Exclusive: Repartiseraren announces; Celldöd added to Kalabalik på Tyrolen 2018 line-up!

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We’re glad to be collaborating with Kalabalik på Tyrolen before the festival starts this year, and announce that Celldöd will be performing live on this year’s edition of Kalabalik på Tyrolen 2018 – which takes place in the idyllic setting of Tyrolen between the 24th and 25th of August this year – in a classic ‘folk park’ with a charming 1960’s aesthetic – as it have been for as long as it has been arranged.

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Celldöd is the newest project of Anders Karlsson (Severe Illusion, The Pain Machinery, Vargdöd, et cetera), and he’s come a long way musically since having one of his tracks released on the first Ljudkalendern compilation on Repartiseraren back in 2015, and the second one in 2016. With releases on his own label Brutal Disciplin, Smashing Tapes Records, Femur, Medical Records LLC, and the latest one being “KESS07” on Kess Kill.

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Ranging all the way from ambitious electronic body music, to acid techno in a new outfit mixed in with primitive minimal electronics, oozing of industrial vibes in a post-industrial world – a perfect match for total misanthropy and a knuckle in the skull of the unknowing. His live-performances have been praised for his total control over the ‘meager’ instruments he’s brought with him, being able to execute a perfect showmanship despite his instruments malfunctioning – using it to his advantage, to create a whirlwind of soaring destruction.

He’s performed on Kalabalik på Tyrolen a couple of years ago already, but this one will be on a whole other level, we anticipate at least. It is a must-see performance which you’ll be able to enjoy if you snatch a few tickets, invite your friends and whomever you like or dislike to this festival – it is a once-in-a-lifetime experience that we at Repartiseraren want to see next year as well – but it all depends on your support.

You can buy either an early bird ticket or an early bird support ticket – to show your appreciation for Sweden’s undoubtedly best alternative music festival. Here’s a link to where you purchase your ticket. Stream the latest release by Celldöd down below, and purchase the vinyl-release from Kess Kill if you like what you hear.

[17th] December: All Your Sisters – Shame

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Two cassettes in one year. Reverse three years – and you’ve got “Sounds From Friday Evening” – a demo launched directly to Soundcloud by Jordan Morrisson. His project All Your Sisters originated from the dusky Autumn year of 2011, hailing from San Fransisco, it was meant to be much more then a solo-project. From then and on into 2012 things started to brew for real and Mario Armando Ruiz joined in – turning it into a duo. During two years of hard work they had composed what fell into our arms, for our ears, a debut-album recorded between October and November of 2013. It got titled “Modern Failures” and seem to be a statement of how things are in modern society. Romantic words clad in melancholy, with titles such as “A Perfect Body” and “Good Clean Men” cling positively at a first glance—but not for them. Maybe it’s because of the portrayal of how things should be, when they’re not anything remotely close to it. Maybe it’s something else.

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The album have been popular, as seen by how much people seemed to like it, but also because of the number of different labels that had released versions of it, mainly on limited cassettes as Beläten and Young Cubs did. Now Weyrd Son Records are turning it into vinyl, with aesthetically pleasing artwork that in one way or another can be related to All Your Sisters. Their rose was turned into black, on white background. Though the picture of a man’s back seem to suggest what the title “A Perfect Body” did, reflecting on the drapery in front of him – reflecting back on him, for himself to see? Not an unlikely theory. We’re, however, more intrigued about a band that does not wallow in nostalgia—though some of it can actually be pretty darn good. They do make a nice cold-wave themed backdrop associated with post-punk, with a rattly sound-scape and nicely laid vocals that suggest desperation, anger and apathy.

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We’re providing you with a newly produced, unreleased track which they composed for Ljudkalendern. It’s the 17th December and you get to listen to “Shame” – a rather short endeavor; that makes good use of the time they’ve utilized when creating it. There are some fine qualities about it, the long outdrawn riffs that stop before it goes into an intermezzo, sharp and readily available percussion that resounds throughout, a myriad of different baselines, synthesizers and ambitiously entwined riffing which is changed around many times to create a diverse range to it. Listen and stream it exclusively on Repartiseraren.

Listen: Ancient Methods × Black Egg – The ‘Ohne Hände’ Remixes 12″

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Chaos-disciplinarians Black Egg have been ushered from their sheltering oval cistern by Wollenhaupt. The group had their magic rejuvenated as he channeled the sullen vigor for his own intentions. “Michael Wollenhaupt!“, they shouted in unison. Now his name was finally to be known to the world. He had long before hidden under the guise of Ancient Methods—a brutally resounding, uncompromising manner. Now he was finally a part of the collective aufnahme + wiedergabe—if only a loose connection between an egg and its hatchery.

