The crass musique concréte is the way to go. Hollowfonts delve into a largely unattainable atmosphere through field recordings, noise, drone and musique concréte as the main components of this landscape of metamorphosing sound. With the man Michael J. O’Neal behind the steering wheel, this experimentation in sound is way above the expectations. His recorded material from 2013-2014 have been assembled into a limited cassette titled “XLVIII” – making this his debut-album on Phinery; a record-label based out of Denmark. It delves into a certain kind of industrial landscape, maybe a post-industrial one. Showcasing each component within the sound-scape, utilizing the scrapped metal writhing into an ambient, almost hallucinatory landscape. The brute intentions swirl into themselves creating a magnificent landscape which is probably out of bound for any human. A spaced-out drone is compiled between the desecrated landscape, an equivalent to a Mars-landing for the first time. Houston has no problem with indulging himself into this suspense-ridden atmosphere. Within the blink of an eye everything can be changed into something more sinister. It’s like going against a sandstorm of mighty sounds that just think nothing of you, as nature has its way. It is also going out of its own way to be fatiguing to the mind and body. I feel a certain kind of strain on my ears when I listen to it, a draining feeling – but I must keep going. The album itself can be bought from Phinery, the cassette is limited to fifty copies and you can listen to the album in full, down below.