After having spent my days in another country, on an island, I listened very much to what I got handed to me by Keluar. This was some time before “Vitreum” was due to be out on Desire Records, so that’s precisely what I was listening to. The combination in arms between Sid Lamar of Schwefelgelb and Zoé Zanias of ex-Linea Aspera is such a damn great collision of the best of worlds. Now they’ve just put up their self-titled album release “Keluar“, which combines their both EPs “Ennoea” (the first) and “Vitreum” into one – alongside two bonus tracks “Cleo (Soft Riot Remix)” and “Coralline (Distel Remix)“. Which is a joint release that was also put out by Desire Records. When it comes to their sound, I believe that I am in love. The craftsmanship that both of these people enjoy is formed into a luminescent landscape in a combination of minimal synth, wave and the experimentalism that they themselves put onto it. If you combine that with the strength in melody that new wave gives them, you’ve got a dreamy landscape which shapes the forthcoming lights that shine upon your face – as in a kind of religious experience. Every little detail that is chiseled out is part of a wider array of magnificence. Most of the songs are actually of that caliber that you’d simply want to listen to them over and over again, remembering each tracks unique character. With a little help from the new-beat meets darker electronic body music (but really not), they channel our darker sides and manage to shape a current of volatile electricity that is about to snap and crackle, but then suddenly something else enters the landscape of sound and circumvents that intention.
The lyrical content of this album is also astonishing. Everything blends in well with the form of vocals that Allison Lewis decide to deliver. Sharp contrasts in between outdrawn sighs of lyric content to the almost despaired cries of misanthropy. With the ambiance that creates a shroud of mystery around it, her voice pierces the bubble in which the shroud is covering – showcasing the naked truth from inside – with her clarity and deliverance that signifies what she’s all about. She’s in for it all and can’t wait to strike you down when you least expect it, whether it might be after a crescendo of electronic beats or the suggestive atmosphere delivered with a percussionists precision. I urge you all to buy this album if you really like it, because it might be one of the best albums since Distel entered once again and got their album “Ultra2012” put out on Beläten. Giving me a grip once again to embrace electronica that has that experimental touch and can deliver what it is said to, or even more than what I’m introduced to. You can listen to “Keluar” down below.