Dreamy, dreary breakbeats with tight IDM-influences is what makes or breaks La Bile – a french project having the honor of being released by Tripalium Corp – in their Digital Mutant Series (number 22), titled: “La Sublimation du Poulpe“. There’s a plethora of different electronic influences in each track on this release, from a multiverse of techno, acid and otherwise obscure electronic genres. Fetching the best from each genre, not compromising with the experimental overtones and the grittiness of it all.
We’re proud to be premiering a track from the B-Side of this release, in our ears one of the best tracks on the release, “La Piscine” delves into the human psyche and opens up a world of mystery, through fast-paced drums and constant flickering, there’s an urgency that doesn’t die out until the song finally fades into nothingness.
You better act quickly if you want it in physical form, as there’s only nine cassettes left of forty in total, so pre-order it from here, and stream the exclusive track from Repartiseraren’s own Soundcloud way before it is released.
Not to be confused with Duran Duran, the more experimentally oriented electronic musician Duran Duran Duran (Ed Flis) is now having his latest release put out on Tripalium Corp – as a part of one of their ongoing release-series – Digital Mutant. The title of this release is “Bolo Trax” and sports some very intuitive, beautiful and forceful ambient-styled electronica on the a-side of the release, whilst the b-side is filled with a claustrophobic and abrasive experimental kind of electronic music.
What’s exciting about this release is that it is a very limited edition cassette, only forty copies made, which after it comes out will become a sought after item. Even though some of the music isn’t that appealing when listening through it the first time, like many good releases it starts to grow on you and certain themes can be sought out within the music and yourself as you connect to it on a weird metaphysical level.
We’re proud to be collaborating with Tripalium Corp in getting to exclusively premiere their releases, and this one is no exception. You will be able to stream the song “Sinking About You”, taken from the a-side of the release, exclusively on Repartiseraren nine days before the actual release. Tune in to it down below and don’t forget to pre-order the cassette. It is also available as a digital release.
Finally, Vanessa Irena of Knifesex – as she calls her solo-project – is getting a proper debut-release via 3t3rnal Records on the 17th of November. Repartiseraren have gotten the exclusive opportunity to premiere a full track from her album “Babalon“. According to herself the inspiration for this release have come through an appreciation of the occult, a dedication to the apocalyptic. The ritualistic nature of her music is expanded upon in this release, for those of you who’ve heard “Blood From Stone” from the first compilation on Repartiseraren will not be disappointed – it is more of the same and even furthers the experimental, but ambitious electronic sound.
There is no secret either that she draws these inspirations together within a feminist approach. The album consists of seven songs and we’re going to give you “Living Flame” to listen to, a week before the release-date. You will be able to purchase the album digitally through 3t3rnal Records on the 17th of November. Listen to the exclusive song down below.
Black Verb Records is a new collaborator and have granted us access to their latest release, namely “Live Split EP” – an EP recorded live at Badehaus in Berlin on the 14th of May – split between DYN and Bleib Modern. We’ve been allowed to showcase the a-side of this release, which features the music of DYN, a psychedelic and shoegazy adventure between insanity and sanity. Opposites attract, they say.
You can listen to it here exclusively on Repartiseraren before release. This split will be released on the 22nd of June and you can pre-order it over at Black Verb Records. You’re in for some really psychedelic tunes, in an alternative way. Stream it in whole down below and find the tracklist as well.
1. Two Times
2. Day In Life
3. Just A Little Bit
4. I Can Handle This
5. Love Of Mine
Drawing influence from phenomenons and the history of Sweden, for example the Witch Hunting between 1668-1676, for their release on Clan Destine Records, titled “Det Stora Oväsendet“. The cover features a picturesque, in our eyes any way, painting of Swedish countryside during that time – but what lingers in the dark is not known. When you know the topic for this particular release, everything becomes so much more gloomier and frightening, like the etchings of coal on canvas. This is one of their positives which make them unique, in more ways then what sound can offer.
Their collective acronym is D.Å.R.F.D.H.S. – which spells out: Dard Å Ranj Från Det Hebbershålska Samfundet. A play with old Swedish words to create a fictive umbrella term for everything they do. Michel Isorinne and Varg (of Ulwhednar fame) are the sole proprietors of this imaginative collective, though we’d rather say they’re a “duo” – but that doesn’t sound bombastic enough. The topics they engage in seem to be less than fictional, taking most of their influence from obscure or overshadowed occurrences in Swedish history.
For their forthcoming release “Mjöldryga“, a tattoo seemingly portraying; inked in “D.Å.R.F.D.H.S.” on someones’ arm, one half of a scythe, plus a symbol of some kind, but mainly a flail that’s situated in the middle of the picture – all constitute the artwork for this album. For those of you that don’t know what “Mjöldryga” means, it means the following: (Secale cornutum) is a parasitical organism, a fungus that attacks different kinds of grown plants, including grain of different kinds. This is one part of the main theme of the album – but it goes into different perspectives, probably related to a more or less obscure happening in Swedish history. We’re thankful for them to be around to teach one about topics we as Swedes haven’t learned or didn’t care too much about. Intriguing.
