Premiere: Light House – In Their Image [Musicvideo]

The people of Light House, namely Dawn Sharp, Chris Relyea and Brooks Blackhawk, have been busy making their track “In Their Image” from the EP with the same name – into a music-video. With the help of Brooklyn filmmaker Jeffrey Richardson, whom have directed this video, and cinematographer Rebecca Steele – they’ve realized a totally symbolic, and picturesque landscape. Matching their song in a way that represents both the song itself, but also their intent with showing the visual elements of nature, as well as the cross that Dawn Sharp has on her garment. There’s a lot that the viewer will have to rationalize and take in, but it is inducing, hypnotizing and serves to make something more out of the track at hand. The looming heavy beats, the sharp atmosphere, suggestive filming – everything is important in compromising the song for what it might contain, and adding to the sublime nature of it. We get to follow Dawn Sharp in this music-video, in what I presume is a channeling of everything we’re missing out on. There are certain ritualistic aspects about the music-video, from the slowly fading clips of trees, vegetation, dew – the last-mentioned making you feel like it’s early in the morning, but still cold. It’s post-winter and pre-spring.

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In my interview with Dawn and Chris last year, they actually hinted that they were going to film this. In regards to the song “In Their Image“, Dawn Sharp outlined: “That song is really important to us because it kind of exemplifies Light House’s sound. We are getting ready to shoot a video for that song actually“. She also commented: “…we want to keep it a surprise but it will definitely include some Northwest beauty and filming at night“. This will, beyond the shadow of the doubt, set some things straight in regards to this music-video. Because some of the video is set in the early morning, and some of it is filmed by night. The most wonderful thing about the video is when Dawn Sharp comes into the picture in the beginning, and the music haven’t started yet. It gives you some kind of peace of mind, just to disturb you a little bit and get you into the song immediately, only sparing a few seconds of total calm. A video worth watching. Additionally, Dawn Sharp edited this piece together with Jeffrey Richardson, and she was also the stylist of this production. I will also mention Sarah Jane McKinley, who was the production assistant. They will also be finished mixing a new EP, when this weekend has passed. By the way, Dawn Sharp of Light House also mentioned that the re-presses of their EP is sold out over at Mannequin Records, but that they have a few vinyl-copies left of the first pressings – released by themselves. So go and get them!

Interview with Light House!

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Light House is a two-piece group that is hard to categorize music-wise. They stumble upon each other as their intricate music is filled to the brink with cold wave, minimal synth, industrial, dark wave and everything in between. The core members of Light House have always been Chris Relyea and Dawn Sharp, with occasional help from Brooks Blackhawk (Atriarch) and their new addition to the gang – Frank Burkard, whom you’ll know more about if you read this interview. It’s one of those groups that you simply set your eyes on and couldn’t turn away for a moment. When I started listening to their music, I was simply hooked. Since 2011, they’ve released everything from their self-released 7¨ in that year, to their “2012 / WISHBONE” 7¨ which was released in 2012. To their first EP ever, titled “In Their Image EP“, which was first released by Freee Records and later on, in 2013 – re-released by Mannequin Records. Here, in this interview, you’ll get to know a little bit more about their forthcoming album, how they evolved, what Light House means to them, their thoughts about their own music, and much more. Read this or leave it be, but I bet it won’t leave you unshaken.

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Spotlight [SP. ED 2]: Light House / DUST!

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This Italian label named Mannequin Records have long been releasing newly re-issued stuff specifically from the 80’s. They’ve actually released new bands since the beginning, but I’ve always seen them as a “re-issue” label. Since I first and foremost saw them as a re-issue label, I needed to wash that stamp away with some highly intensive synth-pop, quirky minimal synth and charged industrialized cold wave. In this Special Edition of spotlight, we’re guided to the latest releases from this magnificent label. One is a debut-release and the other is a group that has been around since 2012. Newly formed, newly shaped and freshly squeezed. We present to you reviews of: Light House and DUST.

a2890133176_10Light House originates from Portland, where they’ve been around a couple of years. This group features the members Chris Relyea (ex- The Rapture), with Dawn Sharp and Brooks Blackhawk from Atriarch. Their debut-release “In Their Image“, is a four-tracked arachnoid, churning out poisonously addictive dark-wave and minimal synth. This EP of theirs is a somnambulist and ritualistic approach to these genres. Forged with utmost respectfulness to the ambiguous elements that rarely is concocted together with dark wave. Every hit of the longing synthesizer is a reminder that this world is much larger than we’d think it would be. As you slowly sink into the deep-end of the rosewater, when the darkened and spacious rhythms hit your ears like a concrete wall. Together with the pumping beat that continuously vibrates in conjunction with the rest of the beautifully laden sound-scape in front of you. Every mechanism is turning til’ the last component, as you slowly get indulged in the momentum that has been garnering since the start. Fleshy arpeggios, abstract motions and a charmingly sinister sound is what you’re trying to grasp. There’s nothing to hold on to, but there’s everything to hear. To the more classic dark wave experimental with darker intentions, that utilize more of the minimal synth phenomenon when it steps up to the plate. Sweeping synthesizers that forms the textures, with thin threads around the cocoon. When they play around a little bit more with the industrialized and constant rhythm of both their cold wave, the spacious sounds and the minimal synth – heads are turned on their tails. You’d feel obligated to vocalize it together with the vocalist, as she for the first time spread out more of her unorthodox arrhythmic wings. Here, the synthesizers become more grandiose, as every melody is being used to convince you that the layers upon layers of goodness is meant to be for you. It feels personal, with no strings attached, and no pretensions to be found. Deep, from within their hearts, this is for you. I can surely recommend this release, because it is some of the better dark wave mixed with other genres as a crossover, that I have heard for a long time. Especially the last song. Unfortunately the EP is already sold out, but you can listen to it down below.

a1178281350_10DUST, on the other hand, is something different. Even though the common denominator is electronic music. Featuring the collective of korean noise goddess Greem Jellyfish, psych musician/model Angela Chambers, tech audio engineer Michael Sherburn and DJ John Barclay. Originally an dark italo project, now a “combat” techno meets acid house phenomenon. Their intentions are great, as their machines continually pound out the analogue wondrous of acidic textures upon psychedelic longing, in the form of wailing. Consisting of rhythms that would easily punch you in the face and not apologize for it. You’ll have your feet stomping to this as you make your way through this four-tracked explosion of influences. Whilst it tries to re-direct your attention from the bombastic tones, it will suddenly begin to smack your face around with its virtually unchallenged beats that make every techno-maniac shy away in displeasure. Not because it’s bad, but because it is so heavy. This is both as crazy as it can get, with the overtly psychedelic screams and insane vocals. Brace yourself, as the reverberated madness strikes you with provocative lines of futuristic synthesizers, together with charred and spontaneous hits with the electronic hammer. Whatever you’d want to fit in here, is fitted. Whether it consists of quirky synthesizers that graciously show you how to move, or if it is aggressively stomping its way through your living room. Even though some of the italo makes itself noticeable within the rhythms and the melodies, they leave far more space for other influences to grow strong and every single member adds their expertise to fulfill their sacred challenge of introducing this irrational mixture to you as a listener. The more you try to understand it, the more mysterious it gets. Don’t turn your back, because this is freakishly potent stuff. So, whether you like acid house or prefer some stompy techno, or simply just want to “chill” out to some italo influences – everything is for you. But I should warn you, this is a deadly mix in between the borders of these three genres. You should enter at your own risk, because there’s a big risk involved with listening to this. Because you might get hooked directly. There are two copies left of this release, so I suggest you make a run for it, over here. You can also listen to it down below.