Exclusive Premiere: Bakunin Commando – Void Desire

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Post-electronic body music that has morphed into a monstrous repetitive being, a permanent assault on your eardrums that is as uncompromising as the outlay in Bakunin Commando, Signore Baudazzi’s brainchild takes as much as it gives the listener in return – an anarchic point of view transmitted directly and forcefully into your mind.

The split-release is coupled with more industrial hemorrhage, as Veleno Viola takes the lead roll, the main alter-ego of this man’s twisted world. No matter what you think about the music itself, the release is aesthetically pleasing in different ways, even though much of it could be enhanced – the small tidbits that you get to enjoy are enough.

In collaboration with Kess Kill we exclusively premiere this track, as this is written it may already have been released, the eight release in Kess Kill’s discography (KESS08), paving the way for even more ambitious music in the future. You can get the vinyl here, listen to the track exclusively down below.

Exclusive Premiere: Eidulon – The Hierarchy Of The Inner Planes (feat. Naxal Protocol And Nordvargr)

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This is one of the most interesting releases coming up on Malignant Records this year, Italy’s Eidulon unleashes a brutal combination of dark ambient and apocalyptical orchestral music – a combination that is rare to hear – within the forthcoming release “Combustioni“. It has been a long time since we last supported Malignant Records, but that’s only because there have been no room for more then a year to get a hold of something from their releases – we blame ourselves for that, rightfully so.

Now we’re bringing you one of the most fearsome collaborations this year, Eidulon utilizes the help of Naxal Protocol for a noise-oriented, crackling atmosphere – layered beneath the might of Nordvargr’s vocals that crush through everything. In collaboration with Malignant Records we’re pleased to bring you “The Hierarchy Of The Inner Planes (feat. Naxal Protocol And Nordvargr)“, taken from the forthcoming CD-release on the 25th of March.

If you haven’t already pre-ordered this release, make sure you do and fetch the CD as well when it is available. You can stream the song exclusively via Repartiseraren’s soundcloud weeks before the release is out, down below.

 

Exclusive Premiere: Hidden Place – Gioco Cromatico (V.2)

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A compilation was born after four albums, with two years between it and the last album they made. Hidden Place have since long found their niche in synth-pop, minimal wave and new wave. Before they had more experimental influences that soared through a wondrous landscape, but now they channel it down to a common denominator – focusing their darndest on combining Italian geography and language to make something of their own. It seems like it’s even more noticeable now how they sneak in more versions that haven’t been released earlier, or if they have been – the focus have been lying more with the, by now “international” language – English. They have a treasure trove ready to be dug out and it has partly been done with the first compilation, released on the UK-based label Peripheral Minimal. It was named “Retrospettiva: 2004 – 2014“, which as it’s name portrays, holds a rather keen look through nostalgic lenses on the past, mainly unlocking already existing tracks and putting them in a new context – a date where they first were contemplated.

Now after dozen months, Peripheral Minimal still holds the torch that lights the beacon upon where the follow-up will be presented. Peripheral has the key that opens up and gives a summary to the rather underestimated legacy that Hidden Place have brought with them. Whether or not you prefer to listen to them, there’s something which hits the right spot when you listen to their music. Even though it sometimes fades into a more commercial landscape along the road, there’s something well-thought out between their layers of music. I’m not sure if you can pin it down exactly when listening to it, but you’ll probably know what I am talking about. So the second compilation and the follow-up to the first one is now closing in. It carries the exact same title but now we’re at “Retrospettiva Vol. 2“. Let’s hope there’s a gem or two hidden beneath the rugged stone, and that you’ll get some unheard tracks you can listen to in your headphones or on your stereo.

