[7th] December: Conspiracy Coven – Plague


Things mustn’t happen for a Sunday to be exciting. It’s not the excitement that makes for a good Sunday—it’s the ability to relax from a hard weeks work. Whether you enjoy it or find it to be a day where nothing materializes, it’s still one of the most important days in our opinion. You can make much of it if you only wanted. We’ve invited Conspiracy Coven to participate in hindering this night from entering the next day, an even worse one called: Monday. Being an anonymous solo-project which leaves no trails for investigation—we’d rather not anyway—make it even more of a fascination—in sound. His first album “Dark Disco“, a five-tracked mini-album have not yet sold out the twenty limited edition copies of a cassette well-worth buying. So we’ll push for this release here and make you buy it because it lends more funds for him to continue making his music. You might have noted that it’s somewhere in between minimal synth and post-punk, though not a regular streamlined project as it holds a layer of nicely crafted analog synthesizer. A simplified and minimalistic approach with tendencies to whirl out into a planned happenstance. Not to mention how irregular synthesizer melodies are smashed together by an analogue drum-machine.


We must admit that some of the vocals on the release sound rather cheesy, but in an intelligible way. This son of Norway have just put out his first release a few months ago so cut him some slack. He’s still developing his sound into what came to be a ragbag of different influences, plus ways to create music in which other artists and groups fall short. For Ljudkalendern he’s created a completely different track—from what he usually puts out. It’s in a whole different class and style, putting an end to the cheesy interior of his otherwise promising sound—making it even more intense and dark. There’s some kind of electronic body music peeking out of his energetic minimal synth, minimal wave sound which he’s constructed for this non-commercial collection. A newly produced track called “Plague“, featuring darker tones in his voice and a more spastic, erratic atmosphere which fills you with uncertainty. Maybe not as predictable as other tracks in our fair opinion. You’ll be able to stream this song exclusively as a part of Ljudkalendern—for the 7th of December.


Head down into your conscience,
for a new reality of unbridled brutality
Re-wire your synapses,
until your brain collapses

No more questions shall be asked. Just let it sink into your mind and make his sound a spiritual protection. We’re in a meta-physical state over-viewing our puny selves. Shape up and settle down, because your savior is here, he will shield you against inadequacy. Here’s for a new form of Conspiracy Coven, for the 7th December, exclusively for your listening pleasure (or displeasure): “Plague“. Next up is the 8th of December, a dull Monday where you’ll need another track. You’ll have to wait.

Listen: Venin Carmin – Glam is gone


We must admit that we’ve gone and gotten ourselves stuck with a ‘guilty pleasure‘. Venin Carmin from the electronica duo Kelly und Kelly, have moved on to a solo-project. She calls it ‘dead pop‘ but we’re not sure what she means by labeling it that. Her sound is in between the peppiness of popular electroclash artists and groups, with an emphasis on pop. The album “Glam is gone” is her debut-effort that is ten tracks long and spans over thirty minutes in length all together. We’re not sure if the glam has gone away but we’re pretty sure that elegant glam, glitter have gone and died somewhere, in the depths of the club’s catacomb. Though questions arise when it comes to descriptions—we’re intrigued by the sound if we could strip away the inane lyrics—but also the singing style. The whole internationally-styled delivery, often courtesy of Ed Banger Record’s entrance into French electronic music, have always been unbearable to listen to—as proven by Uffie‘s debut in the limelight with: “Pop The Glock“.

She does it way better when her chansons turn into semi-ballads with an emotional message, rather than the mindless and vain attempts to create a hybrid of melodic synth and generic post-punk. So when about half of the album have been listened through, songs like “Fade & Forget” enhance our understanding of her music. When she has the capability to create such an emotional barrage that is catchy but not too deep into pop-oriented templates, it’s intolerable to start everything over again and endure the first songs. After that song everything seems to have started over again and then—”The Spiral Dance” starts—changing everything again, to a melancholic ballad with its main focus on percussion—with lovely, but static synthesizer-pads that create a whole new atmosphere. The last song is the title-track “Glam is gone” which surprise us as she focuses more on a cold-wave singing style, a concrete and stern voice resounding. Matched with an equally as restricted atmosphere that is well-produced, but intriguing. Listen to “Glam is gone” down below and make up your own mind.

Slowday Showcase [#7.1]: Ortrotasce and Knife for an Eye!

