Thee Showcase is back once again. For everyone with taste or distaste for music, you might actually find your own fix. First up is the Spanish crossover band Id3m. Last year they released their first album which was recorded at Studios Area 61 and it’s titled “New world nemesis“. There’s something interesting about their manufacturing of grindcore, hardcore and metal in one. It’s a rhythmic specimen which often takes its turn, decimating both the realms that are bestowed upon them, but also introducing an unconventional method of crossover. Usually, crossover is all about punk and hardcore, but I decided to use it here because I see it as an apt description. It actually also carries some hints of the all so famous Gothenburg melodic metal sound. I also think that they manage to combine the general grittiness of real death metal, with the more brutal and speedy grindcore, with hints of their melodic self. Some of the parts that are less melodic seem to float neatly into the more melodic nerve of this band. It’s everything you’d want a cheesy melodic death metal band to be, melodic but also with hints of overall brutality. Actually, some of the hardcore that floats into their metal parts form a little bit of metalcore at the edges, but not too much. I’m not very fond of metalcore, but it should be done right or at least be minimized to just a minor influence. This is the metal I could recommend to anyone that simply wants everything from metalcore, hardcore, grindcore, gothenburg melodic death metal, death metal and everything in between in one sound-scape. If they turn it up a notch, get a little bit more tight and decide which influences to cut, just to make it less messy – then they’ve got the world at their feet. Tracks range from “Here come the puppets” to “Spider web to the little near“, it was released by themselves in October last year.
Another band that is being featured today is also in the same department. They might not have the same influences, but could be categorized as metal. But they’re surely beyond that one label. The Belgian band Deuil have put their effort into an entire different category, with their release titled “Acceptance / Rebuild“. A general topic that they seem to revolve around is the notion of destruction, but also the notion of starting once again, but from scratch. After an almost spiritualistic introduction, á la monks and almost tribal hymns, they’ve put a line in the sand between ambiguous and thoughtful. Even though I don’t really prefer the mix of shoegaze, drone and black metal in one – they’re worthy of taking at least a little bit of the crown for being purveyors of an interesting sound. It’s been around for sure, but they utilize it in a totally different manner. With extremely long songs, featuring everything from droopy drones, to fluorescent shoegaze and finally the huge impact of raw orthodox black metal. Their slow and noteworthy escalation of the sound-scape itself is wonderful, as it progresses through a multitude of landscape before the unhinged black metal environment starts to engulf everything in between. I’ll also have to say that they include the element of doom metal with a pretty interesting twist, amongst old and forlorn samplings that can almost be heard in the wobbling noise that is their current destructive landscape. Nocturnal would be the word, destructive another and abandoned a third. It’s a pretty tempting landscape, but I must say that you need to have heard the likes of it before you venture into it. This is not for the meek, as you’ll transgress both noise itself and wander into unknown territory where you won’t know the in and outs. Featuring the two tracks “Acceptance” and “Rebuild“, released by themselves on the 31st of January this year.