Repartiseraren have gotten hold of a track from this forthcoming compilation. There’s a clear difference to much of their material which could be heard on the first volume, even though you’ll know it’s them – a polished but rough environment steps in and carries everything – leaving a burden on your shoulders. Their language of choice should certainly be Italian, because for someone that doesn’t understand the language, it actually sounds a lot less cheesy. A certain uplifting emotion grabs a hold of you when you listen, but when you listen to this track – melancholia knocks on the door. For your listening pleasure you’ll receive the track “Gioco Cromatico (V. 2)“, taken directly from “Retrospettiva Vol. 2“, exclusively on here and nowhere else. Stream it directly and feel an uncertain breeze flow through you. Artwork was created by Oleg Galay.

Listen: Caesar Circles – E n c r y p t i c

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Cryptic aesthetics are what the Italian post-punk group Caesar Circles want to showcase. For some reason I think about Dan Brown and his book “Da Vinci Code” when I see the illustrious artwork representing their first release “E n c r y p t i c“. An upside to what they’ve done with their four-tracked release is that they’re singing in English, because I personally can’t stand post-punk from Southern Europe whom choose to vocalize their songs through their native language. What I can endure is post-punk in the Icelandic, Swedish, or English language. There’s really something unique about the Anglo-saxon influence and feature that make it worthwhile. When it comes to their post-punk, musically they have a touch of that melancholic sound that combines alternative rock, post-punk, new-wave and psychedelic influences.

The up-tempo and melodic content that gets through the cracks thanks to an overt new-wave touch make it all the merrier to enjoy. It is really enjoyable that they’ve chosen to route it through a hint of psychedelia just to give it a bit more of a unique sound. Though I am really not a fan of the post-punk that is underlying, when the sound is bridged to the chorus and back again. But I must admit that Caesar Circles make the best of it but I think the general carelessness in the singer’s voice is hard to bear. Because they unfortunately drift too far away from the originality they deliver with post-punk, when they grasp new-wave too much and almost delve into indie-pop territory. Other then that, I really enjoy the darker touches that gets applied to the sound-scape whenever post-punk seeps through the cracks and when you hear a psychedelic riff tearing through and bringing forth another part of a song.

You should listen to it because it is a worthwhile release, as it’s mostly intriguing to listen to. It features the four tracks “Control“, “Wall of secrets“, “Rough Trade” and “I/O“. Personally, I find “Control” to be the best song on the album. Caesar Circles is Simone Cetorelli (song), Andrea Triestino (guitars), Paolo Fraddosio (bass) and Alessandro La Rosa (drums). The album was recorded at VDSS Recording Studio and the artwork was crafted by Alessandro La Rosa. Stream the album in its entirety down below.

Video Premiere: Heroin In Tahiti – Alo

We can present to you the wonderful music-video of the track “Alo“, that Heroin In Tahiti had put up a month ago, as a celebratory gesture for their coming vinyl 7¨ on Yerevan Tapes. “Peplum” is the name of their two-sided release, featuring the title-track “Peplum” on the A-Side, a kind of post-apocalyptic hurrah for an imaginary Ennio Morricone soundtrack, blended with the fururistic gaze of Lee Van Cleef’s rather ghastly face. As we look into matters on our own, the B-Side contains the track “Alo“, which you can listen to in the aforementioned video, as you get to follow them on a trip through rainy landscapes, on their highway to heroin. When it was written, it was originally featured in the exhibition by Phil Collins, called: “In Every Dream Home A Heartache“. In comparison, “Alo” is a more gloomy track which drones into the horrific but steadily engaging sound-scape that would make you awe-inspired even if you’d hear only a bit of it. Lurking in the shadows is the face of them, their clownish demeanor and their samba-like percussion on ecstasy. We suggest you look into the visuals for the first track, whilst you mellow out with the clandestine approach of the first track, as “Peplum” ceases to exist and flows magically into the B-Side. Hear the dreamy sound change into chugging guitars with a horror-themed drowsiness to it.

