Video Premiere: FOQL – Cyril

For the beginning of summer, Niebezpieczne Zwi¹zki (Hazardous Compounds?), will put out their first release – in conjunction with their older project Kolektyw Ebola (The Ebola Collective) which was an underground collective of artists, based out of Poland. Out of the collective idea grows NZLD as a label, but right now runned by two people – RNA2 and FOQL.

As a label and artistic strategy they are focusing on the notion of disinformation. Staying true for a codex based upon different collective projects, gathering under different names – but under all the same name – in a rather morbid celebration of everything in media. Not a celebratory gesture by honoring anything, but as a spreading plague through: “…music, gigs, actions, distractions, words, system breaking, instrument breaking” and “A survival in Lo-Fi. Digitals and analogues. Dangerous Liasons. We deal with machines and humans.“, according to themselves.

Before NZLD as a label they were probably most known for their two releases on the Polish label Oficyna Biedota, namely the split-release with Arkona titled “Computape Split“, or their first release “Nag³y Spacer“ and split tape with Berlin based graphic designer Aga Wilk.  You can view it yourself on their homepage (nzld.pl).

For us whom are intrigued by mystery, it is a pleasant surprise to see them working on their own.  But a surprise it was, when we found out that NZLD is the new shape of what Niebezpieczne Zwi¹zki once was. A birth of something new, a breath of fresh air, which is only the home of two people and not an entire collective anymore. The first release is titled “Hypatia” EP” and it features a member from their collective whose name is FOQL.  She’s been active for three years, putting out songs on labels like Oficyna Biedota, Gooiland Elektro and Weyrd Son Records – with her different egos.

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This first release is a collaboration with the graphic designer and tattoo artist Izabela Dawid Wolf of Skin Yard Zin. She’s created the artwork for this release. It also marks the baby-steps of NZLD as a label, staying true to their notion of a collective – rather making everything their own – than inviting anyone. They’re currently preparing a limited edition cassette for release, but they put out a music-video created by Izabela D. Wolf before release. I managed to get a hold of that music-video and I’m now broadcasting it on my newly created Vimeo-channel. The sound of the track “Cyril” is bizarre with its overlaying power electronics atmosphere and the underlying synth-pop blended with noise. A product of an industrialized nation gone berserk. Even though a lot of what I say is true, a certain sense of beauty can be found between the layers. Which is adequately expressed together with the music-video itself, enhancing that symbolism which was earlier just found in the music. So I give to you the premiere of the music-video to the song “Cyril“, taken directly from the “Hypatia” EP” – to be released very soon. Watch as you please, in HD or SD. You can listen to the song from that release down below, too.

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Video Premiere: Heroin In Tahiti – Alo

We can present to you the wonderful music-video of the track “Alo“, that Heroin In Tahiti had put up a month ago, as a celebratory gesture for their coming vinyl 7¨ on Yerevan Tapes. “Peplum” is the name of their two-sided release, featuring the title-track “Peplum” on the A-Side, a kind of post-apocalyptic hurrah for an imaginary Ennio Morricone soundtrack, blended with the fururistic gaze of Lee Van Cleef’s rather ghastly face. As we look into matters on our own, the B-Side contains the track “Alo“, which you can listen to in the aforementioned video, as you get to follow them on a trip through rainy landscapes, on their highway to heroin. When it was written, it was originally featured in the exhibition by Phil Collins, called: “In Every Dream Home A Heartache“. In comparison, “Alo” is a more gloomy track which drones into the horrific but steadily engaging sound-scape that would make you awe-inspired even if you’d hear only a bit of it. Lurking in the shadows is the face of them, their clownish demeanor and their samba-like percussion on ecstasy. We suggest you look into the visuals for the first track, whilst you mellow out with the clandestine approach of the first track, as “Peplum” ceases to exist and flows magically into the B-Side. Hear the dreamy sound change into chugging guitars with a horror-themed drowsiness to it.

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The release itself will be put out by Yerevan Tapes on a vinyl 7¨ on the 2nd of May. So whilst you wait for this promising release, have a bit of coffee and relax to the music-video which Repartiseraren could harbour to his own channel. It is by no means exclusive, other than for my channel at this time, but it can also be viewed from theirs. As I said in the beginning, this is more of a celebratory gesture for the growth of an organic Nordic themed Repartiseraren, together with the internationalist vibes of Heroin In Tahiti. Join us on our joint-adventure and await total misery, a slight transfusion with drowsiness – and the exceptionally great and original sound they produce.

Exclusive Video: Alone In The Hollow Garden – Field of ∞ Dissolution

The main project of Dan Serbanescu nowadays seems to be Alone In The Hollow Garden, rather than Tanz Ohne Musik. Both him and his partner; whose main mission is to create visuals for the project, venture into a whole world of their own. Color Nurse is his visual aid in a rather dull world, taking care of the visual elements for both Alone In The Hollow Garden but also Tanz Ohne Musik. She’s in other words involved in what he’s doing, also with his own label Red Cavity Records. Creating professional music-videos, photographing different covers for releases, being in charge in general of the video department. Her visuals to the music that is made through Dan Serbanescus aliases, move forth in such a wonderful synchronization. Especially in regards to one of their latest music-videos, for the track “Field of ∞ Dissolution“, taken from the latest release by Alone In The Hollow Garden, titled “L . V . X .“. It’s the first track from that release and the video is as dark as it is mystic. Suggestive patterns move in and out in total disharmony with the paranoid music that has taken its form and refuge within power electronics. Clipped in images relieve one another in a totally erroneous fashion. Unorthodoxy is the main concept, between the shady lyrics that are put out vocally by Dan, and the fast-hitting but brooding electronics that hit as hard but inconvenient as possible. Repartiseraren got the opportunity to exclusively premiere this music-video for the readership. So check the music-video out and stream the whole album “L . V . X .” down below, plus the full song that I got a hold of for the blog-zine.