Listen: …Of Tanz Victims – Fighting False God / Haunting the Empire

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From the current hotbed of synthesizer-based acts, mainly the Canadian city of Montreal, there’s more than a resurgence of artists and groups from the 2000’s. From the depths of dungeons, assembled yet again but in exactly the same shape as before, comes a resurrection for …Of Tanz Victims in a digital format—rather then on vinyl. This Montrealian (Québecian-based) group had their peak during the 1980’s—then associated with the independent label and store (now defunct) Bunker Records—not to be confused with the Netherlands-based “acid-house” label with the same name. It consisted of the members Robert de la Carignan (Robert Mailloux) on guitar, bass and vocals, Denis Wooty (Dany Wauthy) and Roy Batty (Roy Batty) on synthesizers, drum-machine and vocals, with Sat W. Ford (Stefan Figiel/Stephan Faulkner) sampling, percussion and vocals. Everyone in this trio contributed with their voice for the project. Now they’ve put out their first single “Fighting False God“, and their fourth album “Haunting the Empire“—as a digitally buy-able and downloadable item for your consumption.

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Their rather shady description on their Bandcamp-page suggests a contrast in between a real identity and a fake one, all for the purpose of entertaining theories on the origination of the project—but mainly questions about their identity. We don’t really want to find it out. Since their original releases on vinyl seem to have held quite a nice quality, there’s no reason to believe that the music have been re-mastered for this purpose—just digitized. But who really knows. The name of their project is equally ridiculous and fascinating. Not to mention how much more fascinating their music is, which seems to dwell in between an avant-garde take on industrial, electronic body music, noise and electro. Those main influences bring forth assorted non-electronic music with overt electronic ingredients—masterfully utilized in total synergy. We give our warmest recommendation for this group and hope this return bring them back with more interesting material—heads up to any and every re-issuing label out there. Listen to both releases down below.

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Världspremiär: Agent Side Grinder – Beloved Fool (feat Kite)

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Det är inte varje dag som två av den svenska underjordens väldiga banbrytare möts i en och samma låt. Särskilt inte när det handlar om synth-pop, även om det med vissa undantag har existerar förut. Men det här är något helt annat. Det var ett bra tag sedan något höll så hög klass, att man bara kunde skriva under på det — med silverpenna på ett tomt ark. På Agent Side Grinders kommande EP “This Is Us” så är de så avklädda de bara kan bli, till stor del på grund utav att de gästas men även influeras av Kite som bihang. Fast egentligen känns det inte som att det är dem som figurerar i bakgrunden, för det känns som om deras ljudbilder flyter samman — eller så är det bara en kvarliggande fantasi man har, sedan man lyssnat till deras inhopp och tyckt om precis allt. Allt som händer känns äkta, men det enda referensmaterialet man får är med titelspåret och med den låt som kommer att ha världspremiär här på Repartiseraren. Två låtar är ju remixer och det kan man ha olika åsikter om, men det är inte precis där jag lägger mitt fokus — denna gång.

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Dock är det läpmligt att nämna hur rätt i tiden detta ligger. Bägge planerar nämligen sina egna stordåd, för både Agent Side Grinder och Kite planerar att släppa nytt material nästa år. Då är det perfekt att de verkligen samarbetar på en låt så att det blir en slags försmak inför vad som komma skall. Den låt som Repartiseraren har fått äran att ge er att lyssna på exklusivt från detta insignifikanta lilla blogg-zine, heter “Beloved Fool” av Agent Side Grinder och där gästar Kite. Låten är en väldigt intressant sådan eftersom att det känns som om två ljudbilder samsas om att överta varann, men där de istället fungerar i perfekt symbios tillsammans. Det är inte direkt en ödeskamp om överlevnad, utan snarare en slags fröjd; där seriositeten letar sig fram någonstans mellan lagren. För det är trots allt en förnöjsam låt där lättsamheten bär tonerna längs en kavalkad som lyser upp den mörka vinterhimmeln med värme. När man närmar sig slutet mot året kanske man inte direkt är tillfreds, men till tonerna av “Beloved Fool” så lättar man på sitt missnöje och intar inte direkt rollen som Farbror Scrooge. “This Is Us” släpps av Progress Productions den 26:e November. EP:n spelades in i November, mastrades av Henrik Alsér från Svenska Grammofonstudion Mastering, skivomslag och konst skapad av Kristoffer Grip.

