Listen: Veil Of Light – Pale Eyes

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The day has come when Veil Of Light finally got the run-up to his forthcoming debut-album released. Together with the Swedish label Beläten, five remixes and one original track have been put up digitally. Since there’s still about a month left until “Ξ” – the full album signed Veil Of Light. A.R.M., Ghost Actor, S S S S, Distel and Th. Thot have remixed four tracks — five if you include “Pale Eyes” — from the forthcoming album, which are “Falling Apart“, “Martyr“, “In Ruins” and “They Said“. When judging on the only available track, it feels great to realize how far he’s come from his earlier releases. It seems like he’s matured even more and the music sounds more organic. Even though a drum-machine is present at all times, the riffs seem even more melancholic, when tuning in to “Pale Eyes“.

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Judging from the remixes, they’ve all done a great job in their own peculiar way. Even though my preferred remixes have been created by Distel and Th. Thot – the others are okay if you like subdued atmospheres. S S S S are more like Distel, keeping the mythic environment alive and shapeshifting away from the calmness. Abiding by no other rules than what is set up by the rhythm. The industrialized mammoth that is coated with a layer of noisyness feels like smoke clouding your eyesight – you’re caught in the middle of a tense situation. Distel on the other hand keep at their signature sound, keeping their original rhythms but straying away from the atonal sound for a more melodic chanson. The melodies are otherwise not as prominent and clean. When you get to the end, the deep baseline takes you out of bound and into a completely meditative setting.

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The favorite of all remixes is clearly stated by Herr Thot himself. Th. Thot is Thomas himself, stirring up a whirlwind together with a static rhythm and simple melody that slowly progresses and in itself give an added value to the song. Now that I haven’t heard the original track, it is hard to state how true it is. But I really like how the manipulated vocals add a layer of melody and harmonics – that wouldn’t pack the same punch without it. All in all it’s a wonderful free release that Beläten is generous enough to give out before the “real” release is put out to the masses. Not to mention how the combination of emerging artists and steadfast champions make it a total brawl. Veil Of Light will release his debut-album “Ξ” on the 7th of November which will be the first ever vinyl-release Beläten have ever done. While you’re waiting for that release you can download this digital release for free.

World Premiere: Cape Noire – Avalanche

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With monumental influences taken from black metal aesthetics, it’s weird to realize how trip-hop can be thrown in to make it something completely different. Hailing from Paris, this collective of nocturnal souls make up Cape Noire – an outfit that flourishes in the catacombs. With their catchy trip-hop sound and their atmosphere lent from darkwave and other electronic genres, they fuse soulful vocals with different aesthetics. You could honestly say that “Fire” – their only publicly available track – have a musical ground available in more commercial music. Although that song is more of an anthemic introductory to this collective, it’s nice to see how you actually can stray away into darker melodies, ambitious vocals and still keep some kind of artistry connected to more widely attractive genres. But it’s good that all clichés are swept under the rug and that they develop their own sound, because that’s ultimately what gives the listener a more steadfast connection to their music.

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Repartiseraren have gotten the honor to premiere another piece of music from the strictly limited CD-release put out by Cape Noire on the 11th of October. This item will probably be a collectible, so you’d better hurry and buy one because they’re limited to thirty copies, handmade all matte black and silver ink buffered package. Their aesthetics revolve a lot around the mystery of who might be the actors behind the moniker of Cape Noire – in turn fueling the relevance of their music – besides it being masterfully crafted for your listening pleasure. Now you get to listen to another track from that release, namely: “Avalanche“, which gives you an insight into how versitale they seem to be. You can sense some dark cabaret influences that move their way through a more carefully laden atmosphere, but with utmost sincerity the trip-hop beats are laden in perfect conjunction to the marvelous vocals. Listen to the track down below. Buy the CD from them here.

Listen: Zarkoff – The Big Ripoff

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Exquisite but ominous electro and techno are out in favor for a more classic 1990’s rave and techno sound. Mute the melodies and come into your groove with a harsh acid baseline that will make you go bananas. This is exactly what Zarkoff has done when he for a moment strayed away from his original sound and decided to go full-on tribalistic rave and classic techno in “The Big Ripoff“. The spirit of the track is not tainted by what he himself thinks is a huge rip-off, because even though a lot of people are going to reminiscence about the good old days – his craftsmanship shines through yet again – so don’t be so harsh on yourself. It’s a perfectly unplanned gesture that shields us when we’re heading into the colder months of the year – the warmth of his track is what keeps you grooving.

