Exclusive Premiere: Sektor 304 & DEATHSTENCH – A Plague Of Blind Eyes

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Yearly, a compilation whose name changes as the year change, take a hold between Malignant Records and Kalpamantra. Both labels have been dabbling in the dark ambient underground, housing names that with time have been forces to reckon with. Not only that, but also death-industrial, power electronics, noise and many other genres get the treatment they deserve from these two much revered labels. These series of compilatory releases started back in 2012, when “Malignant Antibodies” – the first compilation to start it off – was released digitally. Thirty-one tracks, including forthcoming gargantuans within these genres, alongside with titans such as STROM.ec, Deutsch Nepal, and Navicon Torture Technologies, just to mention a few. From that day on, a rather celebratory gesture laid the foundation of a tradition which is still intact.

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The second compilation was launched in 2013, titled “The Black Plague“. Which resulted in four more tracks, making it thirty-five. Included in this compilation was Trepaneringsritualen, Thomas Ekelund’s debut on a compilation having anything to do with Malignant and Kalpamantra. If anyone had foresaw what an immense impact he would have a year or two after that, this would be prophetic. Abandoned Asylum, one of the newcomers had gotten his track “Outside The Veil Of Life“, and many groups and artists returned with a bang. What came to be new for this compilation were the amount of collaborations that increased immensely, Phragments & Shock Frontier, Steel Hook Prostheses & The Scapegoat Mechanism, Collapsar & Inner Vision Laboratory. Not to mention how things were duked out, where HHY and Sektor 304 ‘fought’ it out versus one another, creating “Subliminal“. Now it officially could be considered to be a series of releases, they were two.

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Now the time has come for a third endeavour for these magnificent labels. We already know that it will be titled “Endless Descent Into Oblivion“, making it “Malignant III” – a third, probably even more perfected – compilatory adventure through the sewers. Mind you, not ‘sewers’ in any derogatory fashion, just the fact that it probably will outdo the other compilations when it comes to pure disgust, nefariousness, mysticism and total annihilation. Featured in this next compilation are, in alphabetical order: Abandoned Asylum, Aderlating, Ascetic Hedonism, Caul, Collapsar, DEATHSTENCH, False Mirror, Gnawed, Hall Of Mirrors, Hypsiphrone, Inner Vision Laboratory, Isolator, Kave, Linekraft, Nyodene D, Phragments, Phelios, Sektor 304, Sewer Goddess, Skorneg, Somnium, Steel Hook Prostheses, STROM.ec, T.O.M.B., Teeth Engraved, Terra Sancta, The Scapegoat Mechanism, The Vomit Arsonist, Theologian, Trepaneringsritualen, United Front, Xiphoid Dementia and Yen Pox – in other words an even greater compilation. New and old alike, this is probably the largest compilation of its kind, when it comes to these genres.

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So, I’ve gotten the perfect opportunity to exclusively premiere a track from this compilation before release. John from DEATHSTENCH told me about it and gave me the honor to light the torch. This track is one of the collaborative efforts on this release, namely that Sektor 304 and DEATHSTENCH join forces – forming the track “A Plague Of Blind Eyes” – which is as mesmerizingly tribal as it is martial. But hold on, dark ambient still has the authority intact when it comes to this track. You get to exclusively stream “A Plague Of Blind Eyes” on Repartiseraren. The compilation will be released digitally on the 8th of October by Malignant Records and Kalpamantra.

Review: Abandoned Asylum – Derelicts Of Distant Hope (CD)

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Yet another review coming from Malignant Records, in the form av Abandoned Asylum, which is the solo-project of Lukasz “Dani” Czajka, the polish native that was newly signed. In case you didn’t know, his release “Derelicts Of Distant Hope” is his first full-length album. Having released two digital EP’s on the much revered Kalpamantra Records, earlier. Whereas his mantra is dark ambient with a touch of industrial, there might be more to it. The project itself was founded in 2004 and has had a long time to get crafted. So, it’s time to deliver a review of this release here on Invisible Guy, so scroll down and view it as a whole. It will be yet another track-by-track review, just so everything is covered within this release as the review progresses. Once again, thanks to the postal service of the US, I get no other impression than the front-cover and the music at hand.

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