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The release itself will be put out by Yerevan Tapes on a vinyl 7¨ on the 2nd of May. So whilst you wait for this promising release, have a bit of coffee and relax to the music-video which Repartiseraren could harbour to his own channel. It is by no means exclusive, other than for my channel at this time, but it can also be viewed from theirs. As I said in the beginning, this is more of a celebratory gesture for the growth of an organic Nordic themed Repartiseraren, together with the internationalist vibes of Heroin In Tahiti. Join us on our joint-adventure and await total misery, a slight transfusion with drowsiness – and the exceptionally great and original sound they produce.

Lyssna: Fäkalien – Sexual Colonization

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Bombardemanget fortsätter. Eftersom att vi valt att koncentrera oss på de mörkare strömningarna i underjorden, så gör det sig bra med Fäkalien, eftersom att det är power electronics och dödsindustrial – men också på grund av att den Italienska etiketten ANGST gör ett samsläpp med Scorze Records. Fokus ligger främst på svensk underjord, och eftersom att Fäkalien är ett svenskt solo-projekt som varit igång sedan 2013 åtminstone, så är det passande eftersom att detta samsläpp mellan två etiketter just är detta. Ännu finns det ingenting som är klarställt när det kommer till vad kassetten kommer att heta. Men för den som är intresserad av en historiegenomgång, så kan vi meddela att detta solo-projekt först släppte ifrån sig “Untitled” på ännu en Italiensk etikett, men denna gång hette den Diazepam. Detta var år 2013. Det senaste släppet är antingen spliten med Tjere, 886VG och Toxic Bliss – som också fick namnet “Untitled” – eller så är det en annan split som släpptes i Maj år 2013 som också är obetitlad. Skillnaden var att de som var med på detta släpp var istället Shaun Robert, ✰☻★☺✰ och Amy Weinrausch. Förstnämnda släpptes utav Untitled Productions och det sistnämnda utav Shit Noise Records. Eftersom att vi aldrig tidigare hört talas om detta solo-projekt, så kändes det passande att ta upp det. Nu finns det en låt som är tillgänglig och det meddelas att släppet kommer snart. Så det finns inget fast datum än, men detta blir i så fall det första släppet från Fäkalien detta år. Ni kan vänta er tribalistisk – nästan rituell – power electronics med influenser från både dödsindustrial, men även noise. Alla tre är hyfsat uppenbara. Men jag måste varna er för att det är väldigt hårt och namnet på låten är “Sexual Colonization“. Det blandas med varierande sampling, både från Andra Världskriget, men förmodligen från annat håll också. Håll i hatten när ni lyssnar på detta, för det kommer att bli en ordentlig resa. Mystiken tätnar. Lyssna till låten när nedanför och invänta detta samsläpp á la ANGST och Scorze Records.

Premiere: Light House – In Their Image [Musicvideo]

The people of Light House, namely Dawn Sharp, Chris Relyea and Brooks Blackhawk, have been busy making their track “In Their Image” from the EP with the same name – into a music-video. With the help of Brooklyn filmmaker Jeffrey Richardson, whom have directed this video, and cinematographer Rebecca Steele – they’ve realized a totally symbolic, and picturesque landscape. Matching their song in a way that represents both the song itself, but also their intent with showing the visual elements of nature, as well as the cross that Dawn Sharp has on her garment. There’s a lot that the viewer will have to rationalize and take in, but it is inducing, hypnotizing and serves to make something more out of the track at hand. The looming heavy beats, the sharp atmosphere, suggestive filming – everything is important in compromising the song for what it might contain, and adding to the sublime nature of it. We get to follow Dawn Sharp in this music-video, in what I presume is a channeling of everything we’re missing out on. There are certain ritualistic aspects about the music-video, from the slowly fading clips of trees, vegetation, dew – the last-mentioned making you feel like it’s early in the morning, but still cold. It’s post-winter and pre-spring.

