As a concept, they’ve existed for quite some time. In 2010 they released their first self-titled album “Sumerian Fleet“, this was when their concept only included Alden Tyrell and Mr. Pauli. These two men whose real names are Martijn Hoogendijk and Ingmar Pauli, have been active as electronica producers since the late 1990’s. When two years had gone they realized yet another album which they titled “Sturm Bricht Los” – released on the eminent label Crème Organization in 2012. The difference between this album and their first was that Zarkoff was included on vocals and the fact that it moved into electronic body music territory, having been very close to electro on the first release. Now some of you might wonder who that fellow is and I will tell you who he is, he’s an electronica producer from Croatia whose legacy stretches well beyond this. His most notable contributions come with collaborating with Popsimonova, the Croatian lady whose moniker became more well-known with her “Untitled” release on the Enfant Terrible sub-label Gooiland Elektro. Now they have released a new album titled “Just Pressure“, which celebrates (on purpose or not) the two year space between each release.
This release in itself brings forth the qualities of real electronic body music – when mixed with darkwave and electro – how those three manifestations make for excellency. Much to the joy of those whose interest in the new generation of EBM got sparked by the numerous acts around the world specifically in the US – that create such music. There are so many nostalgic tears that are taken care of with this album but it pays a tribute to those who inspired their sound, those whom did it before them. They’ve learned how to refine their music to become less raw and more sophisticated. It is really a matter of taste if you like their second album in relation to this one. I had asked Zarkoff to share a piece of this gem with me and he sure did. I got to exclusively premiere the track “Orbiting” which is taken from this album. I believe that it is a nice track which makes good use of the synth-stabs and the rhythm is nothing less than a focused attire which makes the melodies bleak in comparison. Heck, I don’t know if that’s right, but it feels that way. Listen to the track down below.
Multi-faceted electronica artist Rude 66, or Ruud Lekx which is his real name, have been creating music under his moniker since the mid 1990s, out of the Netherlands. Other off-shoots like the leftfield techno alias Modulate, with the release “Dreams” on SSR Records in 1993, have been less common. He’s not an artist that has many alter-egos, only two which include the aforementioned, and Jagdstaffel 66 – the acid house and techno freak out – which he went by on a release in 2012 called “Starfighter“, which was put out by Crème Organization. Oddly enough, or maybe reasonably enough, Rude 66 has been his main name since 1994 when he released his first release “Untitled” on Bunker Records, which spanned onto three different releases with the same name, birthing a compilation of all his untitled tracks on the same record label – simply titled “Compilation“. Since his discography is rather long, I thought I would include his trilogy of notable albums that came into place after his numerous untitled releases from 1994-1997. It includes his first album “The Devil’s Highway“, put out on Silver Recordings in 1997, to “De Machine Des Duivels” put out by Bunker Records, and his latest full-length album “Sadistic Tendencies” which was put out on Crème Organization in 2008. Since then, and during his trip through atmospheric acid house, to leftfield techno, from modern electro-funk, to electronic wave and everywhere in between where you’ll find electronica, he’s also released numerous EPs and Singles throughout the years. He’s also done a split with Johan Agebjörn, Sally Shapiro and Elitechnique – which was titled “Spacer Woman” and came out on LoEB in 2008. But that’s not because I’m writing this, when it comes to his discography, it’s because I’ve had the honor to exclusively premiere a track of his latest mini-album titled “12¨“.
This 12¨-vinyl is his latest release since other mini-album “The Kill“, which was put out on Bordello A Parigi in 2014. The difference from that mini-album is that he’s teamed up with Beta Evers and Sololust on the A-Side of the release, with the tracks “Under Cover Of The Night” and “Stars Get Hurt“. Leaving only the B-Side for himself to put out “Mutual Assured Destruction” and “Radio Peace and Progress“. Since I’ve been collaborating a lot with Enfant Terrible and Gooiland Elektro – the sub-label – I’ve gotten my hands on the first track on this release. Which is “Under Cover Of The Night“, best described as a fantastic combinations of arms between Beta Evers sole proprietor Brigitte Enzler and her vocal talent, together with the ingenious acidic electronic body music-ish crossover electronica that Ruud Lekx deliver with Rude 66. A fantastic endeavor that will make you seek out the darker side of yourself, floating into the sound-scape by the sheer hypnotism of the landscape of sound that wrestles for space around you. I’m proud to be giving you the track “Under Cover Of The Night”, for exclusive streaming, only featured on Repartiseraren. Even though the track has been out for a couple of days now, the article is also up. Enjoy it a second time and rejoice.