A name like Tomás Nochteff might not ring any bells, but if you consider the fact that he’s involved with Mueran Humanos, you might know of him as a part of that artistic duo. He’s an Argentinian musician that in 1992 started the group Dios – together with Javier Aldana and Pedro Amodio – a group which in itself over time became a cult-group in Argentina. When the self-titled album was released in 2001, they broke up, and three years after that, he released a solo-album under his own name, called “Le Beat Juste“. Exactly on the time when he decided to move to Berlin in the 2000s, he found Carmen Burgess and officially founded this duo, Mueran Humanos, in 2006. They’re probably most known for their first self-titled release on Old Europa Café. But, since time passed and they released “Culpable” – a 7¨-release in 2012, as well as the maxi-single “El Circulo/La Langosta” in 2013 – he moved onto what became a continuation of his works under his own name. A solo-project that was continued where it was left off in 2006. Before we get to that however, we must also shed a light on the split-release he did together with the Spanish musician Arnau Sala Saez, titled “Música Para Disciplina” (Music For Disciplina) – intended for an art show called “Disciplina” – featuring the works of Gustavo Eandi at Galería Logo in Sao Paolo, Brazil.
Now, if we’d adjust the clock and set it onto 2014, Tomás Nochteff continues his trip as a solo-musician with the release “Pagan Easter“. Now in April, fittingly enough, Noisekölln Tapes – a label based out of Berlin – decided to put this release out on a limited edition cassette. His guitar-driven industrial music is more than it sounds like, a grandiose outlook into droning guitars and ambulant noise. Fading into a long-going atmosphere of the most substantial sound even to be found within a genre like this. Focusing more with the help of hardware, on the analogue aspect, giving a whole other warmth to the instrumentation. A rather grainy expedition into the heartland of noise and industrial combined, entwined with other influences. With the help of three pedals, strings and channels – the music was created during three days in Easter. Mind you, he once released it on cassette for his friends, limiting it to only nine tapes. So Noisekölln Tapes are re-releasing this music onto an edition of thirty-three cassettes, symbolically enough one would think. Stream the whole release down below and buy a tape if you’re interested.