420756192-1I will share with thee a quite overlooked gem from my stash. The duo Ortrotasce are located in Portland and Brooklyn, where they sway the public with their magical electronica. Since they released a totally new album more then a week ago, I’m ashamed that I didn’t pick it up quicker. The EP I’m talking about is “Forgotten“, which was released for the public on the 12th of February and is also their debut. Quickly, when you delve into their sphere of minimalistic synth, adjacent to dark pop and electronica as a whole – you become paralyzed. It’s a great form of paralyze, because your nerves and your system is functioning correctly, but you’re put in a state of trance. Every time I listen to it, every song seems to be programmed after my body, because whenever I hear the strike of the toms, the stab of the synthesizer, or an arpeggio – my body constantly moves together with every nerve in my body. Push a button, feel the feeling and dance along to this menacingly melancholic duo and their uncontrollable whip. Strike one, you’re in, strike two – you’re totally enveloped in their dimension. Their music also puts other minimal synth projects to shame, because they’ve found a way to not make it as static as many acts can be. In the center of their core, the danceable elements of peppiness shrug along the walls but do perfectly fine within the mix. Never loose the edge and never loose the touch, because one way you’re being touched is in an meta-physical continuum of emotional, with realistic fodder. Featuring songs ranging from “Transitory” to “Grey Space“. Their release can be found on the Los Angeles-based label Function Operate.

3683314418-1So, if you like Motörhead on speed, you’ve found the right post. The band Knife for an Eye is straight out of Gothenburg city, featuring three members under the monikers of Al Rixon, Charlie Pride II and Johan. Well, only one might well be a moniker, but I’ll include them all. They’ve currently, since the 20th February, released their “Internet Tracks” collection of two tracks which are some of the hardest songs I’ve heard within the punk and rock’n’roll sphere. At least when it comes to the latest addition to that family, their hardened vocals and their overall gritty sound-scape which reeks of distortion. Sounding like some of the classic punk mixed with rock’n’roll and actually, at times, reminding me a lot of Poison Idea even though they’ve not picked up on their vehement speed yet. Yet again, Gothenburg never ceases to amaze when it comes to sound, since there’s been a lot of great bands coming out of that city lately. If you need to be kick started out of your feverish dreams, you should hook your headphones or your massive speakers – to blast this stuff right into your own ears. Hard as hell, breaking bones and throwing stones. Since I never seem to pinpoint the exact words that could describe it, I would contest with Motörhead hooked up on speed and extreme adrenaline. It seems to be some kind of mutated and awful uncle, just thrashing away and unleashing hell upon your closed gates. Check this shit out, because it’s one of the best things I’ve heard and also one of those who packed the most punches. Featuring the tracks “Getting Hooked” and “One Step Forward, Two Stabs In The Back“. You can download both tracks for free from their bandcamp, or hand them some money while you’re at it.

Streaming: L’Obscurité – In Silence


Detta var tänkt som något, men blev istället något annat. Hur som helst har bolaget Ljudkassett släppt kassetten “In Silence” som är signerat det svenska bandet L’Obscurité. Det som måste tilläggas är att det är deras debutsläpp, vilket kommer i form av de fyra låtarna “In Silence“, “Darkness“, “Get Away” och “Mirrors & Error“. Om man blandar ett stycke mörk pop med synth-punk, så blir det förmodligen i närheten utav vad de sysslar med. Atmosfären känns underproducerad men på ett bra sätt.

Vilket får en att ersätta ordet “lo-fi” på grund utav frånvaron av kassettknaster. Atmosfären är generellt sett rättfram men bjuder även på en karneval av olika smaksensationer rent musikaliskt. Så, vad väntar ni på? Ge er in i deras värld och se hur den ser ut. Om det ni hör låter bra, så går det även att köpa på samma sida för 40 kr. Men om ni vill ha ett exemplar får ni skynda på, eftersom att upplagan är begränsad till 100 ex.

Zeon Light släpper fem nya kassettband!


Då har dagen med stort “D” anlänt (den 17:e Januari) och Joakim Granlund som är operatören bakom Zeon Light Kassett, har bestämt sig för att släppa de fem nya kassetterna som det har varit på tal om här förut. De kassetter som släpptes inkluderar följande musikakter: Oliwa, Soft Parts, Arc Light, Tidlös och Heat and White. Från Malmö till Santa Fe, från techno till mörk pop, med andra ord så utlovas det en stor variation. Med tanke på detta så finns det även ett erbjudande, om ni bor inom Sveriges gränser och köper alla fem kassetter, så går det på 200 kr i jämförelse med om man köpt de separat, då de i så fall kostat 50 kr styck. Detta är alltså inklusive porto. Så skynda er över till Zeon Light och beställ om detta faller er i smaken.

Nedanför finner ni även kassetterna, så att ni kan lyssna på dessa digitalt.

On a straight path with [STRANGERS]!

So, what should we check out today then? I’d say we’d check out [STRANGERS]. They’ve delivered a completely new remix of Curxes song Spectre.

I currently like the original more but I like how they’ve twisted the song into their own compartment. The vague sound of both underground and mainstream compromised within the group is rather alluring. They’re currently creating songs for their debutalbum, releasing a single on August the 20th, but they’re also playing with the legendary group Orchestral Manouvers in the Dark in London on Thursday the 19th of July.

While waiting for great deeds to be done, why don’t you listen to the soundtrack of it all? Featuring their latest song Safe/Pain:

Do also watch their video for the song over here:

Quite a mind-boggling video in a good way, the pain and melancholia just jumps up and tears your face apart. But amidst all that sorrow, there’s some kind of reconciliation between the vague happiness, explicit anger and sorrow. A great video.