Darklight: Last Light – Last Light

2880980625-1

I’ll have to admit, I’m not an innocent human being. When it comes to trip-hop, I mostly despise it. But when it’s combined with other genres, such as darker electronica like coldwave or industrial – I will be hooked immediately, if it’s properly executed. This is Last Light, they’re a duo consisting of Laura Boland and Jeremy Moss, whom are currently situated in Brooklyn. They released their self-titled debutalbum “Last Light” two months ago. Unfortunately for you, I didn’t find it until now. It feels like they’re a part of a wider spectrum, or a wave if you’d like to call it that – which has (mostly) been brought upon us from the US. These minimalistic torches that have been carried from the East to the West in the US, slowly making their way to Europe – landing in Northern Europe, this time around. What differs, is that they blend in trip-hop in the mix. The sincere and whispering voice of Laura Boland is enough to have you hooked for hours. Simply by listening to the blistering synthesizers revolving around her or Jeremy Moss. But I most concur, she’s a part of the wonderfully esoteric machinery of darkness, which can be felt by the stinging of a wrecking arpeggio that slices your heart in parts. Look no further, because this might also be the uniform split between the heavy electronics and more classical vocals. At times, however, it feels like the abomination that is and has been some of the dark electro – for a long time. If you ignore that part, in some of the songs, it’s actually a memorable album which will take you to new heights. I know that there’s a lot out there right now, but this one is a given if you want to stir the potpurri of influences a bit. So take a listen, because it’s definitely worth it, seven times over. The release features five songs and was released by themselves on the 18th of March.

Spotlight: Peter The Roman – Printer Silicone Machine

537148340-1

If I could be a Roman for a day, something would change in every way. His name would be designated, I would be elevated and everything would certainly be electronica-related. This man is Peter The Roman and he’s a new man in this world of three-dimensional sounds, equipped with a repetitive and snarky responsiveness, musically. His latest release “Printer Silicone Machine“, could be everything in this world that you’d want to hear. Besides the fact that it’s pretty repetitive, it’s also monolithic to an extent and what I would envision myself doing musically, actually. Not in this shape, maybe, but where the sounds aren’t that predictable – and weigh a heavy amount of tonnes. At times you’ll hear some nostalgic vibes, but it’s original in the manner that the warmth exhilarated from the body of the electronica is sincere at the top, but wondrous “down below“. It might not seek anything below the underground, but he certainly has ambitions at times. However, it’s noticeable that it stems from an experimental waypath that he has embarked upon. Among all the jibberish samples, there’s a little hint of everything that makes electronica what it is. Or, at least – how it should be. I find it odd, but I enjoy it when it doesn’t set me offbeat. The album features ten songs and you can download two of them for free. It was probably released D.I.Y., by himself.