Exclusive Premiere: Bad News From Cosmos – Akira

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Ukrainian improvisers Andrii Hrachov and Iryna Bodnar are two-dimensional in concept; life and death, but three-dimensional when producing, musically; free improvisations, analogue synth commanders and bound to no certain genre. For them, it’s important to conjure a narration that binds together an otherwise escapist, avant-garde free-form of music with its’ static topic. Not to say that it necessarily means that the motive itself isn’t open for various interpretations – but just so the music doesn’t go too far away into abstraction. They themselves say it’s an “eternal experiment” – which makes you wonder if and when they’re going to finish experimenting? Maybe that’s the point with the project and when it ceases to exist—so does the experimentation.

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Bad News From Cosmos have been alive and kickin’ since 2010, releasing their first album in 2013 called “kongogumi“—which may be a reference to “Kongō Gumi” (株式会社金剛組)—Japanese construction company, and one of the oldest independent companies still existing in the world. The album artwork features a White Cherry Blossom (Sakura) – Japan’s national flower, which represents different aspects of Japanese history, but also their culture. Here’s where they seem to have started to wander into a certain topic, whether they like it or not—or maybe, just maybe it’s a reference to bloom (life) and withering (death)—could it be? We’re not sure, but it is a possibility due to their strict enforcement when it comes to topics, but not as strict as not being re-interpretable within the linguistic possibilities of the words.

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The same year when Autumn turned into Winter, “Fjord EP” was released on the Russian label Simphonic Silence Inside. Etymologically speaking, the references sprawl into obscurity, where it not for that we in Sweden have fjords and our brothers in Norway also have it—calling it: “Fjord“; (“a long, narrow inlet with steep sides or cliffs“). What comes to ones mind is the landscape of Oslofjord, a rocky landscape, an inlet (or fjord) which seem to metaphorically strew and divide the Islands Hovedøya, Lindøya, Nakholmen, Bleikøya, Gressholmen, and Langøyene on either the left or the right side. We’re not so sure if their reference is even close to ours, or if they simply had a different take on it considering the artwork’s display of a mountain. We would however wish it was true. Or maybe it’s just a reference to Norway and their highest mountain – Galdhøpiggen. We as Swedes would’ve wished for it to be Kebnekaise, so we could take pride in being interpreted by their avant-garde.

We didn’t want to delve any further into their releases, it’s just that those two in particular interested us more and that we would be writing much longer, not getting to the main point of this article, if we were to cover everything. Which we’re not interested in. However, they’ve released three albums since the aforementioned releases and they’re titled (not in order): “Laid down to earth“, “Kids of the Soviet Tree“, and “Turquoise Hearts“—their latest release so far, on Amok Recordings. Wouldn’t it be nice if we actually got to the point now? Yes. So let’s begin.

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French label Anywave Records recently created a sub-division, or sister-label if you will, composed of a palindrome of Anywave—called Evawyna. The purpose was to have a label for digital releases only. So far Heather Celeste have gotten her single-track release “Austere“, re-released on on Evawyna. In this article we’re focusing on the second release, the continuation of Bad News From Cosmos, their forthcoming album “Pearls for Guttiere“—by now down below the sea, if we reference the artwork. Here they’ve taken “nippon-pop” from what we think is their debut-album (“kongogumi“), polished it and put it as the sixth track on this coming album. The mellowly sounding and beat-orientated experimentation relax our senses—feels like diving into the sea, snorkeling, seeing the beauty of the fabric in the ecosystem—and all the wonderful creatures living there. As it is sung in Japanese, we’re vaguely reminded about “Kaneda’s Theme“—from the by now legendary Akira 『AKIRA』(アキラ)(1988) film’s soundtrack, due to the sound but also the name: “Akira“. We’re proud to be streaming it exclusively from our blog-zine and we hope it fascinate you as much as it did for us.

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