Exclusive Premiere: Poison Point – Osiris Temple

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This is the first exclusive premiere to be written about on my blog-zine in a long time, I’m proud to be back at this as I haven’t had so much time to do this before, due to complications I wrote about, a year ago. So here we’ve teamed up with Third Coming Records to bring you the exclusive premiere of “Osiris Temple“, a song taken from the forthcoming release “Motorpsychold“, by Poison Point. A mini-LP due to be released on that label in the not too distant future.

When I first laid my ears on Poison Point I was excited about his developed sound and transgression from minimal synth, electronica, to post-punk and alternative rock. This is how the song is best described, as a fusion between those genres and more – bringing forth his uniqueness – and a really anticipated release at that. Because of this transgression between genres he bring forth the more electronic undertones to serve his post-punkish atmosphere.

So here you are, members of the public and devoted music-lovers, the exclusive premiere of “Osiris Temple” – only on Repartiseraren – for you to listen to, in co-operation with Third Coming Records. Be sure to buy the release, and stream this exclusive song down below. Enjoy it as long as it lasts.

Spotlight: VOFA

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The label Vanila is going to release their third release, and it will be with VOFA. Despite their rather egregious Tumblr-page, this sounds promising to say the least. Imagine banging drums and a really straight-forward hard techno launch into oblivion. This would be ultimate if you could actually have the opportunity to listen to the full release, but we’ll have to do with what we’ve got so far.

This four-tracked beast of a release feature everything from resounding drums, to industrial landscapes and the most static rhythms you could ever find. Everything boils down to some kind of metamorphosis between techno and industrial – resulting in sheer devotion to hard techno. Screaming ambient sounds, clashing atmospheres and a sinister delivery is everything you’d ever want it to be.

If you’d throw this into someone’s face they’d be truly terrified. Even though the general aesthetics of the release isn’t pleasing, the grimness of it gives it a slight better opportunity at being something greater then it already is. Keep your eyes and ears peeled on this release, because they will be issuing it on vinyl now sometime in May. Stream down below.

Lyssna: Aina Myrstener Cello – Solo S

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I sin avskalade och nästan depressiva låt “Solo S“, gör Aina Myrstener Cello något som de flesta nya artister inte klarar av. Kombinationen av egensinning sång och en komposition som inte lämnar något utanför. Det är väldigt minimalistiskt men på ett annat sätt är det ambitiöst och nästan planerande i sin struktur. Hennes sångröst är något man skulle kunna lyssna på utan instrument, men instrumenten kompletterar verkligen hennes sång på ett bra sätt.

Det enda problemet jag skulle se är när det väl kommer till texterna. Men det problemet är också en bra sak i sammanhanget. Det blir lätt för generiskt, men i och med att det är utsvävande och nästan lite experimentellt så irriterar man sig inte på det fullt lika mycket. Även om musiken nästan klingar lite väl kallt, så är det just vad man vill ha när det kommer till hennes musik. Helst fler sådana här låtar, eller med välutvecklade melodier som får en att sväva iväg på lätta moln.

Tur att man har Flora & Fauna när alla andra skivbolag sviker gång på gång när det kommer till musiken. Aina Myrstener Cello är undantaget som bekräftar regeln i en annars så lam “bransch“, i alla fall när det kommer till de genrer hon håller sig inom och tar sig ut ifrån. Lyssna ovanför och tänk på att köpa det som hon har släppt.

Listen: Codex Empire / BLUSH RESPONSE

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aufnahme + wiedergabe have been working hard to pair up and release two records that are absolutely stunning. I can think of no-one more appropriate to be released at the same time, as Codex Empire and BLUSH RESPONSE. The more sneakier and atmospheric sound of Codex Empire goes well with the all-out assault done by BLUSH RESPONSE. With “Cutpurse” and “Body Architect” – we delve into the maddening and thoughtful world of them both.

When it comes to “Body Architect“, these four tracks form a coherent standpoint from which BLUSH RESPONSE launches his all-out mayhem on you. Relying on heavy beats and steady rhythm, he slowly transforms his hard techno into an unbelievable beast that is ready to swallow you any minute. Techno can otherwise become quite lackluster and not perform too well, having heard the same beats over and over again – but he transgresses that narrow line and completely reshapes your thoughts about this genre.

One foot in industrial and the other in techno, plus other genres that you can very well hear, his song “Body Artifex” is my personal favorite as it displays his expertise the best. From the acidic baselines to the huffing and puffing rhythmic noisyness, descending down upon you with jackhammered beats – kicking the shit out of your already over-stimulated brain. Think of how something as simple as this can turn into complex megalomania. Here’s for the 21st Century apocalyptic dance music that will make you question whether or not to let the whole world succumb into this madness or not – because you ain’t got much to live for anyway – after this. Buy and stream down below.

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As “Cutpurse” starts off with “Fumifugium“, there’s a more balanced and steady rhythm which almost instinctively makes itself bigger then it already is, as the atmosphere is much of what makes Codex Empire what he is and what this record itself is. From the mysterious sounds to the repetitive noises, to the more well-grounded beats that blend into the environment perfectly, each track on this record is great – so it is hard to pick a favorite among these four.

But as soon as you enter “The Valley Of Wraiths”, which is the last song on the record, you begin to pick and choose which one’s the best – and this one tops everything off – ending it on a high-note. These baselines makes your head nod in different directions and the percussion is simply astonishing. I don’t really know how he layeres these different beats so well, but the arrangement in this song are out of this world – creating what could be a future classic – if not, a mighty offshoot from his now released record.

So this is how it should continue on aufnahme + wiedergabe. I’d like to see more paired releases that get released the same time, that complement each other well and have a certain connection with each other. It doesn’t have to be the same genre and they don’t have to sound alike – but this is a match made in heaven. Buy and stream down below.