I embarked on a journey a couple of days ago. It had nothing to do with going to Paris, Berlin, London, Oslo, Helsinki or anything else – because it had to do with I/II. Somehow I managed to hijack a premiere which had been lent to me by co-operating with the Austrian label Totally Wired Records. Ever since I interviewed the man behind I/II, 1/2, or what ever he wants to call it himself – maybe Split Personalities to make it more than a suggestive symbol, I’ve had the ride of my life. Not because I ever wanted to, but because he re-tells stories or take up subjects in each of his tracks, at the same time he’s letting the genres change each time a new subject comes up. It started with the first track from his forthcoming mini-album “Earthquakes Usually Come Around At Night“, titled “Let’s call it a day“. This one didn’t actually have anything written to explain what it means, but it has something to do with dancing the night away and ignoring important subjects. Lock away the prisoners – there’s nothing to see here, everything’s nice and tidy. Just take some drugs and it will be fine. It’s a minimal electronics, minimal synth, experimental wonderworld which is laid upon the foundation of something that I would call a split between low-keyed noise and minimal industrial. You never know what will show up, but the soft-spoken voice in such a static environment brings up questions in your own head. Which is probably how it’s meant to be, when synced with the lyrical content.
Then the song “Transmissions End” have a steady post-punk baseline laid upon the same experimental and minimal ground. It takes up many subjects which are entwined with the other song, but it deals with freedom of speech, a realistic thought on how people get by – when time’s harsh on you and the tide can turn at any time. The paradox between your own constructed reality which often times is shaken to the core when faced with the brutality that real life can be – and might’ve become for people. I don’t really know, but that’s how I interpret it via the lyrical content. It’s a catchy song which serves as a tragicomical take on a post-modern world in a digital age, steaming on the tracks of supposed progress just to be flying out of a cliff with the next turn it takes. I believe that minimal synth, blip-blop (8-bit melodies) and post-punk are at the center of this rather cheerful but serious song. There’s a contrast between the melodies and the rhythm of the stern baseline that chugs away.
Now we get to the part where Repartiseraren gets involved. We had the opportunity to collaborate with Totally Wired Records on the weekly premiere that was scheduled before the mini-album is released in its entirety. So we got a hold of the third song, called “Tectonics (Transverse)” which is probably one of the most ambigious songs on the whole release. It starts off with “Kill them all” and a swift but hard-hitting industrial beat which changes into a monotonous acidic temptation, very quickly. We’re somewhere in between minimal electronic body music and acid. Whatever you do, it’s pointless to fight at all. It’s probably the most concrete but vividly explained subject which I/II brings up with this mini-album. Here’s where our own involvement ends, here’s where I present to you the exclusive premiere of “Tectonics (Transverse)“. I believe you should get into “Statues” and “Function (Push To the Limit)” – just so you can make up your own mind when it comes to the two last songs. However, now it’s time to listen to what I can exclusively offer until the 28th of November – when the mini-album is to be released.