Premiere: Light House – In Their Image [Musicvideo]

The people of Light House, namely Dawn Sharp, Chris Relyea and Brooks Blackhawk, have been busy making their track “In Their Image” from the EP with the same name – into a music-video. With the help of Brooklyn filmmaker Jeffrey Richardson, whom have directed this video, and cinematographer Rebecca Steele – they’ve realized a totally symbolic, and picturesque landscape. Matching their song in a way that represents both the song itself, but also their intent with showing the visual elements of nature, as well as the cross that Dawn Sharp has on her garment. There’s a lot that the viewer will have to rationalize and take in, but it is inducing, hypnotizing and serves to make something more out of the track at hand. The looming heavy beats, the sharp atmosphere, suggestive filming – everything is important in compromising the song for what it might contain, and adding to the sublime nature of it. We get to follow Dawn Sharp in this music-video, in what I presume is a channeling of everything we’re missing out on. There are certain ritualistic aspects about the music-video, from the slowly fading clips of trees, vegetation, dew – the last-mentioned making you feel like it’s early in the morning, but still cold. It’s post-winter and pre-spring.

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In my interview with Dawn and Chris last year, they actually hinted that they were going to film this. In regards to the song “In Their Image“, Dawn Sharp outlined: “That song is really important to us because it kind of exemplifies Light House’s sound. We are getting ready to shoot a video for that song actually“. She also commented: “…we want to keep it a surprise but it will definitely include some Northwest beauty and filming at night“. This will, beyond the shadow of the doubt, set some things straight in regards to this music-video. Because some of the video is set in the early morning, and some of it is filmed by night. The most wonderful thing about the video is when Dawn Sharp comes into the picture in the beginning, and the music haven’t started yet. It gives you some kind of peace of mind, just to disturb you a little bit and get you into the song immediately, only sparing a few seconds of total calm. A video worth watching. Additionally, Dawn Sharp edited this piece together with Jeffrey Richardson, and she was also the stylist of this production. I will also mention Sarah Jane McKinley, who was the production assistant. They will also be finished mixing a new EP, when this weekend has passed. By the way, Dawn Sharp of Light House also mentioned that the re-presses of their EP is sold out over at Mannequin Records, but that they have a few vinyl-copies left of the first pressings – released by themselves. So go and get them!

Darklight: Last Light – Last Light

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I’ll have to admit, I’m not an innocent human being. When it comes to trip-hop, I mostly despise it. But when it’s combined with other genres, such as darker electronica like coldwave or industrial – I will be hooked immediately, if it’s properly executed. This is Last Light, they’re a duo consisting of Laura Boland and Jeremy Moss, whom are currently situated in Brooklyn. They released their self-titled debutalbum “Last Light” two months ago. Unfortunately for you, I didn’t find it until now. It feels like they’re a part of a wider spectrum, or a wave if you’d like to call it that – which has (mostly) been brought upon us from the US. These minimalistic torches that have been carried from the East to the West in the US, slowly making their way to Europe – landing in Northern Europe, this time around. What differs, is that they blend in trip-hop in the mix. The sincere and whispering voice of Laura Boland is enough to have you hooked for hours. Simply by listening to the blistering synthesizers revolving around her or Jeremy Moss. But I most concur, she’s a part of the wonderfully esoteric machinery of darkness, which can be felt by the stinging of a wrecking arpeggio that slices your heart in parts. Look no further, because this might also be the uniform split between the heavy electronics and more classical vocals. At times, however, it feels like the abomination that is and has been some of the dark electro – for a long time. If you ignore that part, in some of the songs, it’s actually a memorable album which will take you to new heights. I know that there’s a lot out there right now, but this one is a given if you want to stir the potpurri of influences a bit. So take a listen, because it’s definitely worth it, seven times over. The release features five songs and was released by themselves on the 18th of March.