Spotlight [SP. ED]: A New Life / Soft Riot!

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Russia wouldn’t be my main vantage point if I think about retro-fantastic synth-pop and minimal synth. Obviously, Los Angeles have been in the headlights for far too long, even though they have some merits to withhold that certain degree of appreciation. However, it seems like the Russian label-boss have been at it, at least if you check out Other Voices Records, whom we’ve interviewed earlier on this blog. Taking influences both from legendary groups such as Human League, and specifically; Soft Cell – there’s a resurgence that simply can’t be ignored. We’ll see if any other label from that particular region of the world are up for the challenge, but it seems like they’re the number one contenders so far. To be noted, the artists themselves aren’t from this region, but the mastermind is the Russian label. In this special edition of Spotlight, I’ll guide you to the two gems “Fright †reasures” and “Your Own Private Underworld“. Courtesy of A New Life and Soft Riot, one Italian-based producer and one UK-based producer of synth-pop music, with the word “retro” in the mainline.

1481648355-1What can possibly be said about A New Life and his newly released cassette titled “Fright †reasures“? Firstly, it’s based off material that was recorded in 2011-2012, by the synth-pop producer Maurizio Pustianaz. Besides the obvious fact that it’s retro all over, there’s also the importance of analogue. Smearing our brains with a current of force, but at the same time also a sincere yearning for times that have past. The music itself strays from synth-pop, to minimal synth and he delves into the 80’s – with good intent. His abysmal fascination for that decade, is preceded by the apparent structure of the songs, whom in their natural state reveal much of the influences. But they are pretty unconventional – and are only matched, when it comes to superiority, by the fast-paced sections of synthesizer goodness. Some of the ambitious hints of melodic content, are sometimes not his strength when it comes to the music. The weird, showcased melodies in the choruses don’t intertwine in a good way, within the context that is intended – of the structured colossus that is his sound. Which at times actually can be turned in his favor, since the music itself relies on the ambitious notion and atmospheric experimentalism that is rarely seen within this decade. Sure, if you’re interested in Soft Cell, their experimentation seem to be a guideline for his music. But when it comes to the regular synth-pop, with 80’s vibes, this is not something for the faint of heart or primitive minds. No, this sounds like an intellectual approach to an otherwise pretty basic genre, at least if you gather up all your synth-pop belongings and heed to the overall quality. Catchy, it is and can be when he lets it form around the strengths that emit throughout the often heartbreaking lyrical content, but not to an extent that is in his favor. Since the vocals are 50/50, they’re just too much in some of the songs, but at the same time add up in the end – which makes this a case of how you’d like the lyricism to be. When he sings from his heart, the music itself is energized and should re-conquer the castle it needs to forcefully re-take. Otherwise, when it comes to the overall picture, it’s a picturesque cassette which needs to be listened to. At least if you compare it to the not-so-stiff competition out there.

1006979070-1As you listen to Soft Riot, which is a moniker for another UK-based producer, who goes by the name of JJD (Jack Duckworth) – there’s an instant appeal to your own monotonic glory. His single-based release “Your Own Private Underworld“, from his forthcoming cassette “Fiction Prediction“, is a fusion between the minimal synth landscape, of dark intentions morphed into a kind of shallow Miami synth-pop sound. There’s a glimmering haze around the general atmosphere of the song, along with almost atonal sounds with monotonic intentions. The contradictions that feed off this sound is astonishing. No cliches are being re-interpreted into the shrewd landscape of ludicrousness, angelic dismay and sincere synthesizers. If anything, this is simply a display of utter originality. Quenching the thirst for some post-punk, by squeezing some influences from that pathway – into an all-out electronic endeavor. At times, the vocals and the interchangeable nature of the music, reminds you all too much about the totally non-electronic band Lebanon Hanover. The kind of dry atmosphere of aridity is utilized as a kind of undertone, which is absurd when blended with the glamor in the overlying parts of the songs structures. It’s odd, but it’s actually one of the better blends of minimal synth, with irregular influences, that has a more static synth-pop ground to stand on – which in the end actually works. Since there’s only two songs, as this is a part of a forthcoming cassette, I am dismayed. Not because anything is bad about it, it’s just because there are only two songs so far – and I want him to get on with it and deliver the rest of them. The urge that simply walks into your brain and make your hands click on the mouse-button, just so you can hear the songs on repeat. Really great songs, original and unique in so many ways. This is a cassette that you simply have to listen to. You should wait until the forthcoming cassette and whole album “Fiction Prediction” comes out, but I urge you to buy the digital download of these two songs – right now!

Spotlight: Eternal Crimes – Dream Gag

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Once in a while, it feels like post-punk should be at the center of the universe. Unfortunately, there aren’t really many great post-punk bands out there. If there are, they’re usually getting more praise than they deserve, if you take away the roots they aren’t really standing on in the first place. Yes, most of them don’t really go full-on with inspiration from the roots of this great genre. There’s such a sensationalistic approach to it, as they try to modernize it beyond belief. But, there’s a band called Eternal Crimes whom have recorded their debut-album “Dream Gag“, which really takes you back to the time of our lives. It sounds like the primitive sound of 80’s post-punk, the sound which you enjoy throughout. Recognizable, in terms of the primitive and primal surge of baselines soaring through the landscape of smitten lives. Slow, but catchy riffs in a reverberated notion of a heavy and atmospheric baseline. Judging from their sound, they derive much from what’s been the best with post-punk as long as I’ve listened to the genre. I also realize that they’re modernistic in their approach, but their aim is not to stray away from the core – which many bands tend to do. When you slice a bit of the musical cake, you do also find a slab of new-wave goodness, amongst other things like their totally punched out crash-course in post-punk 101. Another thing that is good, is their experimental notion, which sends them into the avant-garde section of the genre as a whole. Incorporating a dark & noir feeling, but keeping the shadowy edges a little bit tidy, collapsing in on itself in an avalanche of sound that is lashed upon the greatness that is them. Do also throw in some slick indie pop-ish splendor, and you’ll have a weird family tree. Finally, something that can at least be considered worthwhile, when it comes to the general sound of an album. The lyrics are interesting and are at best a reminder of the wonderful eccentrics of Virgin Prunes, and the grandiose setting of Theatre of Hate, with The Birthday Party‘s total madnesscombined into a wonderful, triple symbiosis. No, they’re not the same, but you’re reminded once more of how much of a revitalization this genre needed to have. Eternal Crimes instantly fix this disparity and uphold the morality of what needs to be done – is to keep the core, but move in the outskirts of the territory. To never remove themselves completely from that particular region. Their album feature eight songs, and was released on the 6th of May by Bad Archer Records.