survive

Exclusive Swedish Premiere: S U R V I V E – RR7349

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You might know them as soundtrack connoseurs “Stranger Things“, the second series – coming in 2017 (spoiler alert), or somewhere else. S U R V I V E is as exquisite, experimental and as concentrated as synth-pop can get. Do not forget that they have other songs (and albums), such as “Relays” which is our favorite here at Repartiseraren. They are well-deserved to be crowned the kings, of making one of the first really exciting soundtracks for a proper horror series, in a very long time.

In conjunction with Relapse Records (EU) – I’m honored to have been received the exclusive premiere of the whole of Sweden, for S U R V I V E, specifically their forthcoming album RR7349 that is due to be released on vinyl and CD. There is also a t-shirt available for you hardcore fans out there, which is gorgeous, to say the least.

What is “RR7349” and how does it hold up to their prior releases?

The hype surrounding Stranger Things season number one and season number two notwithstanding – RR7349 – it’s masterpiece if you’ve heard all their other albums, including the soundtrack for Stranger Things. They know how to use all synthesizers simultaneously, whilst triggering the functions at the exact right point (sequencers, drummachines, etc) – which makes for an atmospheric, almost ritual experience in listening. Great experimental atmospheric (electronic) synth music.

Glad to have heard this album. Sincerely recommend it.

Go and buy when you have the money, to support the artist and label. It is also available on their own Bandcamp-page in vinyl/CD/etc. Listen to it exclusively (Sweden only premiere) down below, courtesy of Relapse Records (EU).



[22nd|23rd] December: Identity Theft & Michael Idehall

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Diligent musician Michael have ran Katabatik Records for a while now. Being that of a creative soul himself, he’s occupied with a multitude of different projects, in tune with his artistry. There’s a difference between his own project and that of Seacrypt – a group that became a household name, with their smashing mini-album “Seekers” – released on Falco Invernale Records in March of this year. We shouldn’t forget to mention Nommo Ogo, a more experimental act which have been around since the 1990s, which is one of his other groups. This main difference consists of how he portrays his sounds, because under the guise of Identity Theft – he’s developed it further into the obscure, but remains a lot more unique in sound – added to his repertoire via prolonged experimentation.

For his addition to Ljudkalendern he chose a topic, saddening as it is to read about it, for his song titled “Wait For Mask Signal” – which takes up a fragment of the “Leads Mask Case“. That adds a dimension to a song which make it more emotional to say the least. This clouds our own judgement of it and we leave it as a sonic piece; regardless of the influence. Musically, it’s a minimalistic journey with a solid rhythm that furthers an atmospheric consciousness. We feel busily engaged as we normally don’t do in a minimalist’s setting, as we travel into the music instantly. There’s a certain vibe that Michael have managed to create notwithstanding the topic, sonically – which makes us tranquil. Listen to it in whole down below, exclusively for you, in tune with 22nd December of Ljudkalendern.

The master himself returns with an homage, that we interpret ourselves to be, in honor of an ancient Roman tradition. If you don’t know what that is, it’s the ancient roman celebration and festival, which according to the Julian calendar falls in between the 17th and 23rd December. Originally intended to be a celebratory gesture towards the God of sow and seed – Saturnus1. Just as this is written, “Svartkonster” have been launched on Beläten. It was originally a mix that Michael Idehall did for Repartiseraren and has now turned into physical emblems, items and a full release both digitally and otherwise. We thought we would mention it, at least. Because there haven’t been anything else since “Deep Code”, it’s interesting to bring something to those of you mainly interested in the sound – as we are.

For Ljudkalendern and originally intended to be launched on the 23rd December, but due to difficulties to find any time to make an effort for the article – it’s written right here and now, with the help of earlier unfinished scribblings, so bear with us. The song that is shared is titled “Saturnalia” and is a rough mix, both sonically and also because it is an early rendition of what might be something else in the future. Probably one of the rougher pieces he’s created, spanning not so long in time but carrying a weight that smashes through anything – maybe even Mach 1 wouldn’t be a problem if it would’ve been anything even remotely related to aerodynamics. Well, listen for yourselves and see what you feel and hear.