Michael himself take proverbial inspiration in the word “method“, as seen with his other alter-ego Ugandian Methods. Everything’s aligned properly to become a method, pluralism: methods—a course his specific choice of music takes, while it may be unbeknownst to him in the initial stages—or change with the different alter egos of his. His other aliases suggest that he likes not only to be a part of systematic music-making, but also less musically involved, as suggested by the naming of “Backseat Driver“, and the furious “Midnight Madness“—retrospective impressions. This is of course just an interesting side-note to the primary objective of writing this article.

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One year before his involvement in remixing one of Black Egg’s tracks, Michael Wollenhaupt released his sixth album—if one counts earlier releases, with Conrad Prutzmann—as Ancient Methods originally were a duo. It bore the name “Seventh Seal” and from the titles of the tracks, resembles an allegory of Ingmar Bergman’s legendary film with the same name. An unavoidable settlement with the past and the acceptance of his coming fate—the dance of death—in Michael’s case a figurative separation from Prutzmann as his co-musician. 30th May a digital and vinyl-release of the album was put out via his own label bearing the same name: Ancient Methods.

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A year and one month later Black Egg formulated their first appearance, an album titled: “Legacy From A Cold World“. The group’s flighty musical base is constituted by the following members: USHERsan, Vera, Corina KRAUTER, Normotone, Sebastien FD, Peter Render, HIV+, and Judith Juillerat—whom parted from the group after in June after the release. The release got a favorable review on Gothic.at, summarized by the following words and I quote: “…die es zu einem kurzweiligen, vielseitigen und spannenden Werk” (…which is an entertaining, versatile and excitingly made work) roughly translated via Google Translate—my apologies beforehand. It is no secret that the masterer for this album is Friedemann Kootz; notable for mastering November Növelet’s masterpiece “Magic” and other Galakthörrö-releases. Other members whose involvement are to curate the aesthetics surrounding Black Egg are Mimi Gall—graphic designer photographer (for their debut), alongside Titus Le Pèse Nerfs who create art and alchemy—what ever the last-mentioned title is supposed to mean. Maybe entertaining the groups’ dynamic.

Now we’re on our way out of 2014—earlier this year a fruitful combination yet to be was chiseled in stone—announced figuratively on aufnahme + wiedergabe‘s Facebook in May. Ancient Method’s experimental and calculating techno was set loose, for the purpose of conjuring remixes, plucking apart Black Egg’s song “Ohne Hände” (Without Hands)—molding it gradually with methodical precision. He chiseled away sublimity, kept the pulsating energy, turned it up a few levels to make it energetic and strayed away from his own artistry—with “(Pogo Im Säurebad Plural Mix)” sounding like what could be called: noisy ritual drum’n’base. Doubling the running time in comparison with the original track, with the exception of “Ohne Hände (A Capella)” but in that case it’s comprehensible. The release The ‘Ohne Hände’ Remixes 12can be bought from the label aufnahme + wiedergabe, and is limited to five-hundred copies. You can also get it from Berlinian distributors Hard Wax. Stream the release in its entirety, below. Ancient Method’s “justified ancient” t-shirt is available for pre-order.

Världspremiär: Agent Side Grinder – Beloved Fool (feat Kite)

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Det är inte varje dag som två av den svenska underjordens väldiga banbrytare möts i en och samma låt. Särskilt inte när det handlar om synth-pop, även om det med vissa undantag har existerar förut. Men det här är något helt annat. Det var ett bra tag sedan något höll så hög klass, att man bara kunde skriva under på det — med silverpenna på ett tomt ark. På Agent Side Grinders kommande EP “This Is Us” så är de så avklädda de bara kan bli, till stor del på grund utav att de gästas men även influeras av Kite som bihang. Fast egentligen känns det inte som att det är dem som figurerar i bakgrunden, för det känns som om deras ljudbilder flyter samman — eller så är det bara en kvarliggande fantasi man har, sedan man lyssnat till deras inhopp och tyckt om precis allt. Allt som händer känns äkta, men det enda referensmaterialet man får är med titelspåret och med den låt som kommer att ha världspremiär här på Repartiseraren. Två låtar är ju remixer och det kan man ha olika åsikter om, men det är inte precis där jag lägger mitt fokus — denna gång.

