I remembered, vividly, that I hadn’t included electro yet. I thought it was because of the lack of authentic electro, but I was wrong. First up is the sublime Hungry Soul from Antwerpen, Belgium. His latest endeavor is the release titled “Afterlife Resort“, which gives a rather mushy impression. I’ll explain why. The taciturn yet expressive landscape of both a futuristic time, yet induced and sprinkled with a feeling of nostalgia, has you hooked beneath your kneecaps. Maybe the robots are attacking, but they’re no elites. No, they’re drunken of oil and impaired due to excessive oiling. This could be described further, as they run berserk in your neighboring town, hurting nothing but the infrastructure and themselves. They do really hate anything even remotely close to them, so they want destruction. It might not be noticeable at first, but the cleanliness and sublime nature of the music arcs into a terribly malevolent situation of electronica and electro joining forces with man instead of machine. Some of it might seem arrhythmic, but it’s really rhythm through and through. That old-school wobble, those analog and those alien. Fearing before caring, locked up in different dimensions, miles apart from each other. Yet something forcefully eradicates your control, which make you a spastic piece of fabric for them to work with. Everything seems remote, but still connected to a centralized authority of electronic(al) magnitude. Actually, the probability of this experimentalism couldn’t be counted on. I was thinking more on the lines of AS1 and instead I got Hungry Soul. But now I know why the soul is hungry, because it wants more of that rhythmic stuff that is delivered through tubes of electro synchronicity. It’s spaced-out, yet confined within its own realms of progression and ambition. Ambiguous at least, ambitious at most – but in between is the only certain thing. Featuring the four tracks “Afterlife Resort“, “Heaven Was High“, “Blunted Beach” and “Jack Lag“. Released on Jack Playmobil Records on the 23rd of February.
Also, it’s been a long time, since I heard anything bombastic within darker genres. Either they limit themselves, pending from bombastic to minimal, or just stay within the confined limits of the minimal genres. Now I’ve found something else, something really special, a duo from Houston, Texas called Delphine Coma. It might not be an actualized release right now, since it was released a month ago, but I had to include it. Their release “Exit Isolation” is anything in between cold wave, minimal synth and darkwave. It’s weird, since it’s only minimalistic in the way the landscape progresses and maybe also the vocals. Everything else about it is monumental and bombastic, utilizing the best of two worlds to withhold the minimalism, but at the same time showcasing both minimalism tendencies with a bombastic core to sit on. The overlaying beauty of the sound-scape is wickedness with melancholic intent, but not to a degree that makes it totally ridiculous. It feels like I’m stuck in a dark vortex, slapping me around and carrying me back each time I take a listen. Everything with it grows on you and the tracks differ in both their attitude towards the listener and the general sense of belonging. They’re inviting you to a world of hurt, but you’re too damn attached to even look away or try to make it out. When you’re sitting on the top of a glacier, looking down on the magical spectacle that is Delphine Coma. It might frighten you at first, but when they’ve got you in their grasp, you’re theirs for the taking. I believe that this is what I think of when recognizing the different genres that influence them. This is exactly how it would turn out, but without me knowing it. There’s a sense of gratitude towards them, at the same time, there’s also an edge to it – which takes you from a non-believers perspective, to a cultist worshiper. Even though some of it could be predicted, their unpredictability and underlying sense of movement makes it such a different experience all-in-all. Transgress and transcend from your own apartment, include yourself or be included. You really have no choice in this matter, because it’s in their hands, which is powerful stuff. Something that isn’t going to be reserved for memory lane, it’s something now a part of you. Featuring the two tracks “Exit Isolation” and “Sothis ▲ Dog Star“, released on the 7th of January, on the label In Aeternum.