1 – Grout, James. Encyclopaedia Romana; Saturnalia. (http://penelope.uchicago.edu/~grout/encyclopaedia_romana/calendar/saturnalia.html)

[20th|21st] December: Lymland & Neugeborene Nachtmusik!

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Two small Islands not too far away from one another—Langeland and Lilleø—might have more in common then you think. Both are geographically not far away from one another. The last-mentioned is closer to a bigger island, the fourth largest island of Denmark, namely: Lolland. If their names were to be transfused and given a totally new one, it would be close to suggest a certain Swedish act that released their debut-album in September of 2012. Since you’re reading this article and have glanced over the headline – you already know what duo we’re writing about.

Lymlandensamtidsroman

Lymland“—an Island full of lemmings? No, it’s not very likely. Rather: an island of wastrels – as “lymmel” is an older Swedish word for “wastrel“. Jerker Kaj and Sonja Perander, currently based in Malmö, released their first album under the name of “Ensamtidsroman” – which sounds terrible if translated directly in English and beautiful – in Swedish. Here’s where the actual thought about their own island came to set root. They created a map to represent their small island. Their reference for the outline of a map perhaps actually was Lilleø—one of the smallest islands in Denmark with an area of meager 0.86 km2. Linguistically the name is constructed of two components: “lille” (little) and “ø” (island), when combined becomes “lilleø” (little island) – with an uppercase “L” transforms into: “Lilleø” (Little Island).

Their artwork for the album outlines the different portions of the island, most of it linguistically interesting, with names on land such as: “Björndalen” (Bearvalley), “Saven” (The Sap), “Molnbyggen” (Cloud-constructions), “Stora Sågen” (Big Saw), “Klingen” (Third Person); from Old High German, etymologically in New Swedish: the blade of a sword. “Notgrund” (Shallow-Note), “Ryggen” (The Back), and “Snårskog” (Brushwood). When it comes to the coast and off the shore, the following names show up: “Gråsjälsgrynnar“, where “grynna” means: underwater shallow. “Silvertoner” – a reference to Sanna Nielsen’s debut in 1996 with the same name? Probably not, but maybe. “Hammar” – their Swedish place of origin? Which could be one of these two places: Hammar, Kungälv or Hammar, Hammarö. The final name, and description of their map is written out as: “Bullerkobban” (Noise-Islet), located in the North-East of their map and island.

Enough with our etymological descriptions and speculations, now it’s time for their actual music. Even though a description they themselves want to put on “Ensamtidsroman” is, and I quote a part of a whole collateral sentence: “Nine tracks that are held together by an honesty and simplicity,” may not be as developed like what we’re about to show you, but with the aesthetics of an island by our own definition, with the exception of their original intent, go well together and bring forth visuals that we ourselves adore. The idyllic setting and the freedom of an eremite, if only for a few moments, are what’s needed when you’d want to take a break and rewind. That’s what their music do on this specific album.

We’ve asked them to contribute for Ljudkalendern, a non-commercial collection where different songs are put up each day to create a nice palette of different kinds of music. For everyone to enjoy now when Christmas is soon upon us. So they worked on a track and got it mastered. Now for the 20th of December which we all missed, it will be our pleasure to bring forth “Fantom Mot Fantom” – a track seemingly inspired by the Finland-Swedish poet Edith Södergran, and specifically her poem: “Stormen (Rosenaltaret)“.

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Exclusive Premiere: D.Å.R.F.D.H.S. – Bockahorn

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Drawing influence from phenomenons and the history of Sweden, for example the Witch Hunting between 1668-1676, for their release on Clan Destine Records, titled “Det Stora Oväsendet“. The cover features a picturesque, in our eyes any way, painting of Swedish countryside during that time – but what lingers in the dark is not known. When you know the topic for this particular release, everything becomes so much more gloomier and frightening, like the etchings of coal on canvas. This is one of their positives which make them unique, in more ways then what sound can offer.