After I’ve listened through it a few times I’ve come to appreciate it even more and I hope Zarkoff changes route completely and starts to heave acid house or classic techno music at us, hopefully in a raver’s setting of neon lights and with a drugged out atmosphere. Or maybe he should go full-on gabber so he can be acredited of reviving a genre whose life is in a total stalemate nowadays. What ever he chooses to do, nobody can deny that he’s skilled at what he does and that his transformations are what keep you listening to his music. Anyway, you can stream the track down below or download it for free.

Exclusive Premiere: Feral Trash – No Avail

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We know that you’re probably having a rough Monday. It might not be a terrible one, but it’s always hard to cope with going back to your routines after the weekend. Therefore we’ve got a treat for you which you might or might not enjoy. Feral Trash is an American band that combines rock’n’roll and melodious dark punk into a nice whirlwind of emotional statements. Whether they do it with their copious riffs or the drumming, with their lyrics or their vocals – doesn’t matter. Their wholeheartedness could be heard in their first release “Dead Eyes“, which came out in 2013. Being stationary at Dirt Cult Records gave them a possibility to release something new a year later. The label originally started out in 2006 by the hands of Chris Mason and his friend Dillon – but he left shortly afterwards and since then the operations have been managed by Chris. So mainly, the label utilizes itself within the confinements of punk – meaning everything from post-punk, rock’n’roll, melodic punk, “regular” punk – and other genres which can be knitted to “punk“.

Now, a year later Feral Trash are going to be releasing their debut-album “Trashfiction” with the help of DIrt Cult Records. The frontman Eric Neurotic, whom also can be heard in the band Fear Of Lipstick, is involved in labels who are alike to what his band is releasing an album on – namely It’s Alive Records and P. Trash Records. Everything comes around now and then – full circle. Which is just good because that prooves his interest and passion for those genres. Anyway, “Trashfiction” will be released on the 26th of October. Repartiseraren is collaborating with Dirt Cult Records for the first time, giving you the opportunity to exclusively stream the tenth song from their debut-album, titled “No Avail“. Listen to it down below and if you’re interested, see to it that you buy the physical vinyl. The vinyl is limited to 300 copies, whereas 100 are on color vinyl.

Premiere: Maskinåldern – Avsnitt 3 – Gustav Jansson (Sturm Café)

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Det här är ett avsnitt som jag velat göra sedan jag startade denna podcastserie. Egentligen fanns där inga stora förhoppningar om att lyckas med det, men efter mycket om och men så blev en intervjutid bokat för avsnittet med Gustav Jansson från duon Sturm Café. En grupp som inspirerat många andra inom den “nya” svenska bodyscenen som långsamt började växa fram under tidigt 2000-tal – där Sturm Café var mer prominenta nu i efterhand – än vad de visste där och då.

Men egentligen är det helt egalt i sammanhanget. Fokuset låg på hur bra musiken var och vad som varit upphovet till deras musik, inte bara i studion men också i dynamiken hos duon och deras liveframträdanden – egentligen hela det kit som gjorde att denna duo på ett rätt så framgångsrikt vis kunde göra ett avtryck inom elektronisk kroppsmusik – både här, i Tyskland, men också i resten av världen. För att inte glömma att nämna de otaliga sidoprojekten, varav Kommando XY och Working Puppets utgör de mest prominenta – och kanske egentligen de man intresserat sig mest för.

Nu har man gått och väntat länge på att få släppa detta avsnitt, som är mer än två timmar långt och innehåller en djupintervju med Gustav Jansson. Här får man reda på en mängd saker som inte kommit fram i tidigare intervjuer, kanske för att frågorna inte formulerats på detta vis eller att intresset inte funnits. Förutom att avsnittet är så långt så finns där även tre exklusiva och osläppta låtar, som “1632” från det färdiga (men osläppta) albumet “Europa!” av Sturm Café, demoversionen med en annan sångare på låten “Kyss Mig” av KROPP, och en tidig demo av låten “Mozart-Ideal” som förmodligen är en av de mer populära alstren Sturm Café levererat.

Mycket mer kan egentligen sägas och man skulle kunna täppa till så många andra luckor, men jag låter någon annan göra det. Det finns alltid något av intresse. Det är bara så skönt att äntligen kunna leverera det tredje avsnittet av Maskinåldern. Nu tycker jag att vi kör igång maskineriet för fullt.

