Chondritic Spotlight: Klinikal Skum and Fejhed! [Part II]

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These are the earlier releases from Chondritic Sound. Since these releases, including Sissy Spacek and Jason Lescalleet’s VHS-release, there’s a lot more coming. But since I haven’t written about Klinikal Skum and Fejhed, I am about to do that right now. What’s interesting about these two releases and specifically one of them – is that both of them are dribbling in experimental territory – whilst one is wrought upon the grounds that Puce Mary stands on, with a part of Hoax (the crusty and dark punk band). You’re right, Frederikke Hoffmaier of Puce Mary fame have teamed up with Jesse Sanes of Hoax. They’re creating a regurgitated landscape of sound which can be found within the confinements of “Persona” – the latest release on the Danish label Posh Isolation, by Frederikke. But what is equally as interesting is how these confinements are diluted with this duo. There isn’t really any borders for how horrid and claustrophobic a noise-act can be. When it comes to Klinikal Skum, his sound-scapes are long and dampen from the suggestiveness of his exploration into the human psyche. From the delusional nature of humanity and what kind of psychosis lay hidden beneath the shallow appearance of so-called “sane” human beings. These are the two bands that I will delve into in this edition of the Chondritic Spotlight, which might actually be the last one.

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Ryan Oppermann. Klinikal Skum. Two different names that coincide with one another, one his real name and the other his pseudonym or alter-ego (if you prefer). Released his first album in 2005 on the label Ghost King, then aptly titled “Pulsating” – a word that can be pinned to his music now as well. Besides having started this project back then, he’s indulged into aliases as: Fabbrico Incubo, Neuntöter Der Plage, Post-Mortem Junkie, Redrot, Xombie and groups by the name of; All Bells Grounded, Aram Chaos, Black Lace Drag, Narcoleptic Ward, Rust Owl, S.P., Some Larval Dream About Smothering, Unveiling Asylums and maybe even more that I am not aware of. The similarity between these groups are his fascination of genres like power electronics, noise, industrial, ambient and whatnot. Add experimental in front of these labels and you might pinpoint where he’s been heading to. Besides that, he’s also kept busy with his own label Skeletone which have almost only released material with his different aliases as authors of it.

Now I’m here to describe his latest release under the name of Klinikal Skum. This particular release; “Negativ Psykotelepathi Surveillanz” was put out by Chondritic Sound back in May of this year and is actually some of the more disturbing blend of experimental industrial and power electronics that I have heard. It is sickening and almost unbearable to listen to and feels clinical in the way you wouldn’t want it to be. I feel like I’m visiting a morgue as a dead body and experiencing the wide-range of tools that Ryan Oppermann is going to use to dissect me. That is one of the more insane thoughts that have entered into my mind after listening through this album. What is more horrid than being exposed to this ecstatic wasteland of normal human dignity is to hear the complexity of the music he delivers – as it is actually well-thought out and that is probably the most scary part about it.  It could serve as a blueprint for how you’re supposed to enter a state of mind which we rarely, if ever, encounter in the real world. This is the kind of music that bring it upon us. I can actually offer a free download of the track “Dizeaze Blotter“, which is the track I find to be the best on this album.

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Frederikke Hoffmeier + Jesse Sanes = Fejhed. In Danish, the word “fejhed” translates into “cowardice” in English. It actually translates well into the name of some of the titles, like “Sorry“, “Silence” and “Drinking Spit“, for example. But when it comes to what they conjure together, it feels like might is right and that you’re stuck in a situation with someone whose might is above what you can say or do, a situation which you try to pathetically cower out of. Everything from the freaky atmosphere that lumbers on whereas Jesse and Frederikke take turns to shower you in pure filth. Feel your own disintegration as you fade away from this horrid reality that you have been forced into. This album of theirs is self-titled and is actually the first release under this duo’s name. I’m more than eager to just turn it off before it gives me a headache or any thoughts in my head that shouldn’t really be there. When it comes to the genres they mix in together it could be some kind of minimal wave nonsense blended into the harshness of “normal” noise, but it also feels experimental in the fact that they utilize the unorthodoxy of beats, rhythms and the general sense of an atmosphere, as you travel through a horror-show. I’m not sure if I could describe it any other than just that so you will have to check it out for yourself. All I can bring to the table is a free download of the track “Sorry“, which is the one I felt had the best overall feeling to it and that I really like. You can stream it down below, and this is the end of the spotlight.

Spotlight: Squieti and Pastel – the Italian D.I.Y!

a0073546405_10With their debut-release “Impronte Nella Cenere“, the Italian math-rock outfit Squieti blend those post-hardcore vibes with a punk-attitude. Their eight-tracked album showcase their melodic talent with rather melodramatic drumming. It feels like being caught in a limbo with no way to get out of it, together with a constant barrage of melodic post-hardcore with a despaired vocalist. Even though emptiness might be his schtick, the band itself make up for a lack of atmosphere with the clinging of riffs with the concrete drumming. The technical aspects seem inverted. The arguably short hints of what could make up a rather soothing atmosphere is quickly struck down with the beat of a drum, favoring the rather amelodic connection between vocals and the general melodies of the guitars. It is clear that Squieti focus their darnedest on delivering a rather original hardcore-sounding math-rock experience, where the melody is the center of attention whilst the drums control the rhythm of the sound-scape. Positioning themselves in a fortress of their own whilst not letting anyone enter for real. There are lots of great things about their music but they have their weaknesses. Sometimes the math-rock inspired wholeness of their sound is hard to really appreciate. However, they make up for this with interesting choices of melodies and their rhythmic greatness. Their tracks seem to loosen up for the real hardcore sound when you get past the fifth track, so that’s by all means a time-stamp for when shit hits the fan for real. Listen to their album in full down below. Made possible on vinyl thanks to their friends Annoying Records, Boned Factory, Fast DIY or Die, L’oltraggio Autoproduzioni, Speed-Up Agency and Sons Of Flies webzine. Recorded and mixed by Stefano Romano in 2013, released on the 29th of January 2014.