Their collective acronym is D.Å.R.F.D.H.S. – which spells out: Dard Å Ranj Från Det Hebbershålska Samfundet. A play with old Swedish words to create a fictive umbrella term for everything they do. Michel Isorinne and Varg (of Ulwhednar fame) are the sole proprietors of this imaginative collective, though we’d rather say they’re a “duo” – but that doesn’t sound bombastic enough. The topics they engage in seem to be less than fictional, taking most of their influence from obscure or overshadowed occurrences in Swedish history.

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For their forthcoming release “Mjöldryga“, a tattoo seemingly portraying; inked in “D.Å.R.F.D.H.S.” on someones’ arm, one half of a scythe, plus a symbol of some kind, but mainly a flail that’s situated in the middle of the picture – all constitute the artwork for this album. For those of you that don’t know what “Mjöldryga” means, it means the following: (Secale cornutum) is a parasitical organism, a fungus that attacks different kinds of grown plants, including grain of different kinds. This is one part of the main theme of the album – but it goes into different perspectives, probably related to a more or less obscure happening in Swedish history. We’re thankful for them to be around to teach one about topics we as Swedes haven’t learned or didn’t care too much about. Intriguing.

We at Repartiseraren can proudly present to you a track called “Bockahorn“, taken from the B-SIde of the release. It’s a twenty-minute long escapade that hides more beneath the surface than you can imagine. You don’t hear it the first time, but there are nuances in this dark ambient, experimental ambient trip into deep conscience, taking a long time to build with ambitiously created stages in sound. It’s like a playwright completely in sound, related to forgotten bits and pieces of history. Listen to it exclusively down below. It will get released on Beläten in the very near future and hopefully before the next year arrives.

[17th] December: All Your Sisters – Shame

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Two cassettes in one year. Reverse three years – and you’ve got “Sounds From Friday Evening” – a demo launched directly to Soundcloud by Jordan Morrisson. His project All Your Sisters originated from the dusky Autumn year of 2011, hailing from San Fransisco, it was meant to be much more then a solo-project. From then and on into 2012 things started to brew for real and Mario Armando Ruiz joined in – turning it into a duo. During two years of hard work they had composed what fell into our arms, for our ears, a debut-album recorded between October and November of 2013. It got titled “Modern Failures” and seem to be a statement of how things are in modern society. Romantic words clad in melancholy, with titles such as “A Perfect Body” and “Good Clean Men” cling positively at a first glance—but not for them. Maybe it’s because of the portrayal of how things should be, when they’re not anything remotely close to it. Maybe it’s something else.

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The album have been popular, as seen by how much people seemed to like it, but also because of the number of different labels that had released versions of it, mainly on limited cassettes as Beläten and Young Cubs did. Now Weyrd Son Records are turning it into vinyl, with aesthetically pleasing artwork that in one way or another can be related to All Your Sisters. Their rose was turned into black, on white background. Though the picture of a man’s back seem to suggest what the title “A Perfect Body” did, reflecting on the drapery in front of him – reflecting back on him, for himself to see? Not an unlikely theory. We’re, however, more intrigued about a band that does not wallow in nostalgia—though some of it can actually be pretty darn good. They do make a nice cold-wave themed backdrop associated with post-punk, with a rattly sound-scape and nicely laid vocals that suggest desperation, anger and apathy.

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We’re providing you with a newly produced, unreleased track which they composed for Ljudkalendern. It’s the 17th December and you get to listen to “Shame” – a rather short endeavor; that makes good use of the time they’ve utilized when creating it. There are some fine qualities about it, the long outdrawn riffs that stop before it goes into an intermezzo, sharp and readily available percussion that resounds throughout, a myriad of different baselines, synthesizers and ambitiously entwined riffing which is changed around many times to create a diverse range to it. Listen and stream it exclusively on Repartiseraren.