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Dock är det läpmligt att nämna hur rätt i tiden detta ligger. Bägge planerar nämligen sina egna stordåd, för både Agent Side Grinder och Kite planerar att släppa nytt material nästa år. Då är det perfekt att de verkligen samarbetar på en låt så att det blir en slags försmak inför vad som komma skall. Den låt som Repartiseraren har fått äran att ge er att lyssna på exklusivt från detta insignifikanta lilla blogg-zine, heter “Beloved Fool” av Agent Side Grinder och där gästar Kite. Låten är en väldigt intressant sådan eftersom att det känns som om två ljudbilder samsas om att överta varann, men där de istället fungerar i perfekt symbios tillsammans. Det är inte direkt en ödeskamp om överlevnad, utan snarare en slags fröjd; där seriositeten letar sig fram någonstans mellan lagren. För det är trots allt en förnöjsam låt där lättsamheten bär tonerna längs en kavalkad som lyser upp den mörka vinterhimmeln med värme. När man närmar sig slutet mot året kanske man inte direkt är tillfreds, men till tonerna av “Beloved Fool” så lättar man på sitt missnöje och intar inte direkt rollen som Farbror Scrooge. “This Is Us” släpps av Progress Productions den 26:e November. EP:n spelades in i November, mastrades av Henrik Alsér från Svenska Grammofonstudion Mastering, skivomslag och konst skapad av Kristoffer Grip.

Exclusive Premiere: Former Descent – Tough Love International

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When moving into the darker part of the year, it’s best to have something that will light up the sky. Not neccesarily in the shape of a lamp or anything like it – but rather a sound that you’ll recognize, a flame that will – metaphorically – be lit. Dutch sound artist Bas Welling seems to be an expert when it comes down to this. His immensely diverse projects range from abstract chipetune music to experimental ambient with electronica laid upon it like oil to a flammable substance. Creatively he’s got a hand in virtually everything, which is almost always relatable to him – whether it is a group he’s connected to or if he does everything himself beneath the shade of a moniker. We actually heard about him for the first time, properly when it comes to his own solo-project Former Descent. A project which has changed so much since it once started out with his album “My Life In The Box Of Ghosts EP” on the Netherlands-based label Shipwrec, up to the mini-album “The State Of In-Between” on the French net-label Sirona-Records, to his forthcoming release on the much revered label Enfant Terrible’s sub-label Gooiland Elektro.

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This is indeed in perfect synchronic harmony. Martijn who’s the label-boss on Enfant Terrible and the sub-etiquettes Gooiland, and his rather newly started etiquette Vrysaete, takes good care of the artists and groups that are housed on these labels. His eccentric taste brings forth great music for a new public viewing – since there’s always something you miss out on – as new discoverys are made each time a release comes out on his different labels. Not to mention how the artwork is structured and is linear to follow, but unique when matched to each band or group that makes a release – everything different for each label, not the same for the sub-etiquettes as the head-label – making for an exciting twist and unique branding of each release that is unleashed. Repartiseraren is proud to be working with such eccentric artists through Martijn’s generosity, as he supplies us with something new on a regular basis.

So we’ve caught the fish in familiar waters this time, as Bas Welling wasn’t unknown to us but certainly not a household name, his experimental electronica with overtones of ambient and a steady rhythm won’t make anyone surprised. But the outlay of each track that is featured on this forthcoming release, aptly titled “Tough Love International 12¨“, are of such creative ambivalence that you don’t need more of an alternating sound-scape to be pleased with what you’re hearing. We can exclusively offer you the title-track from this release that is due to be put out on Gooiland Elektro late November, for your listening pleasure. We hope that you enjoy the concept and definently that you enjoy Former Descent – a project we’re certainly going to keep our eyes peeled on for the coming time – and see to it that you’ve gotten your dose for the rest of the year. Stream the track “Tough Love International” exclusively through Repartiseraren, in collaboration with Gooiland Elektro.

Listen: Halvtrak – Dust Under Bridges (Appendix I/​II)

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You shouldn’t be afraid of house and techno. That is the message that Don’t Be Afraid sends, a label that is based out of the UK whose specialization lies within leftfield house and techno. Having released their first 12¨ vinyl with Semtek‘s (Benjamin Roth) mini-album “Bells / Tower / Key” in 2010 – continuing with the single “Idiotland“, the mini-album “Lotos Eaters” – finishing the streak with him when “West Acyd Shelter” came out. After that, Mr. Beatnik (Nick Wilson) got his mini-album “Synthetes” released, following up with yet another Semtek-release – which ended 2011. In 2010, they only released Semtek. Since then, they’ve put out releases with everyone from MGUN, Alis, Claws For? to Kelpe, four different compilations as Spargel Trax Vol. 1-4, Disco Nihilist and Neville Watson. Now we’re suddenly in 2013. Since then, there haven’t really been anything released by Don’t Be Afraid. We’re about to change that perception and so are they, as Halvtrak returned since his first and only EP titled “Dust Under Bridges EP“. Basically a nostalgic follow-up whose post-mortem got re-released.

