World Premiere: Mlada Fronta – Strict Dress Code

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Originally a group, now a solo-project. The French electronica-group Mlada Fronta, originating from Cannes, have had a rich history which has left a huge impact on techno, electro, EBM and industrial foremost, but also on ambient and IDM. Before entering the well-deserved limelight, the group released “My Visions“, “Illusory Time” and “Tribal Apocalyptic Dance” – one debut-album, three albums – spanning from darkwave, to industrial and electronic body music. Suggesstive undertones, hypnotizing atmospheres that make way for you to enter a bizarre tunnel of sound which have swept over you before you even know it. Undeservedly underlooked albums that might’ve been the collective form that molded their critically acclaimed breakthrough “High Tension” – an album that was as varied in terms of genres – as was the sound. No room for any clichés, only a space reserved for a palette of different but equally intriguing tracks, strengthened by the crossover itself – not swallowed whole. The track “XB-33” went on to be a banger in the clubs and could be heard everywhere – in 1999. We’ve taken a liking to the title-track itself because of the harsh sound, but “XB-33” surely packs a rhythm that will even make you flail your arms around as if you didn’t have a pair.

Taking the step from Tribal Productions, which almost exclusively released Mlada Fronta’s albums – the German label Flatline Records cut their piece of the cake with “High Tension” – first album to be released by a label other than their own, or at least their first deservable spot on a whole other roster. When the 1990’s were over, it seems like Rémy Pelleschi of the group took his own route with the moniker and released “Fe₂O₃” on the French label M-Tronic. With the earlier albums they had been a collective, a group of people working closely with Rémy on earlier albums before the 2000’s, including: Gilles Saïssi (My Visions, Illusory Time, High Tension), Jan-Louy (My Visions) and Philippe Croq (My Visions). With the album on M-Tronic, Rémy took to a more experimental side, mainly laying his focus on rhythmic noise as an overlaying sheet – taking to account all other genres he’d visited and re-visited during his earlier albums.

In 2002 an album titled “Oxydes” surfaced on Rémy Pelleschi’s own imprint Parametric. It included both the original album and remixes by a number of artists such as: Gom, Tarmvred, Milligramme, Dither, Mimetic and Data Raper. He even went so far as to remix one of his own songs. There was also a limited edition release of “Oxydes + Remixes” which included live performances from 2001 in Liege, Bordeaux, Lyon and Cannes. In 2005 a DVD was created and made under the name of “Dioxydes”, featuring unreleased material in an exclusive metal box, including twelve postcards, stickers, bonus material, photos, a live video from Maschinenfest in 2004, Le Cycle Du Soleil – and a radio-documentary called “The Shaker”. During these years, from 2001-2005, Rémy gained even more fame through bigger magazines picking up on his creative outburst which flourished during this time – as it did before, but with another goal and another sound in mind – so versitale as an artist and uncompromising.

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Let’s not write a whole biography here. There’s other labels who picked up on what he was doing, including Sounds Of Industry who released compilations of unreleased material, like “Contrast 2005-2011 Unreleased And Rare Tracks” and “Contrast 1998-2004 “Unreleased And Rare Tracks“, together with digital releases of “Dioxydes“, and “Le Cycle Du Soleil” – two different versions, one as an album and the other as an EP. The torch was then passed on to Artoffact Records, whom did an ambitious project collecting copious amounts of tracks which carried virtually (almost) every release that Mlada Fronta had put out – re-mastered and re-packaged into a 10xCD Box Set, in 2013. Now they have gotten the honor that it actually is to put out his comeback, an insane album that showcases the talents he still has and reminds a lot about “High Tension” – but actually carries the executed electronic body music and industrial sound – into another dimension including IDM and Techno among the main perpetrators.

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Repartiseraren is a really tiny blog-zine. We could not in our own imagination even fathom that we’d have anything to do with Rémy Pelleschi and Mlada Fronta – ever. But since Artoffact Records will release his forthcoming album (and return) “Polygon” now on the 4th of November, we’ve gotten the rare opportunity to exclusively premiere a track from this album. It is a rather anthemic and harsh electronic body-influenced track with techno smashed into it, titled “Strict Dress Code“. We’re the first to be showcasing his material now when he’s returned. This is a world premiere only available from Repartiseraren for you to stream exclusively. We’re proud and thankful for this opportunity. Please do it justice and listen to it loudly, then go over and order what ever version of “Polygon” you want at Storming the Base. When you think about ordering it, “Night Run” will be the “companion” vinyl-release to this forthcoming one.

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