We at Repartiseraren can proudly present to you a track called “Bockahorn“, taken from the B-SIde of the release. It’s a twenty-minute long escapade that hides more beneath the surface than you can imagine. You don’t hear it the first time, but there are nuances in this dark ambient, experimental ambient trip into deep conscience, taking a long time to build with ambitiously created stages in sound. It’s like a playwright completely in sound, related to forgotten bits and pieces of history. Listen to it exclusively down below. It will get released on Beläten in the very near future and hopefully before the next year arrives.
One of our favorite synthwave acts as of late, Yves Malone, have chosen to grace us with an appearance for Ljudkalendern. For those who don’t know, he’s been featured in three reviews and premieres on Repartiseraren, back when Field Hymns compiled three of his earlier released albums into a box-set of cassettes. Since then he’s also released a separate album called “Ebony Sunrise“, on Orange Milk Records. What’s unique about him is how he manages to transfer soundtrack-music out of the box and into proper synthesized music, instead of it sounding exactly like a soundtrack is to sound – if you’ve ever had that feeling of how you can distinguish between the two. Which we’ve had plenty of times. That kind of transcendental move is hard to make when you’re not able to think outside of the box, which Yves is certainly very capable of at least musically. There’s always a thin line between. He crosses them all and it resonates throughout the atmospheres of his songs. Even though a box like the one on Field Hymns have a certain purpose, that had been cemented way before it was re-released, we like his craftsmanship and ambition when it comes to layering synthesizers over one another, creating a heavenly output for both dismay and happiness. Both rhythm, overlapping textures of synthesizers and melodies are important building blocks for his music. We don’t know how he so carelessly pulls all of this off.
For Ljudkalendern it was originally intended to be an already produced song he had stashed away, from somewhere. As we haven’t had the time to write freely as we’ve wished, we therefore asked Mr. Yves for a concoction that would be linear in theme, but irregular when it comes to the music. Well, maybe not that structured. We proposed that he should produce a completely new track and out came two. Two different tracks both in general atmosphere, but also because one of them, “Yellow Sweater” is more beat and rhythm-oriented, whilst “Junos” take an upper-hand when it comes to perfectly laid melodies that make the whole thing a lot funkier. In a way we’re reminded of a synthwave Group Rhoda, if there ever would be one. A tropical rhythm with playing synthesizers that act as triggers for the rhythm in some cases, but when the melodies come together and shape a grandiose melody everything starts to roll down the hill and become even more exciting. First it fades out, feels like it is rebooting and slowly builds up a baseline that holds up the melodic construction. We give you these two newly procued tracks to stream exclusively for Ljudkalendern and the 16th December – on Repartiseraren!
How can not a cold room be a metaphor for the state of your heart? It is when ARM extends himself for a jab at creating a debut-album by the name “Enheartened“. He came from nowhere when he got entangled in anger, letting his synthesizer create a graveyard where the bones of skeletons—are metaphorically used to bang loudly—on tribal drums coated in industrial waste. The melodies are gloomy and not so delightful for the ear, but in a way the chorus have a cheerful tone amidst the atmosphere of doom and haze. With his EP “Bloodbeat“, everyone including us seemed to wonder who this might be and we had no idea until Thomas from Beläten revealed in his presentation, press-text, that it in fact were Dan Serbanescu (Alone In The Hollow Garden/Tanz Ohne Musik). It’s a fresh cut from Pure Ground and Believer/Law, stripped down and put together in Serbanescu’s own imaginative ways.
We must say that his first release was melodic in a way that his forthcoming album isn’t. This one’s more stale and focuses logically on the rhythms, shaking you to the core with his cold-blooded disheartening whispers. A lot more ambition went into conjuring an atmosphere that make you freeze with fear. Reverberated, disgruntled screams and a looming beat – with charred manipulated sounds – wreak havoc as his vocals are present – until distorted away further to ambuscade—waiting for the perfect time to strike. How are you not reminded of The Shining when you hear this? It seems to be a projection of Jack Torrance’s deranged mind. A chilling observation and not something you would like to have in your head. We applaud ARM for masterfully creating such an aversive and frightening sound-scape. Not our cup of tea to be listening to on a daily basis, only to get that first impression of what it actually is.
So in collaboration with Beläten we unleash “The Coldest Room” – a track from ARM‘s forthcoming debut-album “Enheartened“, for your listening displeasure. We find it to be a summary of what horrors you might expect once you’ve put it in your cassette-player to listen to. You could say it’s his anthem for the new guise of how he’s changed his sound, just the slightest bit, to stricken fear and bad feelings into you folks. We say you listen with caution and if you’re interested in industrial music, morphed with synthesizers and a noise-overdrive – this might be the release for you. Stream the song exclusively from Repartiseraren and share this article from our Facebook-page – so you’re able to be one of THREE winners of a download-code for this whole album.