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His newly released “Dust Under Bridges (Appendix I/II)” on Don’t Be Afraid, are nine tracks that serve as an appendage for his EP that was released last year. These tracks are basically the remnants of what that was recorded back then, nine tracks which Henri Puolitaival (Halvtrak) deemed to not be worthy of release. They had previously been recorded onto tape by himself, but had never been officially released. Since they originally were released on cassette, Don’t Be Afraid set their mission straight, and released it as a limited edition cassette two days ago. I believe that when I hear these tracks, I can not help but bob my head to the wondrous melodies, the clingy atmosphere and the continually aggressive tempo. Some tracks are more timid, whilst others bring an almost acidic mixture to his technotic house. You’ll be hypnotized by the string of beats that are dragged along by a spaced out landscape of sound. It’s calling for you, calling you to your homeland – in the sky. Sometimes the sheer primitiveness haunt these tracks, as they begin to evolve into something bigger than thou, finalizing the fine atmospheres that is his creation. You can stream and listen to the whole release down below, and you can buy the cassette from Don’t Be Afraid.

Spotlight: Rude 66 / Kord!

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Enfant Terrible just released a track by Kord and Rude 66 from their forthcoming releases – on the sub-label Gooiland Elektro. The first one being “Radio Peace and Progress“, a new track by Rude 66, the moniker of Ruud Lekx from Holland. A long-going artist whose contributions to music, and mainly albums, have been made known from Bunker Records in the early to mid nineties, to an off-shoot into Silver Recordings, way into 2008 with Créme Organization. Having released notable singles and E.P.s on a wide-array of record-labels including Acid Planet, Djax-Up-Beats, Speedster Records, Kultbox, Viewlexx, Vynalogica, LoEB, Custom Made Music – and the latest release being “The Kill“, an E.P. released by Bordello A Parigi. He’s hailed as being “the king of the dark electro-wave death race” by promoters, according to Discogs. Having perfected his sound through a multitude of genres, including atmospheric acid, dark industrial, electro-funk and melancholic electronic wave disco – he’s a man of different facets. He originates from the old-school acid scene in The Hague. There could be a whole book written about him and his influences, his notable collaborations, and everything in between – but we’re staying at his forthcoming album. Gooiland Elektro will be releasing a forthcoming 12¨-release with him, featuring four tracks, whereas two are vocal tracks where Beta Evers and Sololust appear and wreak havoc. These four tracks are titled “Under Cover Of The Night (featuring Beta Evers)“, “Stars Get Hurt (featuring Sololust)” on the A-side, with “Mutual Assured Destruction” and “Radio Peace and Progress” on the B-side. This assures the fact that it might be a great release. This is his coming addition to the enormous discography he’s been building up through the years. You can stream and listen to the track “Radio Peace and Progress” from the B-side of the release, down below.

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When it comes to Kord, he’s a notable figure within the underground Swedish scene. He’s more known as one of the figures in Frak, a weird outfit first released by Börft Records in 1989 – with their debut-album “Raggarslakt“. Maybe a reference to the vicious fights that were occurring between synthers and raggare in Sweden in the 1980’s, made to be something much bigger then small fights, by the media and newspapers at that time. But we’re not here to talk about Frak as such or Börft Records, whom have been thoroughly investigated by Sveriges Radio (public domain radio) in an episode of “Electronic in P2“, done by Andreas Tilliander whom is also known as TM404. Anyway, Kord is Johan Sturesson of Frak, in a much more pleasant image musically. Having recorded his first album under that moniker in 1998, with an album titled “Gymnast I Sockiplast” released by Börft Records – later on things seemed to get more serious. Even though the maniacally influences from Frak remain within his synth-pop mixed with disco, there’s a certain dancefloor focus which these tracks deliver. Now he’s going to have a release on Gooiland Elektro, titled “We Live In This 12″” where he features Annie Gylling on vocals as a much needed side-kick, which gives the project a whole other dimension. There’s a certain psychedelic vibe to her vocals being processed on the tracks “Lovestruck” and “Black” on the A-side, whilst the yet unheard tracks from the B-side “Control” and “Vacation” might be another world. We’ll see. Annie Gylling have earlier been featured on “Soviet Stars” from 2012, on the track “Push Your Button“. Meet your maker with this crazy combination of noisy, unpolished and rampant discotronic that will make you loose your mind on the dancefloor. Gooiland Elektro continue to shine, as one of the best labels around for electronic music. Especially that of an odd kind. Stream and listen to the track “Black” which have been made available on Enfant Terrible for listening purposes. Both releases can be pre-ordered here.