Never have experimental pop been so experimental. This feels like an edge towards New Zealand, anchored in the depths of Dunedin, in good company with no-wave pop-experimentalists Opposite Sex. But instead of forming a group, Theresa Stroetges uses her multi-instrumentalism to forge thoughtful and sincere landscapes of sound with her semi-acoustic emergence. Theresa goes by the name of Golden Diskó Ship – a solo-project that is about to venture out on the deep blue sea, unleashing her second album in November. Going on untamed waters seems like something that would happen on the get-go for her, because of how natural everything feels; while listening to her music. Having already made a mark with a track on the compilation “City Splits #1” and one on The Wire Trapper’s June 2012 compilation, it’s safe to say she knows what she’s doing – and she actually did – because her debut-album came not long after that, titled “Prehistoric Ghost Party“, recorded at the legendary Faust Studio which is Hans Joachim Irmler’s (Klangbad) workplace. She’s also got two EPs released earlier, so now one should hope that she’s nailed her own sound.
The second album is in a world of it self. There’s such a likeness to the different sound-scapes, the soothing melodies and sometimes rhythmic progressions that never leave you with a dull moment. A thin red line goes through it, connecting dots between each track and keeping it both thematically interesting and coherent. There doesn’t have to be any incoherence when it comes to experimentalism, not with Theresa’s wonderfully composed tracks which are out-of-the-box musically – but theoretically keep a sharp line that divides each track musically and topically. Repartiseraren has gotten the honor to exclusively premiere a track from her forthcoming album. The album is titled “Invisible Bonfire“, and the song of our choice was “Say Goodbye To This Island – Over And Out“. There was a thought to feature “Swan Song“, but it’s the last track on that album and we think that the aforementioned song has a bit of everything from the album. So here you go, enjoy the first publicly available track from that album. The album will be released on Spezialmaterial Records on the 25th of November.
Är man fanatisk när det gäller synth-pop så borde man slänga ett öga åt detta håll. Ja, självfallet när det handlar om låtar från 1980-talets dolda synthgömmor. Inte för att gruppen har försökt att undanhålla någonting, det har väl bara inte varit så att låten kommit ut på något släpp, än. Vildsvanen heter en undangömd synth-popgrupp som var mer eller mindre aktiva på 80-talet. Men deras passion låg inte i att visa upp sig för hela vida världen, eller för den delen Sverige, eftersom att de föredrog att spela in musiken snarare än att framträda live. Deras historia är rätt brokig men de hade en särskild förkärlek till DIY – do it yourself – eftersom att de var väldigt måna om att produkten, från topp till botten, skulle komma från dom själva. Gruppen har även ett annan namn som de ändrade till när de spelade in vissa låtar, eftersom att de var väldigt förtjusta i David Bowies låt “Moss Garden” – så fick det bli Moss Garten. Men namnet Vildsvanen behölls eftersom att Moss Garten-låtarna var annorlunda i jämförelse, skillnaden var inte bara i namnet utan också hur de lät. Den lustiga historien bakom namnet är att Mikael Isaksson från gruppen blev anfallen av en vild svan – således blev namnet: Vildsvanen (eller Vild Svanen).
Tillsammans med sin ungdomsvän Thomas så började de spela in år 1982, förfogandes endast över en 8-kanalig inspelningsmaskin. Ett år senare bestämde man sig för att spela in i en riktig studio, vilket gav upphov till “Zchlagers / Industrier” – deras första officiella släpp någonsin. Trots att det är en rätt förvirrad historia efter detta, med förändringar fram och tillbaka i sammansättningen av gruppen så är det ändå intressant att följa den rätt så icke-linjära historien. Allt kan förändras på blotta året och Moss Garten-låtar kan blandas med Vildsvanen-låtar. Egentligen orkade man inte hänga med, så ni kan se deras utveckling på en bild som medföljde vinylskivan när den släpptes på Domestica. Eller så kan man vända sig till deras hemsida, Domestica Records – som även var det skivbolag som gav ut en samlingsskiva med låtar från bägge alter-egon. Samlingen släpptes på vinyl för två år sedan och har sedan länge sålt slut på alla de tvåhundrafemtio exemplar som tillhandahölls.
Det som är mest intressant i sammanhanget är hur låtarna påminner om en opolerad Tredje Mannen, lite mer kaotiskt och mindre om vackra höstkänslor och andra mer lättlyssnade men melankoliska spår. Men givetvis finns det även melankoli hos Vildsvanen och särskilt i den låt som Repartiseraren fått tag på. Det är faktiskt en alternativ version av låten “Black and White” med Moss Garten som man fått tag på. Versionen är både längre rent tidsmässigt men också mer opolerad och dessutom på svenska. Vi är stolta över att kunna ge er låten “Turn Grey” – en av de bättre låtarna från den svenska synthens 1980-tal – även om det är hög klass på andra bortglömda synthlåtar från det årtiondet. Men det här är något som ger en det lilla extra i det annalkande höstmörkret. Lyssna nedanför.
The day has come when Veil Of Light finally got the run-up to his forthcoming debut-album released. Together with the Swedish label Beläten, five remixes and one original track have been put up digitally. Since there’s still about a month left until “Ξ” – the full album signed Veil Of Light. A.R.M., Ghost Actor, S S S S, Distel and Th. Thot have remixed four tracks — five if you include “Pale Eyes” — from the forthcoming album, which are “Falling Apart“, “Martyr“, “In Ruins” and “They Said“. When judging on the only available track, it feels great to realize how far he’s come from his earlier releases. It seems like he’s matured even more and the music sounds more organic. Even though a drum-machine is present at all times, the riffs seem even more melancholic, when tuning in to “Pale Eyes“.