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In my interview with Dawn and Chris last year, they actually hinted that they were going to film this. In regards to the song “In Their Image“, Dawn Sharp outlined: “That song is really important to us because it kind of exemplifies Light House’s sound. We are getting ready to shoot a video for that song actually“. She also commented: “…we want to keep it a surprise but it will definitely include some Northwest beauty and filming at night“. This will, beyond the shadow of the doubt, set some things straight in regards to this music-video. Because some of the video is set in the early morning, and some of it is filmed by night. The most wonderful thing about the video is when Dawn Sharp comes into the picture in the beginning, and the music haven’t started yet. It gives you some kind of peace of mind, just to disturb you a little bit and get you into the song immediately, only sparing a few seconds of total calm. A video worth watching. Additionally, Dawn Sharp edited this piece together with Jeffrey Richardson, and she was also the stylist of this production. I will also mention Sarah Jane McKinley, who was the production assistant. They will also be finished mixing a new EP, when this weekend has passed. By the way, Dawn Sharp of Light House also mentioned that the re-presses of their EP is sold out over at Mannequin Records, but that they have a few vinyl-copies left of the first pressings – released by themselves. So go and get them!

Listen: German Army – Millerite Masai

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The Italian army has turned into the German Army, as they march in line together. With an amassed amount of albums released on various labels, this German Army returns with another piece of dank esoteric otherworldly piece of music. Their rather sluggish approach takes a toll when they mix the rhythmic delight of kraut-rock, blended together with various psychedelic elements that make a certain masque on the sound itself. These different samples, ghastly as they might be in some ways, provide a monotonic shell for the outer dub to rumble away undisturbed. Everything is layer upon layer of goodness, as you experience the most experimentalist trip you’d ever wanna take. Churning out an even more massive amount of albums in the year of 2013, they make sure to shorten their tracks and leave a lot to the mind of the listener. His interpretation is what rules, because if you can make this into nothingness by being scared away by the oblique sound – make sure you strap yourself in, because this kind of music gets to you brain. You could call it an intellectual barrage, or you could call it gibberish. It’s all up to you. But these uniquely differing vibrations make your body turn in a way it shouldn’t, and in a way it should. Look for the sublime in this music, and you shall find. Yerevan Tapes are kind enough to be releasing their album “Millerite Masai“, a staunch look into the worldliness of music, applying every different ethnic vibe together with the harsh reality that we live in. Brace yourself, because 2014 might also belong to German Army. Because they have a lot of tricks up their sleeve. Stream their album down below and enjoy the weirdness, freak out over their repetitive notion, move your body to the overt rhythm.

Exclusive Premiere: Les Jumeaux Discordants – Betrayed Bride / The White Room

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This is the continuation of the last post, where Les Jumeaux Discordants were kind enough to grant me access to their world – through their music. Providing me with a careful selection of tracks that might already be out there in some way or another, but mostly whom are restricted to this blog-zine as such – and their limited CDr-releases. The whole purpose of this was to grant people who may be interested in their music, something to listen to if they weren’t that quick to have bought their releases in the first place. These two tracks that I’m about to present to you, were featured on their first and only self-titled release “Les Jumeaux Discordants” – which was released by Misty Circles, in the format of a CDr limited to 100 copies. Alongside four other tracks. Displaying their underestimated experimentalism, as their first release. Engaging into more unknown territory, in comparison with the later releases. Honing what was to become a modern classical masterpiece, lending their thoughts deeper into their own imaginative state with this particular release. You can certainly hear the difference, albeit it’s sublimity. Venturing in between martial-industrialism, dark ambient and a more grandiose landscape of sound changing into the morbidity of the under-dwelling feelings, the suppressed and dark thoughts caught in the moment of them slowly being released into the world, with absolutely no embellishing filters.

We give to you, here on Invisible Guy, the two tracks “Betrayed Bride” and “The White Room” – for your pleasurable streaming experience. One of the tracks are already out there more or less, but “The White Room” features a ‘ghost track’, also. You can stream these two tracks exclusively on Invisible Guy, with the approval of themselves. I would like to thank Roberto Del Vecchio and Aimaproject for giving me this opportunity, to share with you the sound of a greatly under-appreciated duo. So do check it out.