Innan ni börjar lyssna så vill jag tacka Minmiart för konstverket till avsnittet. Ni kan titta på annat som hon haft för sig genom att besöka: http://minmiart.tumblr.com/

Låtlista:

1. Spartak – Tiden
2. Position Parallele – Silence et grésillement
3. PTP – Show Me Your Spine
4. Sturm Café – Koka Kola Freiheit (Thomas P. Heckmann Remix)
5. Jäger 90 – Immer Dümmer
6. Sturm Café – 1632 (Unreleased)
7. DAF – Ich Will
8. Kommando XY – Manlig Gemenskap
9. Portion Control – Karateka
10. Keine Ahnung – Plastik
11. a;GRUMH… – M.D.A.
12. Kommando XY – Norrland
13. Working Puppets – Monopoly
14. Working Puppets – Welcome
15. Rheingold – Distanz
16. Les Visiteurs Du Soir – Je T`ecris D`un Pays
17. KROPP – Kyss Mig (Demo Version / Other Singer) (Unreleased)
18. Sturm Café – Mozart-Ideal (Demo) (Unreleased)

Listen: Ostrobothnian Noise Orchestra – ONO101014

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Österbotten?” Straight from western Finland, a multi-linguistic haven for both Finnish and Swedish alike, comes the Ostrobothnian Noise Orchestra. A rather small orchestra with eigth members; Heidi Kenttälä (vocals, harmonium), Ilkka Hänninen (electronics, engineering), Johanna Lönngren (fiddle), Julia Hansson (accordion), Marko Aalto (drums, percussion), Mikael Mattila (vocals, electric guitar, bass, percussion, engineering), Tiia Vartio (grand piano, harmonium) and Tuija Puurunen (baritone horn). But the music they create is grandiose and masterful – as it is ambitious and creative. Forming a unique output together with traditional folk-melodies, which they borrow from both their Finnish and Swedish musical heritage – I suppose. With that in mind, they’re avant-gardists with a sense of meddling between the genres – from pure ambient, to a droned out fantasy, thrown in metal – and various other peculiar merges of noise, industrial and minimalistic thinking in a grand setting.

Before their first real release which is the one I’m writing about, namely “ONO101014“, they also had a three-tracked bonanza called “HOMOSAATIO” put out more than a year ago. Where they focused more on dissonant and chaotic noise than anything else, and they probably weren’t an orchestra back then – or so it seems. Their proper album is a huge leap away from their first and a relocation to another part of the world – as their first was more orientally focused – at least if you take the song-titles into consideration. The best thing about this orchestra is how they don’t stray away from using different genres separated from one another, as well as together. You can go from the most chaotic environment to a hauntingly beautiful landscape of sound. You can stream the release in its entirety down below, do also buy the digital version so you can support this wonderful orchestra.

Exclusive Premiere: Alles – Fala

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Unhinged to the utmost degree, fumbling in the dark to connect the dots. From a viable option to a crazed mixture, you couldn’t imagine how it would be if electro-pop was turned upside down and channeled through minimal synth. With the uncompromising duo Alles – comprised of Marcin Regucki and Paweł Strzelec – anything goes. Include a vision beyond a communist society, post-communism if you will, infused with modern society’s delusional consumerism and empty-handed materialism and you’ve got the fuse to set things off. Enhanced beats waddle through a decayed interior, an urban environment that is almost claustrophobic. With the help of different genres like cold-wave, synthwave and every other electronic sub-genre you could think of – everything’s already post-something. These two men create an invitation for both a linguistic invitation to basic Polish – to a more international touch of English, entering the digital age of errors with “404” – getting to the middle-ground with technical ingeniousness with “GPS“. If there would be any need for a red line, just follow their sound-scape and try understanding the meaning of their lyrics and the titles for their tracks. As much as they give hints to what’s going on, they might also mislead you into thinking something else – the ambivalent quality which is; their cunningness.

This is their debut-album that lies in front of your eyes anew. It’s not the physical version, but their digital packaging that you’re viewing. As forthright as their intentions are, there’s no doubt why the name of this album is “Post“. Six months ago they had a cassette which constituted the original form of their debut – now they’re re-mastered, re-packaged – officially launched on vinyl. Don’t be mistaken, the foundation they stand upon is the same and their intentions also seem to be intact. Only one thing has changed besides what have already been written and that is; this time around they have a brand new track which goes with the purchase of the vinyl. This vinyl-edition is limited to 500 copies and comes as a transparent vinyl, together with “Fala” (Wave) – the exception which confirms the rule – an anomaly which showcases their musical ambivalence. Repartiseraren have been lucky enough to receive the honor of exclusively premiering “Fala“, as we collaborate with Mecanica Records whom are releasing the vinyl. Stream this song exclusively down below and pre-order a limited vinyl, shipping on the 25th of October. Or if you don’t have the patience to wait that long, order the digital version which is out on the 15th of October. Here comes the wave that will flood your gates.

If you want to see this duo perform, their next date(s) will be 18/10 on Klubokawiarnia Chlodina in Warsaw, 31/10 on Urban Spree (Sinewaves) in Berlin, and 28/11 on C.R.K (Return To The Batcave) in Wroclaw.

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