Exclusive Premiere: Ausramp – Third Dimension Diploma

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Bringing back the oldstyle seems to be in fashion nowadays. Everything from retrofuturism to old formats like VHS – are embedded into an artists embroidery. Not to mention how the decadence of the 1980’s seems to have hit a peak, there’s also people whom are playing around with techno. You probably know the sound of the 808’s, the old-school vibes that were originally gathered from Detroit, Michigan. When that was the place to be – it still can be. There’s a man whose work you might recognize when you hear ‘Members Of The House’, the more obscure ‘Unit 2’ – or simply his full name Nicholas Bernard Marks — shortened to “Niko Marks”. He’s teamed up with Robert Des Iles, a rather passionate southern European man whose slick grooves are enhanced by the presence of Mr. Niko. Well, it’s not really that mysterious, but I would like to keep it a secret. Robert Des Iles is really a pseudonym but I will not reveal who he might be.

The thing is, Niko and Robert are now a duo called Ausramp. Yes, it sounds fascinatingly German but at the same time they keep the Americana in it by including “ramp“. Precisely the name a techno-project that goes back to its roots and includes a swing of electrofunk, should have. Their debut-release which features three songs is due to be released in two weeks and I’ve gotten my hands on one of the songs from this release. It’s a self-titled release and the track is called “Third Dimension Diploma“. They bring out the best when they return to the oldstyle of techno, adding certain aspects that might not traditionally have been it. But there’s a lot of legs swinging to the left and the right when listening to it, the rhythm is simple but the groove is out of hand. When the melodies strike in, there’s not much to do but to dance to the beat – classic stylee. No, I’m not that clichéd so you’ll have to choose what to do, but I promise that it’s a catchy track. Stream it exclusively on Repartiseraren, down below. It will be released on Kraftjerkz as their eighteenth release, in two weeks.

Exclusive Premiere: Former Descent – Tough Love International

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When moving into the darker part of the year, it’s best to have something that will light up the sky. Not neccesarily in the shape of a lamp or anything like it – but rather a sound that you’ll recognize, a flame that will – metaphorically – be lit. Dutch sound artist Bas Welling seems to be an expert when it comes down to this. His immensely diverse projects range from abstract chipetune music to experimental ambient with electronica laid upon it like oil to a flammable substance. Creatively he’s got a hand in virtually everything, which is almost always relatable to him – whether it is a group he’s connected to or if he does everything himself beneath the shade of a moniker. We actually heard about him for the first time, properly when it comes to his own solo-project Former Descent. A project which has changed so much since it once started out with his album “My Life In The Box Of Ghosts EP” on the Netherlands-based label Shipwrec, up to the mini-album “The State Of In-Between” on the French net-label Sirona-Records, to his forthcoming release on the much revered label Enfant Terrible’s sub-label Gooiland Elektro.

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This is indeed in perfect synchronic harmony. Martijn who’s the label-boss on Enfant Terrible and the sub-etiquettes Gooiland, and his rather newly started etiquette Vrysaete, takes good care of the artists and groups that are housed on these labels. His eccentric taste brings forth great music for a new public viewing – since there’s always something you miss out on – as new discoverys are made each time a release comes out on his different labels. Not to mention how the artwork is structured and is linear to follow, but unique when matched to each band or group that makes a release – everything different for each label, not the same for the sub-etiquettes as the head-label – making for an exciting twist and unique branding of each release that is unleashed. Repartiseraren is proud to be working with such eccentric artists through Martijn’s generosity, as he supplies us with something new on a regular basis.

So we’ve caught the fish in familiar waters this time, as Bas Welling wasn’t unknown to us but certainly not a household name, his experimental electronica with overtones of ambient and a steady rhythm won’t make anyone surprised. But the outlay of each track that is featured on this forthcoming release, aptly titled “Tough Love International 12¨“, are of such creative ambivalence that you don’t need more of an alternating sound-scape to be pleased with what you’re hearing. We can exclusively offer you the title-track from this release that is due to be put out on Gooiland Elektro late November, for your listening pleasure. We hope that you enjoy the concept and definently that you enjoy Former Descent – a project we’re certainly going to keep our eyes peeled on for the coming time – and see to it that you’ve gotten your dose for the rest of the year. Stream the track “Tough Love International” exclusively through Repartiseraren, in collaboration with Gooiland Elektro.

Exclusive Mix: Komarken Electronics – Presentation Av Empirisk Data

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About a week ago Komarken Electronics presented himself musically on a mixtape for the music and forum-site Tracklistings. We had no idea that was going on until we found out. A month before that we were in the stage of preparing; for an exclusive mix that he were in the process of creating. The exclusive mix derives out of many influences that Komarken have as inspiration for some of his music, and simply the music which he prefers to throw into a mix. There’s an obvious connection between his description of what he does, namely: “Research on electronic sounds“, and the title of the mix which is: “Presentation Av Empirisk Data” (Presentation Of Empirical Data). He lays it out as if it was scientific research – which it actually might be when you think about it. There’s something about his sound that is inherently an investigative form of electro which spans far and wide beyond the solid borders that could be called “electro“. His project has been around since 2006 and this could be thought to be a collection of data which is presented to you as the listener – you finally get a hold of his year-long research which began almost eight years ago.