[16th] December: Yves Malone – Yellow Sweater & Junos

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One of our favorite synthwave acts as of late, Yves Malone, have chosen to grace us with an appearance for Ljudkalendern. For those who don’t know, he’s been featured in three reviews and premieres on Repartiseraren, back when Field Hymns compiled three of his earlier released albums into a box-set of cassettes. Since then he’s also released a separate album called “Ebony Sunrise“, on Orange Milk Records. What’s unique about him is how he manages to transfer soundtrack-music out of the box and into proper synthesized music, instead of it sounding exactly like a soundtrack is to sound – if you’ve ever had that feeling of how you can distinguish between the two. Which we’ve had plenty of times. That kind of transcendental move is hard to make when you’re not able to think outside of the box, which Yves is certainly very capable of at least musically. There’s always a thin line between. He crosses them all and it resonates throughout the atmospheres of his songs. Even though a box like the one on Field Hymns have a certain purpose, that had been cemented way before it was re-released, we like his craftsmanship and ambition when it comes to layering synthesizers over one another, creating a heavenly output for both dismay and happiness. Both rhythm, overlapping textures of synthesizers and melodies are important building blocks for his music. We don’t know how he so carelessly pulls all of this off.

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For Ljudkalendern it was originally intended to be an already produced song he had stashed away, from somewhere. As we haven’t had the time to write freely as we’ve wished, we therefore asked Mr. Yves for a concoction that would be linear in theme, but irregular when it comes to the music. Well, maybe not that structured. We proposed that he should produce a completely new track and out came two. Two different tracks both in general atmosphere, but also because one of them, “Yellow Sweater” is more beat and rhythm-oriented, whilst “Junos” take an upper-hand when it comes to perfectly laid melodies that make the whole thing a lot funkier. In a way we’re reminded of a synthwave Group Rhoda, if there ever would be one. A tropical rhythm with playing synthesizers that act as triggers for the rhythm in some cases, but when the melodies come together and shape a grandiose melody everything starts to roll down the hill and become even more exciting. First it fades out, feels like it is rebooting and slowly builds up a baseline that holds up the melodic construction. We give you these two newly procued tracks to stream exclusively for Ljudkalendern and the 16th December – on Repartiseraren!

Exclusive Premiere: ARM – The Coldest Room

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How can not a cold room be a metaphor for the state of your heart? It is when ARM extends himself for a jab at creating a debut-album by the name “Enheartened“. He came from nowhere when he got entangled in anger, letting his synthesizer create a graveyard where the bones of skeletons—are metaphorically used to bang loudly—on tribal drums coated in industrial waste. The melodies are gloomy and not so delightful for the ear, but in a way the chorus have a cheerful tone amidst the atmosphere of doom and haze. With his EP “Bloodbeat“, everyone including us seemed to wonder who this might be and we had no idea until Thomas from Beläten revealed in his presentation, press-text, that it in fact were Dan Serbanescu (Alone In The Hollow Garden/Tanz Ohne Musik). It’s a fresh cut from Pure Ground and Believer/Law, stripped down and put together in Serbanescu’s own imaginative ways.

We must say that his first release was melodic in a way that his forthcoming album isn’t. This one’s more stale and focuses logically on the rhythms, shaking you to the core with his cold-blooded disheartening whispers. A lot more ambition went into conjuring an atmosphere that make you freeze with fear. Reverberated, disgruntled screams and a looming beat – with charred manipulated sounds – wreak havoc as his vocals are present – until distorted away further to ambuscade—waiting for the perfect time to strike. How are you not reminded of The Shining when you hear this? It seems to be a projection of Jack Torrance’s deranged mind. A chilling observation and not something you would like to have in your head. We applaud ARM for masterfully creating such an aversive and frightening sound-scape. Not our cup of tea to be listening to on a daily basis, only to get that first impression of what it actually is.

So in collaboration with Beläten we unleash “The Coldest Room” – a track from ARM‘s forthcoming debut-album “Enheartened“, for your listening displeasure. We find it to be a summary of what horrors you might expect once you’ve put it in your cassette-player to listen to. You could say it’s his anthem for the new guise of how he’s changed his sound, just the slightest bit, to stricken fear and bad feelings into you folks. We say you listen with caution and if you’re interested in industrial music, morphed with synthesizers and a noise-overdrive – this might be the release for you. Stream the song exclusively from Repartiseraren and share this article from our Facebook-page – so you’re able to be one of THREE winners of a download-code for this whole album.