Melbourne, Australia. As the sun sets, the Weeping Rat comes out to feast. Having recorded music under this name since 2012, with their first release “Blood & Fog“, a duo consisting of Jacob and Michael – slowly, over time became a whole group. After having released their second release “Empty Hearse/Funeral Train“, it took them about one year and a half to return with a track with the name “Light Of The Moon“, in January of 2014. Since those releases, they’ve slowly moved away from the rock-aspect of death-rock, having more of the atmosphere which can be conceived in such a genre – to their advantage – which in turn created a rather sense of urgency beneath a layer of coldness. This resulted in a double-EP released in the month of April. The first EP to be put up was “Forced Vision” and the second one was “Fractured Zones“. There is a noticeable difference with these two releases, as they stray away from the grittiness of the death-rock sound, paving a way for a death-industrial-esque trip between the living and the dead. Focusing more in “Fractured Zones” on the general landscape of sound being conceived with the experimentalist notion of decayed noise in a dark ambient landscape. Whilst the other EP, “Forced Vision”, focuses more on the rock’n’roll aspect – wishfully entering the same realm – but on different conditions. Which makes these two releases quite different, even though much of what they have in common is rendered, abysmally.
Though a lot of their sound might have a few things getting used to, it doesn’t sound flawed at all, but rather delivers an intermingling of genres seldom expressed by the artist – into such a sound-scape. Brooding is the total industrial transformation of Weeping Rat. Giving away a uncompromising and outdrawn sound, a secret that is being unveiled when you listen to it, making you feel part of a darker adventure. It doesn’t really make itself that great in text when trying to explain the picturesque landscape of decaying rot that these Australians produce. But it is a milestone in their own discography, making it perfectly clear that even they can change their outfit for better or worse – into something that is so out of touch with their ordinary, by now; memorabilia. Stream both EPs down below and listen to it, so you can discover a whole other side of their sound.
The Anxiety Of Love, made up by former members of Red Lorry Yellow Lorry, Certain General, Joan Of Arc Family, Treehouses and other bands – have just put up their discography for you to stream. From their first release “One E.P.“, which was released in 2012. To their latest release “The Anxiety Of Hate E.P.“. From having their releases put out by the notable Berlinian label aufnahme + wiedergabe, to having their releases put out by their own independent label The Essence Of Soul Limited, Vocoder Tapes and Peripheral Minimal. They’re actually one of the few bands that carry the earlier wide-spread tradition of no-wave into a whole other world, together with their rather long and drone-inspired songs plus releases, to the shorter versions riddled with what Michael B. Wood (the singer) of the band calls; “meth rock“. A most noticeable influence however, would be the looming cold wave atmospheres that knit their no-wave tighter to the most unbearable point of listening, but that is the point of what they are. Another interesting thing about them letting their discography be streamed properly, is the fact that the earlier unreleased tracks that are of compilation-variety, have been put up as samples to be listened to under the collective name of: “So Lonely In Your Crowd“. Before and after they got hinged with different labels, they actually self-released a couple of releases.
The “<<Nausea Libido>>“-single is a reminder of how great their self-released tracks got play-time through their D.I.Y-ethics, but also the live-document “soap in the blood” which features tracks from their live-performances. Another release that is probably seeing the day of light on a physical edition of vinyls, is the release that originally was scheduled for Tujunga Flats, but unfortunately never happened. This release, “The Swarm.“, is a nice reminder of how you can make it without the help of both major and independent labels – unless you’re making it darn sure to do it on your own. A lot of their music is unique in different kinds of ways, never leaving the ultimate darkness in which they brood, staying true to their core principles – makes for a different kind of listening experience – and it shines through. Their music is not that easy to categorize at best, but can be put into the goth rock, meth rock, cold-wave and no-wave, pocket. Now when they’ve been kind enough to put up their whole discography for your listening pleasure, digitally of course, wouldn’t you mind doing them a service and stream it until you drop? Because I know that I would. There are a lot of things to discover and you can do that right now. Stream their whole discography here on Repartiseraren.