With his other project System Insurgent, which was originally intended to be the main focus when mixing, is a more primal and minimal project – which doesn’t suit a mix that is longer than thirty minutes. So therefore he decided that it would be appropriate to use Komarken Electronics instead. In the mix you get to hear – the masterfully mixed sounds by T. S., of – Dopplereffekt, his own project, Emptyset, Recondite, Frank Bretschneider, Atom TM, Federico Leocata, Inkamera, The Other People Place, Detroit in Effect, Arpanet, Visonia, Objekt, Kraftwerk(!) and Vladimri Ussachev. It doesn’t start to get into concrete electro until the latter part of the mix. There’s everything from ambient, pseudo-IDM to techno and everything in between of great electronics. A great exclusive mix for Repartiseraren, which he’s worked hard on to deliver a precise result and summary of his long standing research into electronica – electro specifically. Listen to it exclusively down below.

World Premiere: Cape Noire – Avalanche

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With monumental influences taken from black metal aesthetics, it’s weird to realize how trip-hop can be thrown in to make it something completely different. Hailing from Paris, this collective of nocturnal souls make up Cape Noire – an outfit that flourishes in the catacombs. With their catchy trip-hop sound and their atmosphere lent from darkwave and other electronic genres, they fuse soulful vocals with different aesthetics. You could honestly say that “Fire” – their only publicly available track – have a musical ground available in more commercial music. Although that song is more of an anthemic introductory to this collective, it’s nice to see how you actually can stray away into darker melodies, ambitious vocals and still keep some kind of artistry connected to more widely attractive genres. But it’s good that all clichés are swept under the rug and that they develop their own sound, because that’s ultimately what gives the listener a more steadfast connection to their music.

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Repartiseraren have gotten the honor to premiere another piece of music from the strictly limited CD-release put out by Cape Noire on the 11th of October. This item will probably be a collectible, so you’d better hurry and buy one because they’re limited to thirty copies, handmade all matte black and silver ink buffered package. Their aesthetics revolve a lot around the mystery of who might be the actors behind the moniker of Cape Noire – in turn fueling the relevance of their music – besides it being masterfully crafted for your listening pleasure. Now you get to listen to another track from that release, namely: “Avalanche“, which gives you an insight into how versitale they seem to be. You can sense some dark cabaret influences that move their way through a more carefully laden atmosphere, but with utmost sincerity the trip-hop beats are laden in perfect conjunction to the marvelous vocals. Listen to the track down below. Buy the CD from them here.

Exklusiv Premiär: Celldöd – Våldsamt Motstånd (Mix1)

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Igårkväll så gjorde Celldöd, enligt en trollbunden publik; en av sina bästa spelningar någonsin. Han uppträdde, precis innan legendaren Douglas McCarthy’s samarbetsprojekt Fixmer/McCarthy gjorde entré – som huvudakt. Detta utspelade sig på Nalen i Stockholm och har garanterat etsat fast sig i minnet på konsertbesökarna. Förutom att han gjorde det kan skulle och det med bravur enligt många som var där, så var säkert Fixmer/McCarthy ett ögonblick att minnas. Tyvärr så kunde man inte närvara eftersom att det rent geografiskt var avlägset. Men däremot kunde man höja ögonbrynet på ett antal Celldöd-fans med hjälp av att få lägga upp en exklusiv låt. Det var nämligen som så att Anders valde att släppa en kassett, i oerhört begränsad upplaga om tio kassetter – vars namn är “Affektiv Storm” – som enligt uppgift redan är slutsålda.

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Eftersom att det var många som inte skulle få tillfället att äga kassetten, så lade Repartiseraren i samarbete med Celldöd upp låten “Våldsamt Motstånd (Mix1)“, en låt som är tagen från den kassett han hade med sig till uppträdandet på Nalen. Det är en väldigt kaosartad låt som förvränger det redan förvirrande konceptet av Celldöd, ytterligare. Man vet aldrig vart man hamnar när Anders är den som vrider på rattarna och får den ena ljudbilden efter den andra, att låta helt annorlunda. Här är det mer synthpunkigt, mer rått – primitivt som attans. Så för alla er som inte fick tillfället att äga kassetten, kan i alla fall få tillfälle att lyssna på en låt från den. Lyssna här nedanför.