Exclusive Premiere: Sumerian Fleet – Orbiting

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As a concept, they’ve existed for quite some time. In 2010 they released their first self-titled album “Sumerian Fleet“, this was when their concept only included Alden Tyrell and Mr. Pauli. These two men whose real names are Martijn Hoogendijk and Ingmar Pauli, have been active as electronica producers since the late 1990’s. When two years had gone they realized yet another album which they titled “Sturm Bricht Los” – released on the eminent label Crème Organization in 2012. The difference between this album and their first was that Zarkoff was included on vocals and the fact that it moved into electronic body music territory, having been very close to electro on the first release. Now some of you might wonder who that fellow is and I will tell you who he is, he’s an electronica producer from Croatia whose legacy stretches well beyond this. His most notable contributions come with collaborating with Popsimonova, the Croatian lady whose moniker became more well-known with her “Untitled” release on the Enfant Terrible sub-label Gooiland Elektro. Now they have released a new album titled “Just Pressure“, which celebrates (on purpose or not) the two year space between each release.

This release in itself brings forth the qualities of real electronic body music – when mixed with darkwave and electro – how those three manifestations make for excellency. Much to the joy of those whose interest in the new generation of EBM got sparked by the numerous acts around the world specifically in the US – that create such music. There are so many nostalgic tears that are taken care of with this album but it pays a tribute to those who inspired their sound, those whom did it before them. They’ve learned how to refine their music to become less raw and more sophisticated. It is really a matter of taste if you like their second album in relation to this one. I had asked Zarkoff to share a piece of this gem with me and he sure did. I got to exclusively premiere the track “Orbiting” which is taken from this album. I believe that it is a nice track which makes good use of the synth-stabs and the rhythm is nothing less than a focused attire which makes the melodies bleak in comparison. Heck, I don’t know if that’s right, but it feels that way. Listen to the track down below.

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