid scene in The Hague. There could be a whole book written about him and his influences, his notable collaborations, and everything in between – but we’re staying at his forthcoming album. Gooiland Elektro will be releasing a forthcoming 12¨-release with him, featuring four tracks, whereas two are vocal tracks where Beta Evers and Sololust appear and wreak havoc. These four tracks are titled “Under Cover Of The Night (featuring Beta Evers)“, “Stars Get Hurt (featuring Sololust)” on the A-side, with “Mutual Assured Destruction” and “Radio Peace and Progress” on the B-side. This assures the fact that it might be a great release. This is his coming addition to the enormous discography he’s been building up through the years. You can stream and listen to the track “Radio Peace and Progress” from the B-side of the release, down below.

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When it comes to Kord, he’s a notable figure within the underground Swedish scene. He’s more known as one of the figures in Frak, a weird outfit first released by Börft Records in 1989 – with their debut-album “Raggarslakt“. Maybe a reference to the vicious fights that were occurring between synthers and raggare in Sweden in the 1980’s, made to be something much bigger then small fights, by the media and newspapers at that time. But we’re not here to talk about Frak as such or Börft Records, whom have been thoroughly investigated by Sveriges Radio (public domain radio) in an episode of “Electronic in P2“, done by Andreas Tilliander whom is also known as TM404. Anyway, Kord is Johan Sturesson of Frak, in a much more pleasant image musically. Having recorded his first album under that moniker in 1998, with an album titled “Gymnast I Sockiplast” released by Börft Records – later on things seemed to get more serious. Even though the maniacally influences from Frak remain within his synth-pop mixed with disco, there’s a certain dancefloor focus which these tracks deliver. Now he’s going to have a release on Gooiland Elektro, titled “We Live In This 12″” where he features Annie Gylling on vocals as a much needed side-kick, which gives the project a whole other dimension. There’s a certain psychedelic vibe to her vocals being processed on the tracks “Lovestruck” and “Black” on the A-side, whilst the yet unheard tracks from the B-side “Control” and “Vacation” might be another world. We’ll see. Annie Gylling have earlier been featured on “Soviet Stars” from 2012, on the track “Push Your Button“. Meet your maker with this crazy combination of noisy, unpolished and rampant discotronic that will make you loose your mind on the dancefloor. Gooiland Elektro continue to shine, as one of the best labels around for electronic music. Especially that of an odd kind. Stream and listen to the track “Black” which have been made available on Enfant Terrible for listening purposes. Both releases can be pre-ordered here.