Judging from the remixes, they’ve all done a great job in their own peculiar way. Even though my preferred remixes have been created by Distel and Th. Thot – the others are okay if you like subdued atmospheres. S S S S are more like Distel, keeping the mythic environment alive and shapeshifting away from the calmness. Abiding by no other rules than what is set up by the rhythm. The industrialized mammoth that is coated with a layer of noisyness feels like smoke clouding your eyesight – you’re caught in the middle of a tense situation. Distel on the other hand keep at their signature sound, keeping their original rhythms but straying away from the atonal sound for a more melodic chanson. The melodies are otherwise not as prominent and clean. When you get to the end, the deep baseline takes you out of bound and into a completely meditative setting.
The favorite of all remixes is clearly stated by Herr Thot himself. Th. Thot is Thomas himself, stirring up a whirlwind together with a static rhythm and simple melody that slowly progresses and in itself give an added value to the song. Now that I haven’t heard the original track, it is hard to state how true it is. But I really like how the manipulated vocals add a layer of melody and harmonics – that wouldn’t pack the same punch without it. All in all it’s a wonderful free release that Beläten is generous enough to give out before the “real” release is put out to the masses. Not to mention how the combination of emerging artists and steadfast champions make it a total brawl. Veil Of Light will release his debut-album “Ξ” on the 7th of November which will be the first ever vinyl-release Beläten have ever done. While you’re waiting for that release you can download this digital release for free.
With monumental influences taken from black metal aesthetics, it’s weird to realize how trip-hop can be thrown in to make it something completely different. Hailing from Paris, this collective of nocturnal souls make up Cape Noire – an outfit that flourishes in the catacombs. With their catchy trip-hop sound and their atmosphere lent from darkwave and other electronic genres, they fuse soulful vocals with different aesthetics. You could honestly say that “Fire” – their only publicly available track – have a musical ground available in more commercial music. Although that song is more of an anthemic introductory to this collective, it’s nice to see how you actually can stray away into darker melodies, ambitious vocals and still keep some kind of artistry connected to more widely attractive genres. But it’s good that all clichés are swept under the rug and that they develop their own sound, because that’s ultimately what gives the listener a more steadfast connection to their music.
Repartiseraren have gotten the honor to premiere another piece of music from the strictly limited CD-release put out by Cape Noire on the 11th of October. This item will probably be a collectible, so you’d better hurry and buy one because they’re limited to thirty copies, handmade all matte black and silver ink buffered package. Their aesthetics revolve a lot around the mystery of who might be the actors behind the moniker of Cape Noire – in turn fueling the relevance of their music – besides it being masterfully crafted for your listening pleasure. Now you get to listen to another track from that release, namely: “Avalanche“, which gives you an insight into how versitale they seem to be. You can sense some dark cabaret influences that move their way through a more carefully laden atmosphere, but with utmost sincerity the trip-hop beats are laden in perfect conjunction to the marvelous vocals. Listen to the track down below. Buy the CD from them here.
Exquisite but ominous electro and techno are out in favor for a more classic 1990’s rave and techno sound. Mute the melodies and come into your groove with a harsh acid baseline that will make you go bananas. This is exactly what Zarkoff has done when he for a moment strayed away from his original sound and decided to go full-on tribalistic rave and classic techno in “The Big Ripoff“. The spirit of the track is not tainted by what he himself thinks is a huge rip-off, because even though a lot of people are going to reminiscence about the good old days – his craftsmanship shines through yet again – so don’t be so harsh on yourself. It’s a perfectly unplanned gesture that shields us when we’re heading into the colder months of the year – the warmth of his track is what keeps you grooving.
After I’ve listened through it a few times I’ve come to appreciate it even more and I hope Zarkoff changes route completely and starts to heave acid house or classic techno music at us, hopefully in a raver’s setting of neon lights and with a drugged out atmosphere. Or maybe he should go full-on gabber so he can be acredited of reviving a genre whose life is in a total stalemate nowadays. What ever he chooses to do, nobody can deny that he’s skilled at what he does and that his transformations are what keep you listening to his music. Anyway, you can stream the track down below or download it for free.
We know that you’re probably having a rough Monday. It might not be a terrible one, but it’s always hard to cope with going back to your routines after the weekend. Therefore we’ve got a treat for you which you might or might not enjoy. Feral Trash is an American band that combines rock’n’roll and melodious dark punk into a nice whirlwind of emotional statements. Whether they do it with their copious riffs or the drumming, with their lyrics or their vocals – doesn’t matter. Their wholeheartedness could be heard in their first release “Dead Eyes“, which came out in 2013. Being stationary at Dirt Cult Records gave them a possibility to release something new a year later. The label originally started out in 2006 by the hands of Chris Mason and his friend Dillon – but he left shortly afterwards and since then the operations have been managed by Chris. So mainly, the label utilizes itself within the confinements of punk – meaning everything from post-punk, rock’n’roll, melodic punk, “regular” punk – and other genres which can be knitted to “punk“.
Now, a year later Feral Trash are going to be releasing their debut-album “Trashfiction” with the help of DIrt Cult Records. The frontman Eric Neurotic, whom also can be heard in the band Fear Of Lipstick, is involved in labels who are alike to what his band is releasing an album on – namely It’s Alive Records and P. Trash Records. Everything comes around now and then – full circle. Which is just good because that prooves his interest and passion for those genres. Anyway, “Trashfiction” will be released on the 26th of October. Repartiseraren is collaborating with Dirt Cult Records for the first time, giving you the opportunity to exclusively stream the tenth song from their debut-album, titled “No Avail“. Listen to it down below and if you’re interested, see to it that you buy the physical vinyl. The vinyl is limited to 300 copies, whereas 100 are on color vinyl.