Interview with Kriss from Notes and Bolts!

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Notes and Bolts is a relatively new independent label in the Chicago area, started in January of 2012. When it comes to the label itself, they’ve got a unique feature. They put out music that is and comes from Chicago, they don’t release anything else. Compromised of a few pretty anonymous people, they’ve also started up a podcast-series for the label itself. Accordingly, they like the “weird“, “spectacular” and “bizarre“. When it comes to the label, they say they’re 67% D.I.Y. and 100% independent. Since I stumbled upon them by accident, I decided to interview one of the label-heads, and his name is Kriss. I asked him about the origin of the label, why they’re only 67% D.I.Y., what goes on behind the scene and many more things that you’ll simply have to read and digest.

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Spotlight: Theatre Royal – Three Ships EP

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Spotlight returns to its former glory, as we float beyond the time and space continuum. As the people glare at us, we present to you Theatre Royal, an fully equipped British adventure from Rochester. Wrought from the same shades as us, brought to justice within a mural indie context. But maybe not to that full extent, as the psychedelic pop vibes of yesteryear plague us once again. Idealizing, a world with emotionalism, outbursts of concrete emotion. With wonderful voices, contextualized instrumentation and a folky vibe to the overall potpourri of influences. When the boat leaves our sacred shores, we shall go out to sea and tame the beasts. Conjugating the extremities of everyday life, spanning through landscapes far and wide – packed into a beholder for the people to observe. Theatre Royal show their teeth, but at the same time contain themselves – because they’ve got a story to tell us. Stories that are brought upon with the sincerity and normalized energetic posture that is sorely lacking in some areas of music. The four tracks featured on their EP are “Three Ships (disappear here)“, “Learning How To Be Idle“, “Orchard Song (Sun Studio demo)” and “(Just Like) A Sunny Day In June“, released by themselves. Feel free to listen to it down below.

Invisible Guy recommends: 80s Post-Punk – 1986-1987 (Part V)

I’ve been through with you in the 80′s now in about six parts, four parts were about new wave and two parts were about minimal wave. Now, because of popular demand (not really), I’ve decided to unleash the post-punk monster. It will feature six different parts, whereas each one of them will concentrate on important years. I will walk you through a decade of important music, I could almost call it the golden years of post-punk. The parts will go on like this: Part I, 1980-1981. Part II, 1982. Part III, 1983-1984. Part IV, 1985. Part V, 1986-1987. And finally: Part VI, 1988-1989. Hopefully you’ll enjoy this madness, featuring (mostly) obscure or unknown bands in this sphere. New for this recommendation will be that I have different commentaries under each video, some of them are humorous and others are not. It will cover the basic aspect of each video or text. Enjoy this one.

You’re now entering Part V of the recommendation.

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