a1784089479_10Another Italian band called Pastel did a split with the British band Merridew, featuring two songs by them titled “Momento nove” and “Laminal“. Their sound is very reminiscent of Squieti, with the difference of it being more into the screamo sound. Which is more of a 90’s-inspired one, together with desperate vocals which can also be heard from the aforementioned band. It wouldn’t surprise me if they share the same singer, because it really sounds alike when everything comes together. One main difference is the atmosphere which Pastel manages to curate from a whirlwind of drums, guitars with a rather dreamy but realistic sound, together with the stillness in between breakdowns and experimental touches of rhythm. A rather weird combination of deciding to go with a baseline that dominates through sections of their songs, especially when it comes to their second song from this split. Then it all suddenly blasts away again, making it feel like I’m able to reach further for myself, into the sky and the distant continuum that is space. They’ve got a rather space-y sound which is psychedelic when it comes to some of what it contains, but not all of it. Even though a lot of their sound is based around tempo and going downtempo, there’s nothing that can stop me from completely relaxing to this sound. Maybe it’s because of their passion which is channeled throughout, or their off-shoot from the shoegaze to the screamo sound. Whatever you’d like, this is certainly borrowing a lot of the greatest stuff from the 90’s, fueling their gruesome invasion into enemy territory. It’s because there’s a certain unfamiliarity when you try to decide for yourself what’s next. You never really know with these guys, which is a plus in my book. I might’ve heard it time and again before, but I am really into what I’m hearing. This split-release was put out by Glass of Spit Recordings on the 13th of March, and you can listen to the Pastel-side down below.

Special Premiere: XTR Human – Spiegelmenschen (Electro Bass Version)

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While we shed our skin and turned Invisible Guy into Repartiseraren, Johannes Strobel of XTR Human sent a special edition track of “Spiegelmenschen” – a track being featured on their forthcoming album “Atavism“. We felt it was appropriate to give you a taste of that full track when Invisible Guy changed into Repartiseraren, and our domain wasn’t up and running. This track is an outtake that isn’t being put out from that upcoming album. An electro bass version that sounds completely different from the original. Changing their post-punk outfit for a minimal synth meet cold wave track, just once. It’s probably one of the best tracks that I’ve heard in a while, even beating the original version of the track. Getting a good use of band-member Valerio Kuhls’ expertize with synthesizers. Adding a totally different atmosphere to this track. The lyricist of the band, and front-man for that matter, Johannes Strobel – add a vibe from his manipulated vocals that make it even more enjoyable.

The notable label No Ebm Blanc whom have released quality releases like “Everytime” by Sixth June, “Preludes” by Daybed, “Artificial Heart / Frenzy” by Th. Thot‘s (Thomas Ekelund of Beläten) outfit with vocalist Clara Hall, namely: Soma Sema – and countless other releases that have been put out. The album itself represents different influences and facets that have made XTR Human what they are, having been around since 2012 and having self-released “Dysfunction” back then. A manifestation of “technotic” grandeur, post-punk vibes – and many other genres being fitted together. The album will be titled “Atavism” as have already been said, and it will be released on the 28th of April (preliminary). You can stream the special edition track “Spiegelmenschen (Electro Bass Version)” down below, exclusively on Repartiseraren (ex- Invisible Guy). This is the portal to a new dawn with Repartiseraren.

Could it be Max and Mara?

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Swing your minimal hands to this shit. No, we’re not shitting you. Max and Mara is a duo made up by Max from such acts as Brotman and Short, or the solo-project of his own – Business Etiquette. Mara, on the other hand, is known for her solo work under the alterego of Group Rhoda. No wonder, these people seem to spring out of the ground like mushroom. I’m not talking about people this time, because I’m talking about those that seem to have bought into this whole minimal wave thing. Needless to say, I’ve known absolutely nothing about Max and Mara and I’ve been such a delusional fool. This is your ultimate mix of acidic techno vibes, minimal synth shenanigans and intravenous synthesizer symphonies. I see myself bobbing my head back and forth as I listen to their latest track “Unseen“, which is one of those tracks that simply grow on you. If you peek in from the outside, the track doesn’t seem to be much at first, but after a while – you realize how complex it actually is, from the ground and up. Their first track that was put up, namely; “Hands” – is more of a psychedelic, or rather enigmatic experience, which is to say the least – superior when it comes to the atmosphere as such. Even more minimalistic, but it pertains the mood that seems to dwell within each track. Even though I’m sorry to say this, I haven’t been able to get more out of this than what was possible. But you can gladly stream both tracks from here, as if you couldn’t do it from their Soundcloud alone. You can now pre-order their forthcoming debut-album “Less Ness“, from Dark Entries Records.